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| Abundante Giulio, detto dal Pestrino |
Intabolatvra di livto : de ogni sorte
de balli, novamente ristampati : libro 1. Venetia : A. Gardano, 1563. [M140 .I5] 1563 |
1563 |
Lute |
| Agricola, Martin |
Musica Choralis Deudsch, 1533 [ML171
.A24] |
1533 |
|
| Agricola, Martin |
Musica figuralis deudsch. 1532. [ML171
.A25] |
1532 |
|
| Agricola, Martin |
Musica instrumentalis deudsch : ynn
welcher begriffen ist wie man noch dem gesange auff mancherley Pfeiffen
lernen sol : Auch wie auff die Orgel, Harffen, Lauten, Geigen vnd allerley
Instrument und Seytenspiel noch der rechtgegründten Tabelthur sey abzusetzen
/ Mart. Agricola. 1530. [ML171 .A26] |
1530 |
Lute |
| Agricola, Martin |
Musica instrumētalis deudsch inn
welcher begriffen ist: wie man nach dem gesange auff mancherley Pfeiffen
lernen sol Auch wie auff die Orgel, Harffen, Lauten, Geigen vnd allerley
Instrumenten vnd Seitenspiel nach der rechtgegrůndten Tablethur sey abzusetzen
/ Mart. Argric. Anno. 1542. [ML171 .A26] |
1542 |
Lute |
| Agricola, Martin |
Rvdimenta mvsices, qvibvs canendi
artificivm compendiosissime complexum pueris vna cum monochordi dimensione
traditur. 1539. [ML171 .A27] |
1539 |
|
| Arbeau, Thoinot |
Orchesographie. Et traicte en forme de
dialogve, par leqvel tovtes personnes pevvent facilement apprendre &
practiquer l'honneste exercice des dances. Imprimé par Iehan des Preyz,
Lengres, 1589, |
1589 |
dance |
Autori diversi
Milano, Mantoa, Laquila, Borono, Becchi |
La Intabolatvra de lavto de diversi
avtori, con alcune padouane et saltarelli noui.
Italian lute tablature. The composers named are: Francesco da Milano;
Alberto da Mantoa; Marco da Laquila; Io. Iacomo Albutio da Milano and Pietro
Pauolo Borono da Milano. Tablature. RISM, B/I, 1563²¹ Bound with: Balletti,
Bernadino. Intabolatvra de lavto. Venetia, 1554. Borrono, P.P. La
intabolatvra de lavto. Vinegia, 1563. Abundante, Giulio. Intabolatvra di
livto. Venetia, 1563. Becchi, Antonio di. Libro prima d'intabvlatvra de
levto. Venegia, 1568. From the library of Baron Horace Landau.
M140, RISM, B/I, 1563²¹ |
1563 |
Lute |
| Balletti, Bernardino |
Intabolatvra de lavto di uarie sorte de
balli nouamente data in luce : libro 1. Venetia 1554. [M140 .I5 1563]
RISM, A/I/1, B 777
RISM, B/I, 1563²¹ |
1554 |
Lute |
| Barberiis, Melchiorre de. |
Intabolatura di lauto : libro nono
intitolato il Bembo,di fantasie,balli,passi, e mezi,e padoane gagliarde /
composte per il reverendo M. pre Melchioro de Barberis padoano, musico et
sonator di lauto eccellentissimo. Venetiz 1549 [M140.A2 B23] |
1549 |
Lute |
| Barbetta, Giulio Cesare |
Intavolatvra de livto : doue sicontiene
padoane, arie, baletti, pass' e mezi, saltarelli, per ballar àla italiana,
& altre cose diletteuoli secondo l'uso di questi tempi, accommodato per
sonar con sei e sette ordeni de corde / Giulio Cesare Barbetta. Venetia :
Angelo Gardano, 1585. [M140.B25 I5]
RISM, A/I/1, B 906 |
1585 |
Lute |
| Barbetta, Giulio Cesare |
Novæ tabulæ musicæ testudinariæ
hexachordæ et heptachordæ / Julii Cæsaris Barbetti Paduani ; Neu Lautenbach
auff sechs vnd siben Chorseyten gestellt durch Julium Cæsarem Barbettum von
Padua. Getruckt zu Strassburg : Durch Bernhart Jobin, im jar 1582. [M140 .B2]
RISM, A/I/1, B 905
RISM, B/I, 1582¹⁵ |
1582 |
Lute |
| Baron, Ernst Gottlieb |
Historisch-theoretisch und practische
untersuchung des instruments der lauten / mit Fleiss aufgesetzt und allen
rechtschaffenen Liebhabern zum vergnügen herausgegeben. Nürenberg 1727.
[ML1010.A2 B2] |
1727 |
|
| Bataille, Gabriel |
Airs de differents avthevrs, mis en
tablatvre de lvth / per Gabriel Bataille. A Paris : Per Pierre Ballard, 1608.
[M1490 .B28]
RISM, B/I, 1608¹⁰
RISM, B/I, 1609¹³
RISM, B/I, 1611¹⁰ |
1608 |
Lute |
| Bataille, Gabriel |
Airs de differents avthevrs, mis en
tablatvre de lvth. A Paris : Per Pierre Ballard, 1608. [M1490 .B28] |
1608 |
|
| Bataille, Gabriel |
Airs de differents avthevrs, mis en
tablatvre de lvth. Second livre / par Gabriel Bataille. A Paris : Par Pierre Ballard, 1609.
[M1490 .B3]
RISM, B/1, 1609¹³ |
1609 |
Lute |
| Becchi, Antonio di |
Libro primo d'intabvlatvra da levto /
di M. Antonio di Becchi Parmegiano, composta da lvi novamente, et data in
lvce, con alcvni balli, napolitane, madrigali, canzon francese, fantasie,
recercari. Vinegia : Girolamo Scotto, 1568. [M140 .I5 1563]
RISM, A/I/1, B 1509 |
1509 |
|
| Besard, Jean-Baptiste |
Ioan. Bapt. Besardi Vesontini novvs
partvs, siue concertationes mvsicæ, dvodena trivm, ac totidem binarum
testudinum (quibus & n[o]tæ musicæ adduntur) singulari ordine modulamina
continentes : his addidita [a]vthor, lectissimi stili partes aliquot seorsim,
tam proprias, quàm alienas, atque in gratiam Philomusi, è tenebris in
meliorem lucem liberaliter eduxit, necnon ad artem testudinis breui,
citraq́ue magnum fastidium capescendam, facilem & methodicam
institutionem hisce subiecit. Avgvstae Vindelicorvm : Per Dauidem Francum,
[1617] [M1490.B51 N7]
RISM, B/I, 1617²⁶ |
1617 |
|
| Boccherini, Luigi |
Six quintéti pour 2 violons, guitare,
alto & basse / composés à Madrid pour Mr. le Marquis de Bénavent par
Bocchérini. Quintets, guitar, violins, viola, cello, G. 445-450. [M574 .B
Case]. 1811. |
1811 |
Guitar |
| Borrono, Pietro Paolo |
La intabolatvra de lavto di saltarelli,
padovane, balli, fantasie et canzon francese, novamente posta in lvce.
Vinegia : Girolamo Scotto, 1563. [M140 .I5 1563].
RISM, A/I/1, B 3773
RISM, B/I, 1563¹⁸ |
1563 |
Lute |
| Burney, Charles |
A general history of music, from the
earliest ages to the present period : to which is prefixed, a dissertation on
the music of the ancients / by Charles Burney. London 1776. [ML159 .B958] |
1776 |
|
| Burney, Charles |
Musical travels through England / by
Joel Collier [pseud.] 4th ed. London 1776. [ML429 .V4] |
1776 |
|
| Burney, Charles |
Musical travels through England / by
Joel Collier. 1785. [ML429 .V396] |
1785 |
|
| Burney, Charles |
The present state of music in France
and Italy, or, The journal of a tour through those countries, undertaken to
collect materials for a general history of music / by Charles Burney. London
1771. [ML195 .B96] |
1771 |
|
| Burney, Charles |
The present state of music in France
and Italy, or, The journal of a tour through those countries, undertaken to
collect materials for a general history of music / by Charles Burney. London
1773. [ML195 .B961] |
1773 |
|
| Burney, Charles |
The present state of music in Germany,
the Netherlands, and United provinces, or, The journal of a tour through
those countries, undertaken to collect materials for a general history of
music / by Charles Burney. London 1773. [ML195 .B962] |
1773 |
|
| Burney, Charles |
The present state of music in Germany,
the Netherlands, and United provinces. Or, The journal of a tour through
those countries, undertaken to collect materials for a general history of
music / by Charles Burney. London 1775. [ML195 .B962] |
1775 |
|
| Caccini, Giulio |
Le nvove mvsiche / di Giulio Caccini
detto Romano. Firenze 1601. [M1490 .C2]
RISM, A/I/2, C6
RISM, B/VI, p. 196 |
1601 |
|
| Caroso, Fabritio |
Il ballarino di M. Fabritio Caroso da
Sermoneta, diuiso in due trattati nel primo de' quali si dimostra la
diuersità de i nomi, che si danno à gli atti; & mouimenti, che
interuengons ne i balli: & con molte regole si dichiara come debbano
farsi. Nel secondo s'insegnano diuerse sorti di balli, & balletti sì all'
vso d'Italia, come à quello di Francia, & Spagna. Ornato di molte figure.
Et con l'intauolatura di liuto nella sonata di ciascun ballo, & il
soprano della musica alla maggior parte di essi. Opera nuouamente mandata in
luce. Venetia, 1581. MT950 .C25 1581 |
1581 |
Lute |
| Caroso, Fabritio |
Nobiltà di dame del Sr. Fabritio Caroso
da Sermoneta, libro, altra volta, chiamato Il ballarino. Venetia 1600. [MT950
.C25 1600] |
1600 |
|
| Caroso, Fabritio |
Raccolta di varij balli fatti in
occorrenze di nozze, e festini da nobili cavalieri, e dame di diuerse
nationi. Nuouamente ritrouati negli scritti del sig. Fabritio Caroso da
Sermoneta ... Data alle stampe da Gio. Dini, arrichita di bellissime figure
in rame. Con aggiunta del basso, e soprano della musica, & intauolatura
di liuto a ciascun ballo. Roma 1630. [MT950 .C25] |
1630 |
Lute |
| Caroso, Fabritio |
Six quintéti pour 2 violons, guitare,
alto & basse. Nobiltà di dame del sr. Fabritio Caroso da Sermoneta libro,
altra volta, chiamato Il ballarino. Nuouamente dal proprio auttore corretto,
ampliato di nuoui balli, di belle regole, & alla perfetta theorica
ridotto: con le creanze necessarie à caualieri, e dame. Aggiontoui il basso,
& il soprano della musica: & con l'intauolatura del liuto à ciascun
ballo. Ornato di vaghe & bellissime figure in rame. 1600. |
1600 |
Lute
Guitar |
| Castaldi, Bellerofonte |
Capricci a due stromenti cioè tiorba e
tiorbino e per sonar solo varie sorti di balli e fantasticarie Setnoforelleb
Tabedul Catalog Record - Electronic Resource AvailableFor theorbo, 2
theorbos (one of them a small theorbo pitched an octave higher), or for voice
with theorbo acc. Modena : Castaldi, 1622. [M3.1.C275 C3 1622]. vk26
2019-04-17 985 added |
1622 |
Theorbo |
| Cecchino,
Tomaso |
Canti spirituali. Venezia 1613.
[M1490.C33 C3 1613] (Voice with
Cravecin) |
1613 |
|
| Child, William |
Choise musick to the psalmes of Dauid
for three voices with a continuall base either for the organ or theorbo.
London : Printed for John Playford, 1656. [M1490 .C54] |
1656 |
Theorbo |
| Coperario, John |
Songs of mourning : bewailing the
untimely death of Prince Henry / worded by Tho. Campion ; and set forth to
bee sung with one voyce to the lute, or violl by Iohn Coprario. London :
Printed for Iohn Browne and are to be sould in S. Dunstons churchyard. 1613.
M1490.C775 S6 1613a |
1613 |
Lute |
| Corelli, Arcangelo |
Sonate a trè, due violini, e violone,
ò arcileuto col basso per l'organo, opera terza / del Signore Arcangelo
Corelli da Fusignano, detto il Bolognese. Bologna 1695. |
1695 |
|
| Corkine, William |
The second booke of ayres, some, to
sing and play to the base-violl alone : others, to be sung to the lute and
base violl : vvith new corantoes, pauins, almaines ; as also diuers new
descants vpon old grounds, set to the lyra-viol / by William Corkine. London
: Printed for M[atthew] L[ownes] I[ohn] B[rowne] and T[homas] S[nodham]
assigned by W. Barley, 1612. M1490.C79 A42 1612a |
1612 |
Lute |
| Couperin, François |
L'art de toucher le clavecin / par
monsieur Couperin, organish [!] du roi ..., A Paris 1717. [MT252 .C82] |
1717 |
Clavecin |
| Danyel, John |
Songs for the lvte viol and voice /
composed by I. Danyel. London : Printed by T. E. for Thomas Adams, at the
Signe of the White lyon, in Paules-church-yard. 1606. M1490.D23 S6 1606a |
1606 |
|
| Dowland, Robert |
A mvsicall banqvet : furnished with
varietie of delicious ayres, collected out of the best authors in English,
French, Spanish and Italian / by Robert Douland. London : Printed for Thomas
Adams, 1610. M1490.D75 M8 |
1610 |
Lute |
| Dowland, Robert |
Varietie of lute-lessons : viz.
fantasies, pauins, galliards, almaines, corantoes, and volts : selected out
of the best approued avthors, as well beyond the seas as of our owne country
/ by Robert Douland ; Whereunto is annexed certaine obseruations belonging to
lvte-playing ; by Iohn Baptisto Besardo of Visconti ; also a short treatise
thereunto appertayning, by Iohn Douland batcheler of musicke. London 1610.
[MT640 .D7] |
1610 |
Lute |
Fiorino, Gasparo.
Francesco, da Milano,
Scotto, Girolamo. |
La nobiltà di Roma : versi in lode di
cento gentildonne romane et le vilanelle à tre voci / di Gasparo Fiorino,
della città di Rossano, musico dell' illustrissimo et reuerendissimo signore
Cardinale di Ferrara ; intauolate dal magnifico M. Francesco di Parise,
musico eccellentissimo in Roma. In Vinegia : Appresso Girolamo Scotto, [1571]
M1490 .F52
RISM, B/I, 1571⁸ |
1571 |
Voice |
| Francesco, da Milano |
Intabolatura de lauto di Francesco da
Milano de motetti recercari & canzoni francese nouamente ristampata :
libro segondo. In Venetia : Apresso di Antonio Gardane, 1546. M140 .F8
RISM, B/I, 1546²⁹ |
1546 |
Lute |
| Francesco, da Milano |
Intabolatvra de lavto di M. Francesco
Milanese et M. Perino Fiorentino suo discipulo di recercate madrigali, &
canzone francese : libro terzo. In Venetia : Apresso di Antonio Gardane,
1547. [M140 .F83]
RISM, B/1, 1547²¹ |
1547 |
Lute |
| Francesco, da Milano ? |
Trinitas in unitate; canon, [by]
Francesco da Mocheni in Milano, ed. by Cecily Arnold and Marshall Johnson.
M351.F86 T7 |
15xx |
Lute |
| Galilei, Vincenzo |
Dialogo della musica antica e moderna /
di Vincentio Galilei nobile fiorentino. In sva difesa contro Ioseffo Zerlino.
Fiorenza 1602. [ML171 .G15] |
1602 |
|
| Galilei, Vincenzo |
Dialogo di Vincentio Galilei nobile
florentino della mvsica antica, et della moderna. Fiorenza 1581. [ML171 .G15] |
1581 |
|
| Galilei, Vincenzo |
Discorso di Vincentio Galilei nobile
fiorentino, intorno all'opere di messer Gioseffo Zarlino da Chioggia, et
altri importanti particolari attenenti alla musica. Fiorenza 1589. [ML171.G15
D5] |
1589 |
|
| Galilei, Vincenzo |
Fronimo, dialogo di Vincentio Galilei
... sopra l'arte del bene intavolare, et rettamente sonare la mvsica negli
strumenti artificali si di corde come di fiato, & in particulare nel
liuto. Nuouamente ristampato, & dall'autore istesso arrichito, &
ornato di nouità di concetti, & d'essempi. Vineggia 1584. [MT640 .G25] |
1584 |
Lute |
| Ganassi, Silvestro |
Lettione seconda pvr della prattica di
sonare il violone d'arco da tasti. Venetia 1543. [MT338 .G3] |
1543 |
|
| Ganassi, Silvestro |
Regola rvbertina : regola che insegna
sonar de uiola darcho tastada / de Sylvestro Ganasi dal Fontego. Venetia,
1542-1543. [MT338 .G3] |
1542 |
|
Gasper Sanz
Francisco Querau |
Libro de cifra de vihuela Manuscrito
espanol de principio del siglo XVIII. 1670. M2.1 .T2 (17A) |
1670 |
Vihuela |
| Gastoldi, Giovanni Giacomo |
Cantus, songs and fancies, to severall
musicall parts both apt for voices and viols : with a brief introduction to
musick, as is taught into the Musick-school of Aberdeen : together also, with
severall of the choisest Italian-songs, and new English-ayres, all in three
parts, (viz.) two treebles and a bass. [M1490 .F69] |
1682 |
Gamba |
Gautier, Denis
Gaultier, Ennemond |
Liure de tablature des pieces de luth.
de Mr. Gaultier Sr. de Néüe et de Mr. Gaultier son cousin. sur plusieurs
diferents modes, auec quelques reigles qu'il faut obseruer pour le bien
toucher / graué par Richer. Paris : Chez la veufue de Mr. Gaultier dans la
monnois, 1672. [M140 .G26] |
1672 |
Lute |
| Geminiani, Francesco |
Guida armonica, o, Dizionario armonico.
Being a sure guide to harmony and modulation, in which are exhibited, the
various combinations of sounds, consonant, and dissonant, progressions of
harmony, ligatures and cadences, real and deceptive. Opera X / by F.
Geminiani. London 1742. [MT52 .G45] |
1742 |
|
| Geminiani, Francesco |
The art of accompaniament, or, A new
and well digested method to learn to perform the thorough bass on the
harpsichord, with propriety and elegance : opera 11th / by F. Geminiani.
London 1753? [MT49 .G45] |
1753 |
Clavecin |
| Geminiani, Francesco |
The art of playing the guitar or
cittra, containing several compositions with a bass for the violoncello or
harpsichord ... / by F. Geminiani. Edinburgh 1760. [MT582 .G4] |
1760 |
Guitar |
| Grandi, Alessandro |
Il qvarto libro de motetti a dve tre
qvattro, et sette voci con il basso continuo per sonar nell' organo / di
Alessandro Grandi vice maestro di capella della serenissima Signoria di
Venetia in San Marco.. 1621 |
1621 |
Basso Continuo |
| Greeting, Thomas |
The pleasant companion: or, New lessons
and instructions for the flagelet / by Thomas Greeting, gent. London, J.
Playford, 1680. MT359 .G86 |
1680 |
|
| Hart, James (Contributor ) |
Synopsis musicae, or, The musical
Inventory being a collection of the choicest and newest ayres, jiggs, borees,
alemands, gavots, entries, round O's, horn pipes, rumpet-tunes and Scotch
tunes, for the recorder or flute to which are added several new songs and
catches compos'd by the most able masters. 1693. M1490 .S93
RISM, B/I, 1693⁷ |
1693 |
|
| Hassler, Hans Leo (Contributor) |
Psalmen und christliche Gesäng mit
vier Stimmen, 1607 [M1490 .H35] 4 particellas, 52 salmos. |
1607 |
|
| Hassler, Hans Leo (Contributor) |
Sacri concentus quatuor, 1601
[M1490.H35 S2] 5, 6, 7, 8, 9,10, & 12 vocum , 12 particellas,
motetes. |
1601 |
|
| Hely, Benjamin |
The compleat violist, or, An
introduction to ye art of playing on ye bass viol wherein the necessary rules
& directions are laid down in a plain & familiar method with a
collection of the Psalm tunes set to the viol, as they are now in use in the
churches where there are organs. To which are added some select aires &
tunes, set according to ye divers manners of playing by the G sol re ut
cliff, the C sol fa ut cliff, & ye fa ut cliff : also several lessons,
viz. almans, sarabands, courants, Iiggs &c. 1700. [MT338 .H4] |
1700 |
|
| Hewitt, James |
How happy was my humble lot a favorite
ballad : sung by Mrs. Oldmixon & Miss Broadhurst. 1799. |
1799 |
Guitar |
| Hewitt, James |
Sweet Myra of the Vale sung by Mr.
Tyler with great applause. 1799-1800. |
1799 |
Guitar |
| Judenkünig, Hans |
Ain schone kunstliche Underweisung in
disem Büechlein, leychtlich zu begreyffen den rechten grũnd zu lernen auff
der Lautten vnd Geygen, mit Vleiss gemacht dürch Hans Judenkünig, pirtig
von Schwebischen Gmünd, Lutenist, yetz zu Wien in Osterreich. Colophon 1523.
[MT640 .J9] |
1523 |
Lute |
| Kapsberger, Giovanni Girolamo |
Libro primo di Arie passeggiate à vna
voce con l'intavolatura del chitarone / dal sigr. Gio. Girolamo Kapsberger
nobile alemano ; raccolto dal sigr. Caue. fra Jacomo Christoforo ad Andlaw
del ordine di S.to Gio. Battista. Rome : [s.n.], 1612. M1490 .K2
RISM, A/I/5, K 186 |
1612 |
Theorbo |
| Kapsberger, Giovanni Girolamo |
Libro primo di Mottetti passeggiati à
una voce / del sigr Gio: Girolamo Kapsberger nobile alemano ; raccolto dal
Sigr Francesco de Nobili. 1612
RISM, A/I/5, K 185 |
1612 |
Theorbo |
| Kapsberger, Giovanni Girolamo |
Libro primo di Villanelle à 1, 2 et 3
uoci accommodate per qualsiuoglia strumento con l'intavolatura del chitarone
et alfabeto per la chitarra spagnola / del sig.r Gio. Girolamo Kapsberger
nobile alemano ; raccolto dal sig.r caualier Flamminio Flamminij, del ordine
di S.to Stefano. In Roma : [s.n.], 1610. M1490 .K2
RISM, A/I/5, K 183 |
1610 |
Theorbo
Guitar |
| Kapsberger, Giovanni Girolamo |
Libro primo d'intavolatvra di chitarone
/ del m.to ill.re sig.r Gio: Girolamo Kapsberger nobile alemano ; raccolto
dal sig.r Giacomo Antonio Pfender. Venetia : [s.n.], 1604. M1490 .K2.
RISM, A/I/5, K 181 |
1604 |
Theorbo |
| Kapsberger, Giovanni Girolamo |
Libro primo d'Intavolatvra di lavto /
del sig: Gio: Girolamo Kapsberger nobile alemano ; raccolto dal sig: Pilippo
Nicolini. 1611.
RISM, A/I/5, K 184 |
1611 |
Lute |
| Kargel, Sixt |
Lautenbuch viler newerlessner
fleissiger, schöner Lautenstück : von artlichen Fantaseien, künstlichen
musicartlichen lateinischen Muteten, mit fünff und sechs Stimmen allerhand
lieblichen teutschen, frantzösischen und italienischen Liedern, auch lustigen
Passomezen in die teutsch Tabulatur, zu nutz und gefallen aller diser Kunst
lehrbegirigen und besonders denen so der italienischen und frantzösischen
Tabulaturen unerfaren auffs verständtlichet und richtigst zusammen getragen
und geordnet auff sechs und siben Chorseiten gericht / durch Sixtum Kargel,
fürstlichen bischofflichen, strassburgischen Lautenisten. Strassburg :
Bernhard Jobin, 1586. M140 .L4 1586 |
1586 |
Lute |
| Keller,
Gottfried |
A compleat method, for attaining to
play a through bass upon either organ, harpsichord or theorbo lute. London
1721. [MT49.A2 K29] |
1721 |
|
| Kellner,
David |
Treulicher unterricht im general-bass
�c, Hamburg 1737. [MT49.A2 K3] |
1737 |
|
| Kirnberger,
Johann Philipp |
Construction der gleichschwebenden
temperatur. Berlin 1760. [ML3809 .K58] |
1760 |
|
| Kirnberger,
Johann Philipp |
Die Kunst des reinen Satzes in der
Musik, aus sicheren Grundsätzen hergeleitet und mit deutlichen Beyspielen
erläutert. Berlin 1771-1779. [MT40 .K5] |
1771 |
|
| Kirnberger,
Johann Philipp |
Grundsätze des Generalbasses. Berlin
1781. [MT49.A2 K6] |
1781 |
|
| Kirnberger,
Johann Philipp |
Methode sonaten aus 'm ermel zu
schüddeln. Berlin 1783. [MT62.A2 K67] |
1783 |
|
| Le Sage De Richée, Philipp Franz |
Cabinet der Lauten : in welchem zu
finden 12. neue Partien, aus unterschiedenen Tonen und neuesten Manier so
anietzo gebräuchlich, welche bestehen in Praeludien, Allemanden, Couranten,
Sarabanden, Giquen, Gavotten, Menuetten, Boureen, Ghagonen, ... 1695.
[M140 .L6]
RISM, A/I/5, L 2054 |
1695 |
Lute |
| Luscinius, Ottmar |
Mvsvrgia seu praxis mvsicæ Illius primo
quæ Instrumentis agitur certa ratio, ab Ottomaro Luscinio Argentino duobus
libris absoluta. Eiusdem Ottomari Luscinij, de concentus polyphoni, id est,
ex plurifarijs uocibus compositi, canonibus, libri totidem. Argentorati :
apud Ioannem Schottum, Anno Christi.1536. ML171 .L94 |
1536 |
|
| Mace, Thomas |
Musick's monument; or, A remembrancer
of the best practical musick, both divine, and civil, that has ever been
known, to have been in the world. Divided into three parts. London 1676.
[MT340 .M14] |
1676 |
|
| Mattheson, Johann |
Der neue göttingische aber viel
schlechter, als die alten lacedämonischen urtheilende Ephorus, wegen der
Kirchen-Music eines andern belehret von Io. Mattheson. Nebst dessen
angehängtem, merckwürdigen Lauten-Memorial ... Hamburg 1727. [ML3001 .M45] |
1727 |
Lute |
| Mattheson, Johann |
Grosse General-Bass-Schule. Oder: Der
Exemplarischen Organisten-Probe 2. verb. und verm. aufl. bestehend in dreien
Classen als: in einer gründlichen Vorbereitung in 24. leichten Exempeln in
24. schwerern Probstücken: solcher Gestalt eingerichtet ... wer die erste
wol vestehet; und in den beiden andern classen alles rein trifft; so dann das
darin Enthaltene gut anzubringen weiss; derselbe ein Meister im General-Bass
heissen könne. Hamburg 1731. [MT49.A2 M44] |
1731 |
Basso Continuo |
| Mattheson, Johann |
Kleine General-Bass-Schule. Worin nicht
nur Lernende, sondern vornehmlich Lehrende, den allerersten Anfangs-gründen
des Clavierspielens, überhaupt und besonders, durch verschiedene Classen u.
Ordnungen der Accorde stuffen-weise, mittelst gewisser Lectionen oder
stündlicher Aufgaben, zu mehrer Vollkommenheit in dieser Wissenschaft,
richtig, getreulich, und auf die deutlichste lehrart, kürtzlich angeführet
werden ... Hamburg 1735. [MT49 .M45] |
1735 |
Basso Continuo |
| Micheli, Antonio di |
La nvova chitarra di regole,
dichiarationi, e figvre con la regola della scala / composta da Don Antonio
di Micheli ... con aggiunta d'arie siciliane, e sonate di varij auttori.
Palermo 1698. [MT582.A2 M4] |
1698 |
Guitar |
| Milioni, Pietro |
Corona del primo, secondo, e terzo
libro d'intavolatvra di chitarra spagnola di Pietro Millioni. Nuouamente
stampata dal medesimo con l'accrescimento di molte lettere false per poter
sonar sonate senza mai far lettere ordinarie. Vna regola per imparar'il modo
d'accordare dodici chitarre per poterle sonare insieme in concerto
ciascheduna per differente chiaue, ouero lettera; & anco l'alfabeto,
& accordatura per il chitarrino, ouero chitarra italiana. Roma 1631.
[MT582.M7 C7] |
1631 |
Guitar |
| Milioni, Pietro |
Vero e facil modo d'imparare a sonare,
et accordare da se medesimo la Chitarra spagnuola, non solo con l'Alfabetto
& accordatura ordinaria, mà anco con vn' altro Alfabetto &
accordatura straordinaria, nuouameute [sic] inuentati da Pietro Milioni et
Lodovico Monte, compagni. Con vna regola per imparare il modo d'accordare sei
chitarre, per poterle sonare insieme in concerto, ciascuna per differente
chiaue. Venetia 1678. [MT582 .M442] |
1678 |
Guitar |
| Milioni, Pietro |
Vero e facil modo d'imparare a sonare,
et accordare da se medesimo la Chitarra spagnuola, non solo con l'Alfabetto,
& accordatura ordinaria, mà anco con vu' altrs Alfabetto, &
accordatura straordinarie, nuouamente inventati da Pietro Milioni et Sodovico
Monte compagni. Con vna regola per imparare il modo d'accordare sei chitarre,
per poterle sonare insieme in concerto, ciascuma per differente chiaue.
Venetia 1684. [MT582.M7 V4] |
1684 |
Guitar |
| Minguet é Irol, Pablo |
Arte de danzar a la francesa, adornado
con quarenta figuras, que enseñan el modo de hacer todos los diferentes
passos de la danza del minuete, con todas sus reglas, y de conducir los
brazos en cada passo: y en quatro figuras, el modo de danzar los tres passapies.
Tambien estàn escritos en solfa, para que qualquier musico los sepa tañer.
Su autor Pablo Minguet e Irol ... Añadido en esta tercera impression todos
los passos, ó movimientos del danzar à la española ... Madrid 1737.
[GV1590 .M6] |
1737 |
|
| Minguet é Irol, Pablo |
Reglas, y advertencias generales que
enseñan el modo de tañer todos los instrumentos mejores, y mas usuales,
como son la guitarra, tiple, vandola, cythara, clavicordio, organo, harpa,
psalterio, bandurria, violin, flauta travesera, flauta dulce, y la flautilla,
con varios tañidos, danzas, contradanzas, y otras cosas semejantes ...
Madrid 1753-1754. [MT170 .M5] |
1753 |
Guitar |
| Miscellaneous |
Lute tablature from the library of the
Duke of Leeds. ca. 1700. M2.1 .T2
(18B) |
1700 |
Lute |
| Morley, Thomas |
A plain and easy introduction to
practical music, set down in form of a dialogue, divided into three parts,
the first teacheth to sing, the second treateth of descant, the third
threateth of composition / by Thomas Morley ... As printed in the year 1597.
London : Reprinted for W. Randall, 1771. [MT6 .M86] |
1771 |
|
| Morley, Thomas |
A plaine and easie introdvction to
practicall mvsicke, set downe in forme of a dialogue : deuided into three
partes. The first teacheth to sing, with all things necessary for the
knowledge of pricktsong. The second treateth of descante and to sing two parts
in one vpon a plainsong or ground, with other things necessary for a
descanter. The third and last part entreateth of composition of three, foure,
fiue or more parts, with many profitable rules to that effect. With new songs
of, 2. 3. 4. and 5 parts / By Thomas Morley. London : Imprinted by P. Short,
1597. [MT6.A2 M84] |
1597 |
|
| Morley, Thomas |
A plaine and easie introdvction to
practicall mvsicke, set downe in forme of a dialogue: diuided into three
parts. The first teacheth to sing, with all things necessarie for the
knowledge of pricktsong. The second treateth of descante, and to sing two parts
in one vpon a plainsong or ground, with other things necessarie for a
descanter. The third and last part entreateth of composition of three, foure,
fiue or more parts, with many profitable rules to that effect. With new songs
of, 2. 3. 4. and 5. parts. / by Thomas Morley ... London : Imprinted by H.
Lownes, 1608. [MT6.A2 M86] |
1608 |
|
Moulinié, Etienne
P. Ballard |
Airs de covr avec la tablatvre de lvth
et de gvitarre de estienne movlinie, maistre de la musique de monseigneur le
Duc d'Orleans Srere unique du Roy : troisième livre. A. Paris : Par Pierre
Ballard, 1629. M1490.M9 A43
RISM, A/I/6, M 3944 |
1629 |
Lute |
| Narvaez, Luis de |
Los seys libros del Delphin de musica
de cifras para tañer vihuela / hechos por Luys de Narbaez ; dirigidos al muy
illustre Señor el Señor don Francisco delos Louos Comẽdador mayor de Leon
Adelantado de Laçorla Señor de Sauiote y del Lõsejo del estado de su
Magestad Cesarea. rc. y este primer libro tracta delos ocho tonos partañer
por diuersas partes en la Vihuela. Valladolid : Diego Hernandez de Cordova,
M.D.XXX.Viij [1538] M140 .N3
RISM, A/I/6, N 66 RISM, B/I, 1538²² |
1538 |
Vihuela |
| Negri, Cesare |
Nvove inventioni di balli; opera
vaghissima nella quale si danno i giusti modi del ben portar la vita, et di
accommodarsi con ogni leggiadria di mouimento alle creanze et gratie d'amore.
Conueneuoli a tutti i cavalieri, & dame, per ogni sorte di ballo,
balletto, & brando d'Italia, di Spagna & di Francia. Con figure ...
in rame et regole della musica et intauolatura quali si richieggono al suono
et al canto. Divisa in tre trattati ...
In Milano : G. Bordone, 1604. GV1590 .N4 1604 |
1604 |
Voice |
| Neusidler, Hans |
Ein Newgeordent Künstlich Lautenbuch
In zwentheyl getheylt. Der erst für die anfahenden Schuler die aus rechter
kunst vnd grundt nach der Tabulatur sich one einichen Meyster darin zuüben
haben durch ein leicht Exempel dieser punctlein . .. ... .... wohin man mit
einem yedẽ finger recht greiffen sol. Weyter ist angezeigt wie mã die
Tabulatur auch die Men sur vñ die gantz Application recht grundtlich lernen
vñ versteen sol. Im andern theyl sein begriffen vil ausserlessner
kunstreicher stuck von Fantaseyen Preambeln Psalmen vnd Muteten die von den
Hochberümbten vñ besten Organisten als einen schatz gehalten die sein mit
sonderm fleiss auff die Organistisch art gemacht vnd colorirt für die
geübten vnd erfarnen diser kunst auff die Lauten dargeben. Dergleichen
vormals nie im Truck Aber yetzo durch mich Hansen Newsidler Lutinisten vnd
Bürger zu Nürnberg offenlich aussgangen. [1. th.] Mit Röm. Keys. vnd
Königk. Ma. freyheit in funff iaren nit nach zu trucken begnadet. [Nürnberg
: s.n., 1536] MT640 .N3 |
1536 |
Lute |
Ornithoparchus,
Andreas
Dowland, John |
Andreas Ornithoparcvs his micrologvs,
or introdvction, containing the art of singing. Digested into foure bookes.
1609 [MT6 .O713] |
1609 |
|
| Pietro Benedetti |
MVSICHE / DI /
PIETRO BENEDETTI / NELL�fACCADEMIA / DE GLI ELEVATI / DI FIORENZA / DETTO
L�fINVAGHITO / LIBRO SECONDO, Venetia: Ricciardo Amadino, 1613 (link to
pdf) |
1613 |
|
| Playford, John |
A brief introduction to the skill of
musick : in three books. The first: The grounds and rules of musick,
according to the gam-ut and other principles thereof. The second:
Instructions for the bass-viol, and also for the treble-violin : vvith
lessons for beginners. [MT7.A2 P71]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1667 |
|
| Playford, John |
A brief introduction to the skill of
musick : in three books. The first: The grounds and rules of mvsick,
according to the gam-ut and other principles thereof. The second:
Instructions for the bass-viol, and also for the treble-violin: vvith
lessions for beginners. [MT7 .P71 1666]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1666 |
|
| Playford, John |
An introduction to the skill of musick
: In two books. The first : the grounds and rules of mvsick, according to the
gam-vt, and other principles thereof. The second: instructions & lessons
for the bass-viol and instruments & lessons for the treble-violin.
[MT7.A2 P72]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1674 |
|
| Playford, John |
An introduction to the skill of musick
: in two books. The first contains the grounds and rules of musick ... The
second, instructions and lessons both for the basse-viol and treble-violin.
[MT7 .P73]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1679 |
|
| Playford, John |
An introduction to the skill of musick
: in two books. The first: The grounds and rules of musick, according to the
gam-ut, and other principles thereof. The second: Instruction & lessons
for the bass-viol: and instructions & lessons for the treble-violin.
[MT7.A2 P716]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1672 |
|
| Playford, John |
Musick's delight on the cithren,
restored and refined to a more easie and pleasant manner of playing than
formerly; and set forth with lessons al a mode, being the choicest of our
late new ayres, corants, sarabands, tunes, and jiggs. To which is added several
new songs and ayres to sing to the cithren / by John Playford Philo-musicæ.
London 1666. [MT590 .P5] |
1666 |
|
| Playford, John |
Musicks hand-maid: new lessons and
instructions for the virginals of harpsychord. London : J. Playford, 1678.
[MT224 .P65] |
1678 |
|
| Playford, John |
The dancing master; or, Directions for
dancing country dances, with the tunes ...H. Playford, 1698. [MT950 .P68
1698] |
1698 |
|
| Playford, John |
The dancing-master; or, Directions for dancing
country-dances, with the tunes to each dance, for the treble-violin. Vol. the
2d. |
1728 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P76]
Playford, John / Purcell, Henry |
1697 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P78]
Playford, John / Purcell, Henry |
1703 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P79]
Playford, John / Purcell, Henry |
1713 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P791]
Playford, John / Purcell, Henry |
1718 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P793]
Playford, John / Purcell, Henry |
1730 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. The first contains the grounds and principles of musick,
according to the gam-ut, and other principles thereof. The second,
instructions and lessons both for the bass-viol and treble-violin. The third,
the art of descant, or composing musick in parts, in a more plain and easie
method than any heretofore published. [MT7.A2 P75]
Playford, John / Purcell, Henry |
1694 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. The first contains the grounds and rules of musick,
according to the gam-ut, and other principles thereof. The second,
instructions and lessons both for the bass-viol and treble-violin. The third,
the art of descant, or composing musick in parts, in a more plain and easie
method than any heretofore published. [MT7 .P745] |
1687 |
|
| Playford, John |
An introduction to the skill of musick
: in three books. The first contains the grounds and rules of musick,
according to the gam-ut, and other principles thereof. The second:
instrvctions and lessons both for the bass-viol and treble-violin. The third,
the art of descant, or composing of musick in parts, in a more plain and
easie method than any heretofore published. [MT7.A2 P74] |
1663 |
|
| Radesca, Enrico Antonio |
Canzonette, madrigali & arie alla
romana, à due voci, per cantare, & sonare con il chitarone ò spinetta /
del Radesca di Foggia, organista del domo di Torino, & Musico di Camera
dell'illustriss. & Eccellentiss. Sig. D. Amadeo di Sauoia. Milano 1605-06. [M1490.R15 C3] |
1605 |
Theorbo |
| Rontani, Rafaell |
Varie musiche libro 6o. Appresso Gio.
Battista Robletti, In Roma, 1622. [M1490 .R6 op. 11] |
1622 |
|
| Ruiz de Ribayaz, Lucas |
Lvz, y norte mvsical para caminar por
las cifras de la guitarra española, y arpa, tañer, y cantar á compás por
canto de organo; y breue explicacion del arte, con preceptos faciles,
indubitables, y explicados con claras reglas por teorica, y practica /
compvesto por D. Lvcas Rviz de Ribayaz ... Madrid 1677. [MT582.A2 R9] |
1677 |
Guitar |
| Sabbatini, Pietro Paolo |
Prima scelta di villanelle a dve voci /
composite de Pietro Paolo Sabbatini, da sonarsi in qualsiuoglia instromento
con le lettere accomodate alla chitarra spagnola in quelle più à
proposito.. Roma 1652 |
1652 |
Guitar |
| Saint-Lambert, Michel de |
Les principes du clavecin, contenant
une explication exacte de tout ce qui concerne la tablature & le clavier.
Avec des remarques necessaires pour l'intelligence de plusieurs difficultées
de la musique ... / par monsiuer de Saint Lambert. A Paris 1702. [MT252 .S25] |
1702 |
Clavecin |
| Saint-Lambert, Michel de |
Nouveau traité de l'accompagnement du
clavecin, de l'orgue, et des autres instruments / par Monsieur de Saint
Lambert. A Paris 1707. [MT252 .S25] |
1707 |
Clavecin |
| Saint-Lambert, Michel de |
Nouveau traité de l'accompagnement du
clavecin, de l'orgue, et des autres instruments / par monsieur de Saint
Lambert. Amsterdam 1710?
[MT68.S15 N5] |
1710 |
Clavecin |
| Salmon,
Thomas |
A proposal to perform musick, in
perfect and mathematical proportions. Containing I. The state of musick in
general. II. The principles of present practice; according to which are. III.
The tables of proportions, calculated for the viol, and capable of being
accommodated to all sorts of musick, London 1688. [ML3807.A2 S17] |
1688 |
|
| Salmon,
Thomas |
A vindication of an essay to the
advancement of musick, from Mr. Matthew Lock's observations. By enquiring
into the real nature, and most convenient practise of that science.. London
1672. [ML432 .S3] |
1672 |
|
| Salmon,
Thomas |
An essay to the advancement of musick,
by casting away the perplexity of different cliffs, and uniting all sorts of
musick, lute, viol, violin, organ, harpsechord, voice, London 1672. [ML432.A2
S2] |
1672 |
|
| Sanz, Gaspar |
Instrvccion de mvsica sobre la gvitarra
española, y método de svs primeros rvdimentos, hasta tañerla con destreza.
Con dos laberintos ingeniosos, variedad de sones, y dances de rasgueado, y
punteado, al estilo español, italiano, francès, y inglès. Con vn breve
tratado para acompañar con perfeccion, sobre la parte muy essencial para la
guitarra, arpa, y organo, resumido en doze reglas, y exemplos los mas
principales de contrapunto, y composicion ... / compvesto por el licenciado
Gaspar Sanz ... Zaragoça 1674. [MT582.A2 S2] |
1674 |
Guitar |
| Schulz,
Johann Abraham Peter |
Entwurf einer neuen und
leichtverständlichen Musiktablatur, deren man sich, in Ermangelung der
Notentypen. Berlin 1786. [ML431.A2 S39] |
1786 |
|
| Simpson,
Christopher |
The principles of practical mvsick
delivered in a compendious, easie, and new method : for the instruction of
beginners, either in singing or playing upon instruments. London 1665. [MT40
.S58] |
1665 |
|
| Stanley, Thomas - Gamble, John |
Ayres and dialogues : (to be sung to
the theorbo-lute or base-violl:) For voice with theorbo or viola da gamba.
Words based on the poems of Thomas Stanley. [M1620.A2 G19] |
1656 |
Gamba |
| Stefani, Giovanni |
Affetti amorosi : canzonette ad vna
voce sola poste in musica da diuersi autori con la parte del basso & le
lettere dell alfabetto per la chitara alla spagnola raccolte da Giovanni
Stefani con tre arie siciliane, & due vilanelle spagnole. Venetia :
Alessandro. Vincenti, [1621] M1490.S778 A3
RISM, B/1, 1621¹⁷ |
1621 |
Guitar |
| Strozzi, Barbara |
Diporti di Evterpe overo, cantate &
ariette a voce sola, opera settima.
Venetia 1659 [M1490.S82 D5]�@For voice and unfigured bass. |
1659 |
Voice |
| Telemann, Georg Philipp |
Der Getreue Music-Meister [microform] :
welcher so wol für Sänger als Instrumentalisten allerhand Gattungen
musikalisher Stücke, so auf verschiedene Stimmen und fast alle gebrauchliche
Instrumente gerichtet sind, ... / durch Telemann. Hamburg : [Telemann], 1728.
M177.
G.P. Telemann, C.P.E. Bach, E.T. Baron, Desfontaines, Dirnflot, J.V.
Goerner, Hartmeier, J.G. Kreysing, C. Pezold, I.G. Pisendel, Störmer, S.L.
Weiss, J.D. Zelenka, and anonymous works--RISM BII, v. 2, p. 191. |
1728 |
Lute |
| Valerius, Adriaan |
Neder-Landtsche gedenck-clanck :
Kortelick openbarende de voornaemste geschiedenissen van de seventhien
Neder-Landsche Provintien,... [M1490 .V24] |
1626 |
Lute |
| Various composers |
Ioan. Bapt. Besardi Vesontini novvs
partvs, siue concertationes mvsicæ, dvodena trivm, ac totidem binarum
Testudinum (quibus & n[o]tæ musicæ adduntur) singulari ordine modulamina
continentes. 1617. [M1490.B51 N7]
Bernia, Vincenzo / Besard, Jean-Baptiste / Dowland, John / Galilei,
Michelangelo |
1617 |
|
| Walter, Thomas |
The grounds and rules of musick
explained, or, An introduction to the art of singing by note : fitted to the
meanest capacities. [M2116 .W22] |
1750 |
Voice |
| Walther, Johann Jacob |
Scherzi Da Violino Solo Con il Basso
Continuo per l'Organo ò Cimbalo ... viola ò leuto, 1687 [M1490 .W25] |
1687 |
Lute |
| Zarlino,
Gioseffo |
L'Istitutioni Harmoniche. 1562. |
1562 |
|
| Kargel, Sixt |
Lautenbuch viler newerlessner
fleissiger, schöner Lautenstück : von artlichen Fantaseien, künstlichen
musicartlichen lateinischen Muteten, mit fünff und sechs Stimmen allerhand
lieblichen teutschen, frantzösischen und italienischen Liedern, auch lustigen
Passomezen in die teutsch Tabulatur, zu nutz und gefallen aller diser Kunst
lehrbegirigen und besonders denen so der italienischen und frantzösischen
Tabulaturen unerfaren auffs verständtlichet und richtigst zusammen getragen
und geordnet auff sechs und siben Chorseiten gericht / durch Sixtum Kargel,
fürstlichen bischofflichen, strassburgischen Lautenisten. Strassburg :
Bernhard Jobin, 1586. M140 .L4 1586 |
1586 |
Lute |
|
|
|
|
| Le Sage De Richée, Philipp Franz |
Cabinet der Lauten : in welchem zu
finden 12. neue Partien, aus unterschiedenen Tonen und neuesten Manier so
anietzo gebräuchlich, welche bestehen in Praeludien, Allemanden, Couranten,
Sarabanden, Giquen, Gavotten, Menuetten, Boureen, Ghagonen, ... 1695.
[M140 .L6]
RISM, A/I/5, L 2054 |
1695 |
Lute |
|
|
|
|
| Luscinius, Ottmar |
Mvsvrgia seu praxis mvsicæ Illius primo
quæ Instrumentis agitur certa ratio, ab Ottomaro Luscinio Argentino duobus
libris absoluta. Eiusdem Ottomari Luscinij, de concentus polyphoni, id est,
ex plurifarijs uocibus compositi, canonibus, libri totidem. Argentorati :
apud Ioannem Schottum, Anno Christi.1536. ML171 .L94 |
1536 |
|
|
|
|
|
| Mace, Thomas |
Musick's monument; or, A remembrancer
of the best practical musick, both divine, and civil, that has ever been
known, to have been in the world. Divided into three parts. London 1676.
[MT340 .M14] |
1676 |
|
|
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| Mattheson, Johann |
Der neue göttingische aber viel
schlechter, als die alten lacedämonischen urtheilende Ephorus, wegen der
Kirchen-Music eines andern belehret von Io. Mattheson. Nebst dessen
angehängtem, merckwürdigen Lauten-Memorial ... Hamburg 1727. [ML3001 .M45] |
1727 |
Lute |
|
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|
|
| Mattheson, Johann |
Grosse General-Bass-Schule. Oder: Der
Exemplarischen Organisten-Probe 2. verb. und verm. aufl. bestehend in dreien
Classen als: in einer gründlichen Vorbereitung in 24. leichten Exempeln in
24. schwerern Probstücken: solcher Gestalt eingerichtet ... wer die erste
wol vestehet; und in den beiden andern classen alles rein trifft; so dann das
darin Enthaltene gut anzubringen weiss; derselbe ein Meister im General-Bass
heissen könne. Hamburg 1731. [MT49.A2 M44] |
1731 |
Basso Continuo |
|
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|
| Mattheson, Johann |
Kleine General-Bass-Schule. Worin nicht
nur Lernende, sondern vornehmlich Lehrende, den allerersten Anfangs-gründen
des Clavierspielens, überhaupt und besonders, durch verschiedene Classen u.
Ordnungen der Accorde stuffen-weise, mittelst gewisser Lectionen oder
stündlicher Aufgaben, zu mehrer Vollkommenheit in dieser Wissenschaft,
richtig, getreulich, und auf die deutlichste lehrart, kürtzlich angeführet
werden ... Hamburg 1735. [MT49 .M45] |
1735 |
Basso Continuo |
|
|
|
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| Micheli, Antonio di |
La nvova chitarra di regole,
dichiarationi, e figvre con la regola della scala / composta da Don Antonio
di Micheli ... con aggiunta d'arie siciliane, e sonate di varij auttori.
Palermo 1698. [MT582.A2 M4] |
1698 |
Guitar |
|
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|
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| Milioni, Pietro |
Corona del primo, secondo, e terzo
libro d'intavolatvra di chitarra spagnola di Pietro Millioni. Nuouamente
stampata dal medesimo con l'accrescimento di molte lettere false per poter
sonar sonate senza mai far lettere ordinarie. Vna regola per imparar'il modo
d'accordare dodici chitarre per poterle sonare insieme in concerto
ciascheduna per differente chiaue, ouero lettera; & anco l'alfabeto,
& accordatura per il chitarrino, ouero chitarra italiana. Roma 1631.
[MT582.M7 C7] |
1631 |
Guitar |
|
|
|
|
| Milioni, Pietro |
Vero e facil modo d'imparare a sonare,
et accordare da se medesimo la Chitarra spagnuola, non solo con l'Alfabetto
& accordatura ordinaria, mà anco con vn' altro Alfabetto &
accordatura straordinaria, nuouameute [sic] inuentati da Pietro Milioni et
Lodovico Monte, compagni. Con vna regola per imparare il modo d'accordare sei
chitarre, per poterle sonare insieme in concerto, ciascuna per differente
chiaue. Venetia 1678. [MT582 .M442] |
1678 |
Guitar |
|
|
|
|
| Milioni, Pietro |
Vero e facil modo d'imparare a sonare,
et accordare da se medesimo la Chitarra spagnuola, non solo con l'Alfabetto,
& accordatura ordinaria, mà anco con vu' altrs Alfabetto, &
accordatura straordinarie, nuouamente inventati da Pietro Milioni et Sodovico
Monte compagni. Con vna regola per imparare il modo d'accordare sei chitarre,
per poterle sonare insieme in concerto, ciascuma per differente chiaue.
Venetia 1684. [MT582.M7 V4] |
1684 |
Guitar |
|
|
|
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| Minguet é Irol, Pablo |
Arte de danzar a la francesa, adornado
con quarenta figuras, que enseñan el modo de hacer todos los diferentes
passos de la danza del minuete, con todas sus reglas, y de conducir los
brazos en cada passo: y en quatro figuras, el modo de danzar los tres passapies.
Tambien estàn escritos en solfa, para que qualquier musico los sepa tañer.
Su autor Pablo Minguet e Irol ... Añadido en esta tercera impression todos
los passos, ó movimientos del danzar à la española ... Madrid 1737.
[GV1590 .M6] |
1737 |
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| Minguet é Irol, Pablo |
Reglas, y advertencias generales que
enseñan el modo de tañer todos los instrumentos mejores, y mas usuales,
como son la guitarra, tiple, vandola, cythara, clavicordio, organo, harpa,
psalterio, bandurria, violin, flauta travesera, flauta dulce, y la flautilla,
con varios tañidos, danzas, contradanzas, y otras cosas semejantes ...
Madrid 1753-1754. [MT170 .M5] |
1753 |
Guitar |
|
|
|
|
| Miscellaneous |
Lute tablature from the library of the
Duke of Leeds. ca. 1700. M2.1 .T2
(18B) |
1700 |
Lute |
|
|
|
|
| Morley, Thomas |
A plain and easy introduction to
practical music, set down in form of a dialogue, divided into three parts,
the first teacheth to sing, the second treateth of descant, the third
threateth of composition / by Thomas Morley ... As printed in the year 1597.
London : Reprinted for W. Randall, 1771. [MT6 .M86] |
1771 |
|
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|
| Morley, Thomas |
A plaine and easie introdvction to
practicall mvsicke, set downe in forme of a dialogue : deuided into three
partes. The first teacheth to sing, with all things necessary for the
knowledge of pricktsong. The second treateth of descante and to sing two parts
in one vpon a plainsong or ground, with other things necessary for a
descanter. The third and last part entreateth of composition of three, foure,
fiue or more parts, with many profitable rules to that effect. With new songs
of, 2. 3. 4. and 5 parts / By Thomas Morley. London : Imprinted by P. Short,
1597. [MT6.A2 M84] |
1597 |
|
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| Morley, Thomas |
A plaine and easie introdvction to
practicall mvsicke, set downe in forme of a dialogue: diuided into three
parts. The first teacheth to sing, with all things necessarie for the
knowledge of pricktsong. The second treateth of descante, and to sing two parts
in one vpon a plainsong or ground, with other things necessarie for a
descanter. The third and last part entreateth of composition of three, foure,
fiue or more parts, with many profitable rules to that effect. With new songs
of, 2. 3. 4. and 5. parts. / by Thomas Morley ... London : Imprinted by H.
Lownes, 1608. [MT6.A2 M86] |
1608 |
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|
Moulinié, Etienne
P. Ballard |
Airs de covr avec la tablatvre de lvth
et de gvitarre de estienne movlinie, maistre de la musique de monseigneur le
Duc d'Orleans Srere unique du Roy : troisième livre. A. Paris : Par Pierre
Ballard, 1629. M1490.M9 A43
RISM, A/I/6, M 3944 |
1629 |
Lute |
|
|
|
|
| Narvaez, Luis de |
Los seys libros del Delphin de musica
de cifras para tañer vihuela / hechos por Luys de Narbaez ; dirigidos al muy
illustre Señor el Señor don Francisco delos Louos Comẽdador mayor de Leon
Adelantado de Laçorla Señor de Sauiote y del Lõsejo del estado de su
Magestad Cesarea. rc. y este primer libro tracta delos ocho tonos partañer
por diuersas partes en la Vihuela. Valladolid : Diego Hernandez de Cordova,
M.D.XXX.Viij [1538] M140 .N3
RISM, A/I/6, N 66 RISM, B/I, 1538²² |
1538 |
Vihuela |
|
|
|
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| Negri, Cesare |
Nvove inventioni di balli; opera
vaghissima nella quale si danno i giusti modi del ben portar la vita, et di
accommodarsi con ogni leggiadria di mouimento alle creanze et gratie d'amore.
Conueneuoli a tutti i cavalieri, & dame, per ogni sorte di ballo,
balletto, & brando d'Italia, di Spagna & di Francia. Con figure ...
in rame et regole della musica et intauolatura quali si richieggono al suono
et al canto. Divisa in tre trattati ...
In Milano : G. Bordone, 1604. GV1590 .N4 1604 |
1604 |
Voice |
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| Neusidler, Hans |
Ein Newgeordent Künstlich Lautenbuch
In zwentheyl getheylt. Der erst für die anfahenden Schuler die aus rechter
kunst vnd grundt nach der Tabulatur sich one einichen Meyster darin zuüben
haben durch ein leicht Exempel dieser punctlein . .. ... .... wohin man mit
einem yedẽ finger recht greiffen sol. Weyter ist angezeigt wie mã die
Tabulatur auch die Men sur vñ die gantz Application recht grundtlich lernen
vñ versteen sol. Im andern theyl sein begriffen vil ausserlessner
kunstreicher stuck von Fantaseyen Preambeln Psalmen vnd Muteten die von den
Hochberümbten vñ besten Organisten als einen schatz gehalten die sein mit
sonderm fleiss auff die Organistisch art gemacht vnd colorirt für die
geübten vnd erfarnen diser kunst auff die Lauten dargeben. Dergleichen
vormals nie im Truck Aber yetzo durch mich Hansen Newsidler Lutinisten vnd
Bürger zu Nürnberg offenlich aussgangen. [1. th.] Mit Röm. Keys. vnd
Königk. Ma. freyheit in funff iaren nit nach zu trucken begnadet. [Nürnberg
: s.n., 1536] MT640 .N3 |
1536 |
Lute |
|
|
|
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| Pietro Benedetti |
MVSICHE / DI /
PIETRO BENEDETTI / NELL�fACCADEMIA / DE GLI ELEVATI / DI FIORENZA / DETTO
L�fINVAGHITO / LIBRO SECONDO, Venetia: Ricciardo Amadino, 1613 (link to
pdf) |
1613 |
|
|
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|
| Playford, John |
A brief introduction to the skill of
musick : in three books. The first: The grounds and rules of musick,
according to the gam-ut and other principles thereof. The second:
Instructions for the bass-viol, and also for the treble-violin : vvith
lessons for beginners. [MT7.A2 P71]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1667 |
|
|
|
|
|
| Playford, John |
A brief introduction to the skill of
musick : in three books. The first: The grounds and rules of mvsick,
according to the gam-ut and other principles thereof. The second:
Instructions for the bass-viol, and also for the treble-violin: vvith
lessions for beginners. [MT7 .P71 1666]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1666 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: In two books. The first : the grounds and rules of mvsick, according to the
gam-vt, and other principles thereof. The second: instructions & lessons
for the bass-viol and instruments & lessons for the treble-violin.
[MT7.A2 P72]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1674 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in two books. The first contains the grounds and rules of musick ... The
second, instructions and lessons both for the basse-viol and treble-violin.
[MT7 .P73]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1679 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in two books. The first: The grounds and rules of musick, according to the
gam-ut, and other principles thereof. The second: Instruction & lessons
for the bass-viol: and instructions & lessons for the treble-violin.
[MT7.A2 P716]
Playford, John / Campion, Thomas / Simpson, Christopher/ Lowe, Edward |
1672 |
|
|
|
|
|
| Playford, John |
Musick's delight on the cithren,
restored and refined to a more easie and pleasant manner of playing than
formerly; and set forth with lessons al a mode, being the choicest of our
late new ayres, corants, sarabands, tunes, and jiggs. To which is added several
new songs and ayres to sing to the cithren / by John Playford Philo-musicæ.
London 1666. [MT590 .P5] |
1666 |
|
|
|
|
|
| Playford, John |
Musicks hand-maid: new lessons and
instructions for the virginals of harpsychord. London : J. Playford, 1678.
[MT224 .P65] |
1678 |
|
|
|
|
|
| Playford, John |
The dancing master; or, Directions for
dancing country dances, with the tunes ...H. Playford, 1698. [MT950 .P68
1698] |
1698 |
|
|
|
|
|
| Playford, John |
The dancing-master; or, Directions for dancing
country-dances, with the tunes to each dance, for the treble-violin. Vol. the
2d. |
1728 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P76]
Playford, John / Purcell, Henry |
1697 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P78]
Playford, John / Purcell, Henry |
1703 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P79]
Playford, John / Purcell, Henry |
1713 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P791]
Playford, John / Purcell, Henry |
1718 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. [MT7.A2 P793]
Playford, John / Purcell, Henry |
1730 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. The first contains the grounds and principles of musick,
according to the gam-ut, and other principles thereof. The second,
instructions and lessons both for the bass-viol and treble-violin. The third,
the art of descant, or composing musick in parts, in a more plain and easie
method than any heretofore published. [MT7.A2 P75]
Playford, John / Purcell, Henry |
1694 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. The first contains the grounds and rules of musick,
according to the gam-ut, and other principles thereof. The second,
instructions and lessons both for the bass-viol and treble-violin. The third,
the art of descant, or composing musick in parts, in a more plain and easie
method than any heretofore published. [MT7 .P745] |
1687 |
|
|
|
|
|
| Playford, John |
An introduction to the skill of musick
: in three books. The first contains the grounds and rules of musick,
according to the gam-ut, and other principles thereof. The second:
instrvctions and lessons both for the bass-viol and treble-violin. The third,
the art of descant, or composing of musick in parts, in a more plain and
easie method than any heretofore published. [MT7.A2 P74] |
1663 |
|
|
|
|
|
| Radesca, Enrico Antonio |
Canzonette, madrigali & arie alla
romana, à due voci, per cantare, & sonare con il chitarone ò spinetta /
del Radesca di Foggia, organista del domo di Torino, & Musico di Camera
dell'illustriss. & Eccellentiss. Sig. D. Amadeo di Sauoia. Milano 1605-06. [M1490.R15 C3] |
1605 |
Theorbo |
|
|
|
|
| Rontani, Rafaell |
Varie musiche libro 6o. Appresso Gio.
Battista Robletti, In Roma, 1622. [M1490 .R6 op. 11] |
1622 |
|
|
|
|
|
| Ruiz de Ribayaz, Lucas |
Lvz, y norte mvsical para caminar por
las cifras de la guitarra española, y arpa, tañer, y cantar á compás por
canto de organo; y breue explicacion del arte, con preceptos faciles,
indubitables, y explicados con claras reglas por teorica, y practica /
compvesto por D. Lvcas Rviz de Ribayaz ... Madrid 1677. [MT582.A2 R9] |
1677 |
Guitar |
|
|
|
|
| Sabbatini, Pietro Paolo |
Prima scelta di villanelle a dve voci /
composite de Pietro Paolo Sabbatini, da sonarsi in qualsiuoglia instromento
con le lettere accomodate alla chitarra spagnola in quelle più à
proposito.. Roma 1652 |
1652 |
Guitar |
|
|
|
|
| Saint-Lambert, Michel de |
Les principes du clavecin, contenant
une explication exacte de tout ce qui concerne la tablature & le clavier.
Avec des remarques necessaires pour l'intelligence de plusieurs difficultées
de la musique ... / par monsiuer de Saint Lambert. A Paris 1702. [MT252 .S25] |
1702 |
Clavecin |
|
|
|
|
| Saint-Lambert, Michel de |
Nouveau traité de l'accompagnement du
clavecin, de l'orgue, et des autres instruments / par Monsieur de Saint
Lambert. A Paris 1707. [MT252 .S25] |
1707 |
Clavecin |
|
|
|
|
| Saint-Lambert, Michel de |
Nouveau traité de l'accompagnement du
clavecin, de l'orgue, et des autres instruments / par monsieur de Saint
Lambert. Amsterdam 1710?
[MT68.S15 N5] |
1710 |
Clavecin |
|
|
|
|
| Sanz, Gaspar |
Instrvccion de mvsica sobre la gvitarra
española, y método de svs primeros rvdimentos, hasta tañerla con destreza.
Con dos laberintos ingeniosos, variedad de sones, y dances de rasgueado, y
punteado, al estilo español, italiano, francès, y inglès. Con vn breve
tratado para acompañar con perfeccion, sobre la parte muy essencial para la
guitarra, arpa, y organo, resumido en doze reglas, y exemplos los mas
principales de contrapunto, y composicion ... / compvesto por el licenciado
Gaspar Sanz ... Zaragoça 1674. [MT582.A2 S2] |
1674 |
Guitar |
|
|
|
|
| Stanley, Thomas - Gamble, John |
Ayres and dialogues : (to be sung to
the theorbo-lute or base-violl:) For voice with theorbo or viola da gamba.
Words based on the poems of Thomas Stanley. [M1620.A2 G19] |
1656 |
Gamba |
|
|
|
|
| Stefani, Giovanni |
Affetti amorosi : canzonette ad vna
voce sola poste in musica da diuersi autori con la parte del basso & le
lettere dell alfabetto per la chitara alla spagnola raccolte da Giovanni
Stefani con tre arie siciliane, & due vilanelle spagnole. Venetia :
Alessandro. Vincenti, [1621] M1490.S778 A3
RISM, B/1, 1621¹⁷ |
1621 |
Guitar |
|
|
|
|
| Strozzi, Barbara |
Diporti di Evterpe overo, cantate &
ariette a voce sola, opera settima.
Venetia 1659 [M1490.S82 D5]�@For voice and unfigured bass. |
1659 |
Voice |
|
|
|
|
| Telemann, Georg Philipp |
Der Getreue Music-Meister [microform] :
welcher so wol für Sänger als Instrumentalisten allerhand Gattungen
musikalisher Stücke, so auf verschiedene Stimmen und fast alle gebrauchliche
Instrumente gerichtet sind, ... / durch Telemann. Hamburg : [Telemann], 1728.
M177.
G.P. Telemann, C.P.E. Bach, E.T. Baron, Desfontaines, Dirnflot, J.V.
Goerner, Hartmeier, J.G. Kreysing, C. Pezold, I.G. Pisendel, Störmer, S.L.
Weiss, J.D. Zelenka, and anonymous works--RISM BII, v. 2, p. 191. |
1728 |
Lute |
|
|
|
|
| Valerius, Adriaan |
Neder-Landtsche gedenck-clanck :
Kortelick openbarende de voornaemste geschiedenissen van de seventhien
Neder-Landsche Provintien,... [M1490 .V24] |
1626 |
Lute |
|
|
|
|
| Various composers |
Ioan. Bapt. Besardi Vesontini novvs
partvs, siue concertationes mvsicæ, dvodena trivm, ac totidem binarum
Testudinum (quibus & n[o]tæ musicæ adduntur) singulari ordine modulamina
continentes. 1617. [M1490.B51 N7]
Bernia, Vincenzo / Besard, Jean-Baptiste / Dowland, John / Galilei,
Michelangelo |
1617 |
|
|
|
|
|
| Walter, Thomas |
The grounds and rules of musick
explained, or, An introduction to the art of singing by note : fitted to the
meanest capacities. [M2116 .W22] |
1750 |
Voice |
|
|
|
|
| Walther, Johann Jacob |
Scherzi Da Violino Solo Con il Basso
Continuo per l'Organo ò Cimbalo ... viola ò leuto, 1687 [M1490 .W25] |
1687 |
Lute |
|
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|
|