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Updated Dec, 2022. |
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| Author |
Title |
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| Abondante, Giulio |
Intabolatura di
lautto libro secondo. Venice: Girolamo Scotto, 1548. |
1548 |
Lute |
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| Adriaenssen, Emanuel |
Pratum musicum
longe amoenissimum cuius spatiosissimo, eoque iudundissimo ambitu. 1584 -
Antwerp. |
1592 |
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| Adrian Denss |
Florilegivm omnis
fere generis cantionvm svavissimarvm ad testvdinis tabvlatvram
accommodatarvm, longe ivcvndissimvm, Köln, Gerhard Grevenbruch, 1594
RISM B/I: 1594¹⁹ |
1594 |
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| Adson, John |
Courtly Masquing
/ AYRES / Composed to 5. and 6 / Parts, for Violins, Consorts,
/ and Cornets, / BY / IOHN ADSON, London, John Browne, 1621 |
1621 |
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| Agazzari, Agostino |
Del Sonare sopra'l
basso con tutti li stromenti e dell'uso loro nel conserto. 1607. |
1607 |
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| Amat, Juan Carlos |
Guitarra española,
y vandola en dos maneras de guitarra, castellana, y cathalana de cinco
ordenes, la qual ensena de templar, y taner rasgado, todos los puntos
naturales, y b, mollados, con estilo maravilloso : y para poner en ella
qualquier tono, se pone una tabla, con la qual podra qualquier sin dificultad
cifrar el tono, y despues taner, y cantarle por doze modos : y se haze
mencion tambien de la guitarra de quatro ordenes. 1586 (Gerona 1761). |
1586 |
Guitar |
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| Anonymous |
French Lute
Tablature, [ULB MUs.Ms.1655] (Anonymous) |
1655 |
Lute |
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| Anonymous |
Regole di canto
figurato, contrappunto, d'accompagnare. 1670-90 ca. |
1670 |
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| Anonymous |
The Robert ap Huw Manuscript. 1567.
British Library MS Additional 14905 |
1657 |
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| Arne, Thomas Augustine |
As You Like It
(Arne, Thomas Augustine). The Cuckow. voice, continuo, english guitar
(cittern), flute. 1740 |
1740 |
Guitar |
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| Arne, Thomas Augustine |
The Monthly
Melody: or Polite Amusement for Gentlemen and Ladies. Being a
Collection of Vocal and Instrumental Music composed by Dr. Arne,
London: printed for G. Kearsly, 1760 (pitch notation with figured bass,
some pieces "for the guittar") |
1760 |
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| Attaingnant, Pierre |
25 Galliards,
Pavans and Chansons / Six gaillardes et six pavanes avec treze chansons
musicales |
1530 |
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| Attaingnant, Pierre |
32 Galliards,
Pavans, Branles and Basse Dances |
1531 |
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| Attaingnant, Pierre |
50 Galliards,
Pavans, Branles, Basse Dances and Tourdions |
1547 |
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| Attaingnant, Pierre |
Cinquiesme livre
de danceries (Gervaise, Claude) |
1550 |
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| Attaingnant, Pierre |
Dixhuit Basses
Dances. 1529. (modern) |
1529 |
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| Attaingnant, Pierre |
Quart livre de
danceries (Gervaise, Claude) |
1550 |
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| Attaingnant, Pierre |
Second Livre de
Danceries (Attaingnant, Pierre) |
1547 |
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| Attaingnant, Pierre |
Second Livre de
Danceries. 1547. |
1547 |
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| Attaingnant, Pierre |
Septieme livre de
danceries (Tertre, Estienne du). 1557. |
1557 |
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| Attaingnant, Pierre |
Sixieme livre de
danceries (Gervaise, Claude). 1555. |
1555 |
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| Attaingnant, Pierre |
Troisieme livre de
danceries a quatre et cinq parties (Gervaise, Claude) |
1556 |
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| Attaingnant, Pierre |
Vingt et sept
chansons musicales a quatre parties ; Vingt et sept chansons musicales a
quatre parties, desquelles les plus convenables a la fleuste dallemant sont
signees en la table cy dessoubz escripte para a. et a la fleuste a neuf trous
par b, et por |
1533 |
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Attaingnant, Pierre
Claude Gervaise/Étienne Dutertre |
Première livre de
danceries. Selected Danceries, Vol.1 [Copy of Sibley Music Library : Maîtres
musiciens de la Renaissance française / 23. Danceries (1er volume). Paris
1908. [M2 .M23 vol. 23]] (The
title given to the Expert volume is a bit deceptive as it is not a new
edition of Attaignant's first volume but selections from livres, 2, 3, 4, 5,
6 and 7.) |
1908 |
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| Bach, Carl Philipp Emanuel |
Versuch über die
wahre Art das Clavier zu spielen mit Exempeln und achtzehn Probe-Stücken in
sechs Sonaten. Treatise on keyboard playing with examples and 18 sample
pieces in 6 sonatas. [H.868, 870 ; Wq.254, 255] 1753 (part I), 1762 (part II) |
1753 |
Basso Continuo |
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| Bach, Johann Christian |
Blest with thee,
my soul�fs dear treasure., London: Longman and Broderip, n.d. [ca. 1780]
(guittar version on last page, different key) |
1780 |
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| Bach, Johann Sebastian |
BWV 1001-1006, 6
Violin Sonatas and Partitas |
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| Bach, Johann Sebastian |
BWV 1007-1012, 6
Cello Suites |
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| Bach, Johann Sebastian |
BWV 995-1000, Lute
Pieces |
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Lute |
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| Bakfark, Bálint |
Harmonium musicarum tomus I.
1565. |
1565 |
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| Bakfark, Bálint |
Intabulatura
Valentini Bacfarc transilvani coronensis liber primus. Lyon, 1553. |
1553 |
Lute |
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| Ballard, Pierre |
Tablature de luth
de differens autheurs, sur les accords nouveaux. 1631 |
1631 |
Lute |
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| Banchieri, Adriano |
Cartella musicale
nel canto figurato, fermo, & contrapunto (3rd edition), Cartella, overo
regole utilissime à quelli che desiderano imparare il canto figurato (�c)
divise in 2 parti (1st edition). 1614. |
1614 |
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| Banchieri, Adriano |
Conclusioni nel
suono dell�forgano, Op.20 la tiorba in sol |
1609 |
Theorbo |
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| Banchieri, Adriano |
Il virtuoso
ritrovo academico, Op.49 |
1626 |
Theorbo |
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| Barberiis, Melchior de |
Intabolatura di
lauto X, Opera Intitolata contina. Intabolatura di lauto di Fantasie,
Motetti, Canzoni, discordate avarii modi, Fantasie per sonar uno solo con uno
Lauto, et farsio tenore et soprano: Madrigali per sonar a dui Lauti: Fantasie
per sonar a dui Lauti: Fantasie per sonar sopra la Chitara da sette corde.
Libro Decimo. Venice 1549. |
1549 |
Lute |
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| Barbetta, Giulio Cesare |
Novae Tabulae
Musicae. Straßburg: Bernhart
Jobin, 1582. |
1582 |
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| Barley, William |
A New Book of
Tabliture Containing sundry easy and familiar Instructions, shewing how to
attaine to the knovvledge, to guide and dispose thy hand to play on sundry
Instruments, as the Lute, Orpharion, and Bandora: Together with divers new
Lessons to each of these Instruments. 1596. |
1596 |
Bandora |
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| Barley, William |
A New Book of
Tabliture for the Bandora: Contayning sundrie sorts of lessons, collected
together out of diuers good Authors, for the furtherance and delight of such
as are desirous to practise on this Instrument. Neuer before Published. 1596. |
1596 |
Bandora |
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| Barley, William |
A New Book of
Tabliture for the Orpharion, London, self published, 15965 |
1596 |
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| Baron, Ernst Gottlieb |
Concerto a
flauto dolci, au luth. ca.1728-33
New York Public Library for the Performing Arts (US-NYp): JOG 72-29 (vol.
13) |
1728 |
Lute |
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| Baron, Ernst Gottlieb |
Historisch-theoretische
und practische Untersuchung des Instruments der Lauten (Baron, Ernst
Gottlieb) |
1727 |
Lute |
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| Bartolotti, Angelo Michele |
Table pour
apprendre facilement à toucher le théorbe sur la basse-continuë. Paris 1669. |
1669 |
Theorbo |
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| Bataille, Gabriel |
Airs de
différentes autheurs, mis en tabulature de luth (Bataille, Gabriel). Premier
Livre, Second Livre, Troisiesme livre, Quatriesme livre, Cinquiesme Livre,
Sixiesme livre. Paris 1608-15. |
1608 |
Airs de Cour |
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| Becchi, Antonio di |
Libro primo
d�fintabulatura da leuto, (...) composta da lui novamente, et data in luce,
con alcuni balli, napolitane, madrigali, canzon francese, fantasie,
ricercari. 1568. |
1568 |
Lute |
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| Becchi, Antonio di |
Libro primo
d�fintabulatura da leuto, (...) composta da lui novamente, et data in luce,
con alcuni balli, napolitane, madrigali, canzon francese, fantasie,
ricercari. 1568. |
1568 |
Lute |
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| Belin, Julien |
Premier Livre
contenant plusieurs Motetz, Chansons, & Fantasies: reductz en Tablature
de Leut, par Maistre Iulien Belin. 1556. |
1556 |
Voice |
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| Belli, Domenico |
Orfeo dolente
musica di Domenico Belli diviso in cinque Intermedii, Venetia, Ricciardo
Amadino, 1645 |
1645 |
Basso Continuo |
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| Bemetzrieder, Anton |
A Complete
Treatise on Music. The Precepts and Examples in 2 Separate Books.. London
1800. |
1800 |
Basso Continuo |
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| Bemetzrieder, Anton |
Leçons de
clavecin, et principes d�fharmonie. London 1771, 1778, 1798. (English
translation) |
1771 |
Clavecin |
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| Bemetzrieder, Anton |
Nouvelles leçons
de clavecin ou instruction générale. 1783. (FR / EN). |
1783 |
Clavecin |
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| Bermudo, Juan |
El libro llamado
Declaración de instrumentos musicales, Osuna, Juan de Leon, 1555 |
1555 |
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| Bermudo, Juan |
El libro primero
de la declaración de instrumentos, Osuna: Juan de Leon, 1549 |
1549 |
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| Bertrand de Bacilly |
Les trois Liures
d�fAirs / Regrauez de nouueau in deux volumes / Augmentez de plusieurs Airs
Nouueaux, / De chiffres pour le Theorbe �c Premiere Partie Paris,
self-published, 1668 |
1668 |
Basso Continuo |
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| Beyer, Johann Christian |
Herrn Professor
Gellerts Oden, Lieder und Fabeln, nebst verschiedenen Franzoesischen und
Italienischen Liedern, fuer die Laute umgesetzt, und mit gehoerigem Gebrauch
der Finger bemerket; Sammt einer Anweisung dieses Instrument auf eine leichte
Art stimmen zu lernen, auch Zwoen Tabellen in welchen die meisten
vorkommenden Stimmungen, nach welcher die Stuecke als Exempel der gegebnen
Regeln eingerichtet sind, und die bei der Laute vorkommenden Zeichen und
Manieren, erklaeret werden, von Johann Christian Beyer. 1760. |
1760 |
Lute |
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| Bianchini, Dominico |
Intabolatura de lauto (...) di
recercari motetti madrigali canzon francese napolitane et balli. 1546. |
1546 |
Lute |
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| Bianchini, Francesco |
Tabulature de lutz, en diverses formes
de fantaisie, bassedances, chansons, pavanes, psaulmes, gaillardes. Composée
par diver musiciens, & entablées selon le jeu du lutz. 1547 |
1547 |
Lute |
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| Bischoff, Heinz |
Lieder und Tänze
auf die Lauten um 1540. 1938 ca. |
1938 |
Lute |
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| Bismantova, Bartolomeo |
Compendio
musicale, Regola per suonare il Basso Continuo [no page numbers]. 1677. |
1677 |
Basso Continuo |
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| Boësset, Antoine |
Airs de cour à
quatre et cinq parties. Premier livre. A Paris 1617.
RISM-A/I: B-3272 |
1617 |
Lute |
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| Boësset, Antoine |
Airs de cour mis
en tablature de luth, Neufiesme (-Quinziesme) livre. A Paris: Pierre Ballard,
1620-1632. |
1620 |
Lute |
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| Boësset, Antoine de |
AIRS DE COVR /
AVEC LA TABLATVRE DE LVTH / de Anthoyne Boessét, Surintendant de la
Musique de la Chambre du Roy, & de la Reyne. DOUZIESME LIVRE. Paris,
Pierre Ballard, 1624 |
1624 |
Airs de Cour |
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| Boyvin, Jacques |
Traité abrégé de
l'accompagnement pour l'orgue et le clavecin. (Boyvin, Jacques), Paris 1705 |
1705 |
Clavecin |
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| Bruger, Hans Dagobert |
Schule des
Lautenspiels für die gewöhnliche Laute, Basslaute, doppelchörige und
theorbierte Laute.. 1925. |
1925 |
Lute |
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| Burrowes, John Freckleton |
The Thorough-Base
Primer: containing explanations and examples of the rudiments of harmony;
with fifty exercises. 1819. |
1819 |
Basso Continuo |
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| Cabezón, Antonio de |
Obras de musica
para tecla, arpa y vihuela. 1578.
RISM-A/I C-1 ; RISM B/I: 1578²⁴ |
1578 |
Vihuela |
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| Caccini, Francesca |
Il primo Libro
delle Musiche a una e due Voci, Firenze, Zanobi Pignoni, 1618 |
1618 |
Basso Continuo |
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| Caccini, Giulio |
Euridice |
1600 |
Basso Continuo |
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| Caccini, Giulio |
Le nuove musiche,
Firenze: li Here di Giorgio Marescotti, 1602. 23 pieces. RISM A/I: C 6 |
1602 |
Basso Continuo |
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| Caccini, Giulio |
Nuove musiche e
nuova maniera di scriverle, Fiorenza: Zanobi Pignoni, e Compagni, 1614. 36
songs |
1614 |
Basso Continuo |
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| Campion, Thomas |
The Discription of
a Maske, Presented before the Kinges Maiestie at White-Hall, on Twelfth Night
last, in honour of the Lord Hayes, and his Bride, , London, John Windet
for John Brown, 1607 |
1607 |
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| Campion, Thomas |
The Third and
Fourth Booke of Ayres. 1617. |
1617 |
Lute |
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| Capirola, Vincenzo |
Capirola Lutebook, Compositione di
meser Vincenzo Capirola, gentil homo bresano. 1517. |
1517 |
Lute |
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| Capriconus, Samuel Friedrich |
Christus ist
erstanden, No.2 in 25 Geistliche Konzerte, MS, mid 17th century |
16xx |
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| Capriconus, Samuel Friedrich |
Ciaconna a 2
violino e gamba, in D, MS, mid 17th century |
16xx |
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| Capriconus, Samuel Friedrich |
Sonata à 8 Inst.,
MS, 1667 |
1667 |
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| Caroso, Fabritio |
Raccolta di varij
Balli fatti in occorrenze di nozze, e festini da nobili cavalieri, e dame di
diverse nationi. ... Con aggiunta del Basso, e Soprano della musica, &
intavolatura di Liuto a ciascun ballo. 1630. |
1630 |
Lute |
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| Castaldi, Bellerofonte |
Capricci a due
stromenti cioè tiorba e tiorbino e per sonar solo varie sorti di balli e
fantasticarie. 1622. |
1622 |
Theorbo |
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| Cavalli, Francesco |
MVSICHE / SACRE /
CONCERNENTI / Messa, e Salmi Concertati con Istroment Imni Antifone & /
Sonate, A Due 3. 4. 5. 6. 8. 10. e 12. Voci�c, Venetia, Alessandro Vincenti,
1656 |
1656 |
Basso Continuo |
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| Chaumont, Lambert |
Pièces d�fOrgue sur
les 8 Tons avec leurs variétés, leurs agréemens, leurs Mouvemens et le
Mélange des Jeux propres à chaque espèce de verset. 1695. |
1695 |
Basso Continuo |
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| Chilesotti, Oscar |
Da un Codice
Lauten-Buch del Cinquecento Trascrizioni in notazione moderna. Leipzig: Breitkopf & Härtel, ca.
1890. |
1891 |
Lute |
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| Chilesotti, Oscar |
Lautenspieler des
XVI. Jahrhunderts |
1891 |
Lute |
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| Cima, Giovanni Paolo |
Concerti
Ecclesiastici. 1610 - Milan (Modern edition with English translation) |
1610 |
Basso Continuo |
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| Colla, Domenico |
6 Colascioncino
Sonatas. Sonata per Colascioncino (di due corde). ca.1766.
RISM 211011813 |
1766 |
colascioncino |
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| Corbetta, Francesco |
Varii Scherzi di
Sonate, Libro 4. 1648. [BNF] |
1648 |
Guitar |
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| Corelli, Arcangelo |
12 Violin Sonatas.
Sonate a violino e violone o cimbalo. Op.5. 1700
RISM-A/I: C 3800 |
1700 |
Basso Continuo |
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| Corkine, William |
Ayres to sing and
play to the lute and basse violl, with Pauin, Galliards, Almaines, and
Corantos for the Lyra violl, London, W. Stansby for John Browne, 1610 |
1610 |
Lute |
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| Corkine, William |
The second booke
of ayres, some to sing and play to the base-violl alone, others, to be sung
to the lute and base violl with new Corantoes, Pauins, Almaines, as also
diuers new descants vpon old grounds, set to the Lyra violl, London, W.
Barley, 1612 |
1612 |
Lute |
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| Corrette, Michel |
Le Maitre de
Clavecin pour l'Accompagnement, Methode theorique et pratique.. 1753. |
1753 |
Basso Continuo |
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| Corrette, Michel |
Prototipes
contenant des leçons d�faccompagnement. 1754. |
1754 |
Basso Continuo |
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| Couperin, François |
Second livre de
pièces de clavecin. Monsieur Prat, Receveur général des Finances de Paris.
1716-17. |
1716 |
Clavecin |
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| Crema, Giovanni Maria da |
Intabolatura de
Lauto, Ioan Maria Intabolatvra de lavto di recercari canzon francese Motetti
Madrigali padoane e Saltarelli Composti per lo Eccelente musicho &
sonator di Lauto messer Io. Maria da Crema. 1546. |
1546 |
Lute |
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| Dalza, Joan Ambrosio |
Intabulatura de
Lauto, Libro 4 (Dalza, Joan Ambrosio). Venetia: Ottaviano Petrucci,
1508.
RISM D 828 |
1508 |
Lute |
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| Dalza, Joan Ambrosio |
Intabulatura de Lauto. 1508. |
1508 |
Lute |
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| Dandrieu, Jean-François |
Principes de
l'Acompagnement du Clavecin. 1718. |
1718 |
Clavecin |
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| Dandrieu, Jean-François |
Principes de
l'Acompagnement du Clavecin. 1718. |
1718 |
Clavecin |
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| D'Anglebert, Jean-Henri |
Pièces de
clavecin... avec la manière de les jouer. Diverses chaconnes, ouvertures et
autre airs de M. de Lully, mis sur cet instrument. Quelques fugues pour
l'orgue et les principes de l'accompagnement. Livre premier. 1689. |
1689 |
Clavecin |
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| Danneley, John Feltham |
An Introduction to
the Elementary Principles of Thorough Bass and Classical Music. 1820. |
1820 |
Basso Continuo |
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| Danyel, John |
Songs for the
Lute, Viol and Voice. 1606. [RISM A/I: D-906] |
1606 |
Lute |
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| Daube, Johann Friedrich |
General-Bass in
drey Accorden gegründet in den Regeln der alt- und neuen Autoren, nebst einem
hierauf gebaueten Unterricht: wie man aus einer jeden aufgegebenen Tonart ...
in eine von den drey und zwanzig Tonarten ...gelangen kann ... 1756. |
1756 |
Basso Continuo |
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| Daza(Daca), Estebán |
El Parnasso, Libro de Musica en cifras para
Vihuela, intitulado el Parnasso, en el qual se hallara toda diversidad de
Musica, assi Motetes, Sonetos, Villanescas, en lengua Castellama, y otras
cosas, como Fantasias del Autor. 1576. |
1576 |
Vihuela |
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| De Machy, Le Sieur |
Pièces de violle, en musique et en
tablature. 1685. |
1685 |
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| Deysinger, Johann Franz Peter |
Compendium Musicum
oder Fundamenta Partiturae. Das ist: Gründlicher Unterricht die Orgel und das
Clavier wohl schlagen zu lernen. 1763. |
1763 |
Basso Continuo |
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| Diruta, Girolamo |
Il Transilvano, Dialogo sopra
il vero modo di sonar organi, et istrumenti da penna [�c]. 1593, 1609 -
Venezia, 2 volumes
RISM A/I: D 3134 / B/I: 1593{{Sup|9}} ; RISM A/I: D 3138 / B/I: 1609, |
1593 |
Basso Continuo |
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Divers auteurs
Rost, Franz |
Rost Codex, 156
pieces (for 2 violins and continuo, unless otherwise stated). -- CXIV.
Anonymous: Sonata in E minor (lute, violin, continuo) book1 p.162, book3
p.116. ca.1680-88 |
1680 |
Lute |
|
|
|
|
| Divine Harmony |
Divine Harmony the
2d Collection being Select Anthems for a Voice a lone as also some for 3 and
4 Voices with a Thorough Bass for the Organ, Harpsicord, or Arch Lute.
Compos'd by Several Eminent Authors and perform'd at the Chappel Royal being
very proper not only in private Devotion but also for Choirs. The whole
fairly Engraven. London 1721. |
1731 |
Lute |
|
|
|
|
| Dowland, John |
74 Lute Pieces,
Folger-US-Ws V.b.280 (Various) |
1594 |
Lute |
|
|
|
|
| Dowland, John |
A Pilgrimes Solace, Wherein is
contained musicall harmonie of 3. 4. and 5 parts, to be sung and plaid with
the lute and viols.. 21 songs. 1612. English, Italian |
1612 |
Lute |
|
|
|
|
| Dowland, John |
Lachrimae, or
Seven Teares. 1605. |
1605 |
Lute |
|
|
|
|
| Dowland, John |
The First Booke of
Songes, 21 songs and 1 lute piece: 1597. |
1597 |
Lute |
|
|
|
|
| Dowland, John |
The second booke
of songs or ayres. 1600. |
1600 |
Lute |
|
|
|
|
| Dowland, John |
The Third and Last Booke of Songs or
Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing thereto. 21 songs
. 1603 |
1603 |
Lute |
|
|
|
|
| Dowland, Robert |
A Varietie of Lute Lessons. 1610. |
1610 |
Lute |
|
|
|
|
| Eyck, Jacob van |
Der Fluyten Lust-Hof, 143 pieces. 1644. |
1644 |
|
|
|
|
|
| Falckenhagen, Adam |
6 Concerti, Sej
Concertj a Liuto, Traverso Oboe ò Violino e Violoncello |
|
Lute |
|
|
|
|
| Falckenhagen, Adam |
6 Lute Sonatas,
Op.1 |
|
Lute |
|
|
|
|
| Falckenhagen, Adam |
6 Partitas, Op.2 |
|
Lute |
|
|
|
|
| Falckenhagen, Adam |
Erstes Dutzend
Erbauungs voller Geistlicher-Gesänge mit Variationen auf die Laute welche zur
Beförderung der Ehre Gottes auf Verlangen einiger Liebhaber verfertiget von
Adam Falckenhagen. 1746. |
1746 |
Lute |
|
|
|
|
| Ferrari, Alfonso |
Canzonette a tre
voci (...) con l'intavolatura per sonar di liuto. 1600. |
1600 |
Lute |
|
|
|
|
| Fétis, François-Joseph |
Traité de
l'accompagnement de la partition sur le piano ou l'orgue. How to play from score: treatise on
accompaniment from score on the organ or pianoforte. 1877? |
1877 |
Basso Continuo |
|
|
|
|
| Fleury, Nicolas |
Methode pour
apprendre facilement a toucher le theorbe sur la basse-continuë. Paris:
Robert Ballard, 1660. |
1660 |
Theorbo |
|
|
|
|
| Ford, Thomas |
Musicke of sundrie
kindes set forth in two bookes. The first whereof are, aries [sic] for 4.
voices to the lute, orphorion, or basse. viol, with a dialogue for two
voices, and two basse viols in parts, tunde the lute way. London 1607.
RISM A/I: F 1503 |
1607 |
Lute |
|
|
|
|
| Franceschini, Petronio |
Sonata in D major,
2 trumpets, trombone, organ, theorbo, strings |
? |
Theorbo |
|
|
|
|
| François, Clément |
Essai sur la basse
fondamentale, Essai sue l'accompagnement du clavecin. 1762. |
1762 |
Basso Continuo |
|
|
|
|
| François, Clément |
Essai sur
l'accompagnement du clavecin. 1758. |
1758 |
Basso Continuo |
|
|
|
|
| Fuenllana, Miguel de |
Orphenica lyra, Libro de Mvsica para
Vihuela, intitulado Orphenica lyra. Enlql se cõtienen muchas y diuersas
obras. 1554. |
1554 |
Vihuela |
|
|
|
|
| Gabriel Voightländer |
Erster Theil
Allerhand Oden vnnd Lieder, welche auff allerley, als Italianische,
Frantzösische, Englische vnd anderer Teutschen guten Componisten, Melodien
vnd Arien gerichtet, Hohen vnd Nieder Stands Persohnen zu sonderlicher
Ergetzlichkeit, in vornehmen Conviviis vnd Zusammenkunfften, bey Clavi
Cimbalen, Lauten, Tiorben, Pandorn, Violen di Gamba gantz bequemlich zu
gebrauchen�c, Sohra: Henrich Kruse, 1642 |
1642 |
Lute |
|
|
|
|
| Gaffi, Tommaso Bernardo |
Regole per Sonare
su la parte. (Basso continuo treatise) |
? |
Basso Continuo |
|
|
|
|
| Galilei, Vincenzo |
Contrapunti a due
voci (Canto & Tenore). Florence: Giorgio Marescotti, 1584.
RISM A/I: G 148 |
1584 |
song |
|
|
|
|
| Galilei, Vincenzo |
Fronimo, Dialogo di Vincentio Galilei nobile
fiorentino. 2 books:
1. Dialogo si contengono regole del intavolare nel liuto (1568)
2. Dialogo sopra l'arte del bene intavolare (1584) |
1568 |
Lute |
|
|
|
|
| Galilei, Vincenzo |
Intavolature de
Lauto di Vincenzo Galileo fiorentino, madrigali, e ricercate. 1563 - Roma.
RISM A/I: G 144 ; B/I: 1563²³ |
1563 |
Lute |
|
|
|
|
| Galilei, Vincenzo |
Intavolature de
Lauto di Vincenzo Galileo fiorentino, madrigali, e ricercate. Roma, Valerio
Dorico 1563.
RISM A/I: G 144 ; B/I: 1563²³ |
1563 |
Lute |
|
|
|
|
| Galilei, Vincenzo |
Libro
d'intavolatura di liuto. (3 parts) Fondo galileiano, Gal. 6. 1584. |
1584 |
Lute |
|
|
|
|
| Gallot, Jacques |
Pièces de luth
composées sur differens modes |
|
Lute |
|
|
|
|
| Gamble, John |
AYRES / AND /
DIALOGUES / (To be Sung to the THEORBO-LUTE / Or BASS-VIOL.), London, W.
Godbid for Humphrey Mosley, 1657 |
1657 |
Theorbo |
|
|
|
|
| Ganassi, Silvestro di |
Lettione Seconda
pur della Prattica de Sonare il Violone d'Arco da Tasti. 1543. |
1543 |
Lute |
|
|
|
|
| Gasparini, Francesco |
L'Armonico Pratico
al Cimbalo. Bologna 1722, Venezia 1764. |
1722 |
Basso Continuo |
|
|
|
|
| Gastoldi, Giovanni Giacomo |
Balletti a tre
voci, con la intavolatura del liuto, per cantare, sonare, & ballare.
1594. |
1594 |
Lute |
|
|
|
|
| Gautier, Denis |
Livres de
tablature des pièces de luth. 1680 |
1680 |
Lute |
|
|
|
|
| Gautier, Denis |
Pièces de Luth sur
trois différents modes nouveaux. 1671.
RISM A/I: G 588 |
1671 |
Lute |
|
|
|
|
| Gautier, Denis and Enemmond |
Livre de tablature
des pièces. 1680 |
1680 |
Lute |
|
|
|
|
| Geminiani, Francesco |
A Treatise of Good
Taste in the Art of Musick. 1749. |
1749 |
Basso Continuo |
|
|
|
|
| Geminiani, Francesco |
The Art of
Accompaniament, [sic] a new & well digested method to learn to perform
the Thorough Bass on the Harpsichord with Propriety and Elegance. opera 11th
[1739] |
1739 |
Basso Continuo |
|
|
|
|
| Geminiani, Francesco |
The art of playing
the guitar or cittra containing several compositions with a bass for the
violoncello or harpsichord. 1760. |
1760 |
|
|
|
|
|
| Gerle, Hans |
Eyn newes sehr
künstlichs Lautenbuch: darinen etliche Preambel, unnd Welsche Tentz, mit vier
Stimmen, von den berumbsten Lutenisten, Francisco Milaneso, Anthoni Rotta,
Joan Maria Rosseto, Simon Gintzler und andern mehr gemacht, und zu samen
getragen, aus welscher ihn teutsche Tabulatur versetzt, durch Hanssen Gerle
den Eltern, Burger zu Nürenberg vormals nie gesehen, noch im Truck außgangen.
Nürenberg 1552. |
1552 |
Lute |
|
|
|
|
| Gerle, Hans |
Tabulatur auff die
Laudten etlicher Preambel, Teutscher, Welscher und Francoesischer stueck, von
Liedlein, Muteten, und schoenen Psalmen, mit drey und vier stymmen. 1533. |
1533 |
Lute |
|
|
|
|
| Gintzler, Simon |
Intabolatura de lauto. 1547 Venice |
1547 |
Lute |
|
|
|
|
| Giovanni Alberto Ristori |
Arianna. 1736 |
1736 |
Basso Continuo |
|
|
|
|
| Giovanni Antonio Rigatti |
Musiche concertate
cioe madrigali a 2. 3. 4. con basso continuo [...] Libro primo
|
1636 |
Basso Continuo |
|
|
|
|
| Giovanni Battista Buonamenti |
Il quarto libro de
varie sonate, sinfonie..., Venetia, Alessandro Vincenti, 1626 |
1626 |
Basso Continuo |
|
|
|
|
| Giovanni Battista Buonamenti |
Il quinto libro de
varie sonate..., Venetia, Alessandro Vincenti, 1629 |
1629 |
Basso Continuo |
|
|
|
|
| Giovanni Battista Buonamenti |
Sonate, et Canzoni
a due, tre, quattro, cinque et a sei voci, Libro sesto, Venetia, Alessandro
Vincenti, 1636 |
1636 |
Basso Continuo |
|
|
|
|
| Giovanni Battista Canaletti |
6 Trios for 2
Violins and Zither (Cetra). 1770 or so? |
1770 |
|
|
|
|
|
| Giovanni Battista Fontana |
Sonate a 1, 2, 3
per il Violino, o Cornetto, Fagotto, Chitarone, Violoncino o simile altro
istromento, Venetia, Bartolomeo Magni, 1641 |
1641 |
Theorbo |
|
|
|
|
| Giovanni Battista Gervasio |
Duetto á Due
Mandolini, MS (Gimo 147), 18th century |
1762 |
|
|
|
|
|
| Giovanni Battista Gervasio |
Mandolin Sonata in
C major, Sonata a mandolino solo e basso, Gimo 141 |
17xx |
Basso Continuo |
|
|
|
|
| Giovanni Battista Gervasio |
Mandolin Sonata in
D major, Sonata a mandolino solo e basso, Gimo 142, 143 |
1762 |
Basso Continuo |
|
|
|
|
| Giovanni Battista Gervasio |
Mandolin Sonata in
D major, Sonata Per Camera di Mandolino e Basso, Gimo 144 |
17xx |
Basso Continuo |
|
|
|
|
| Giovanni Battista Gervasio |
Mandolin Sonata in
G major, Sonata Per Camera di Mandolino e Basso. Gimo 145, 146 |
17xx |
Basso Continuo |
|
|
|
|
| Giovanni Battista Gervasio |
Trio a Due
Mandolini e Basso, (Gimo 150), 18th century |
17xx |
Basso Continuo |
|
|
|
|
| Giovanni Battista Gervasio |
Trio Sonata in D
major, Sinfonia a due mandolini è basso. IGG 6 |
17xx |
Basso Continuo |
|
|
|
|
| Giovanni Felice Sances |
Antifone e litanie
della Beatissima Vergine a piu voci, Venezia, Appresso Bartolomeo Magni, 1640 |
1640 |
Basso Continuo |
|
|
|
|
| Giovanni Felice Sances |
Cantade di Gio:
Felice Sances a voce sola, commode da cantarsi sopra Tiorba, Clauicembalo
Arpa, ò altro simile instrumento. Libro Secondo�c, Venetia, Appresso
Bartholomeo Magni, 1633 |
1633 |
Theorbo |
|
|
|
|
| Giovanni Felice Sances |
Capricci poetici
di Gioan Felice Sances [�c] a una, doi, tre voci, Venezia, Gardano, 1649 |
1649 |
Basso Continuo |
|
|
|
|
| Giovanni Felice Sances |
Il quarto libro
delle cantate, et arie a voce sola [�c] commode da cantarsi soura spinetta,
tiorba, arpa, o altro simile instrumento, con duo canzonette à due, & una
arietta à tre voci nel fine, Venezia, Alessandro Vincenti, 1636 |
1636 |
Theorbo |
|
|
|
|
| Godard, Benjamin |
Nouvelles chansons
du vieux temps. Op.24. Paris: Louis Gregh, n.d.(1876). |
1876 |
|
|
|
|
|
| Gorzanis, Giacomo |
Intabolatura di Liuto, Primo Libro
1561, Secondo Libro 1563, Terzo Libro 1564, Venezia |
1561 |
Lute |
|
|
|
|
| Grandi, Alessandro |
Motetti a una et
due voci con sinfonie d'istromenti, Libro Primo |
1626 |
Theorbo |
|
|
|
|
| Grandi, Alessandro |
Motetti a una, due
et quattro voci con sinfonie d'istromenti, Libro secondo. 1625 - Venezia,
RISM A/I: G 3448 |
1625 |
Theorbo |
|
|
|
|
| Graupner, Christoph |
Kommt lasst uns
mit Jesu gehen, GWV 1119/22, Theorbo, Strings, Basso continuo
|
1722 |
Theorbo |
|
|
|
|
| Greaves, Thomas |
Songs of Sadness.
1604. |
1604 |
Lute |
|
|
|
|
| Gregorius Urbanus |
Sacri armonici
concentus singulis, binis, ternis, quaternis vocibus concinendi nec non, et
symphonia tribus instrumentis, Venetia, Bartolomei Magni, 1640 |
1640 |
Voice |
|
|
|
|
| Handel, George Frideric |
Alexander's Feast,
HWV 75. 1736. (from F-Pn, US-Lou, D-Mbs, D-Dl)
|
1736 |
|
|
|
|
|
| Hasse, Johann Adolf |
Sei tu Lidippe, o
il sole, Cantata Pastorale a piu Voci per festeggiare il Retorno da Danzica
dela maesta del Re. ca. 1734 [IJH 91]. Voices + 2 oboes or flutes, strings,
continuo (incl. bassoon, theorbo) |
1734 |
Theorbo |
|
|
|
|
| Heck, Johann Caspar |
A Complete System
of Harmony. 1678 |
1678 |
Basso Continuo |
|
|
|
|
| Heck, Johann Caspar |
Short and
Fundamental Instructions for Learning Thorough Bass. 1775. |
1775 |
|
|
|
|
|
| Heckel, Wolff |
Lautten Buch, Strasburg 1556, 1562 |
1556 |
Lute |
|
|
|
|
| Hedgebut, John |
Thesaurus Musicus:
Being a Collection of the Newest Songs performed at Their Majesties Theatres;
and at the Consorts in Viller-street in York-Buildings, and in Charles-street
Covent-Garden. With a Thorow-Bass to each Song, for the Harpsichord, Theorbo,
or Bass-Viol. To which is Annexed, A Collection of Airs, Composed for two
Flutes, by several Masters, London, J. Heptinstall, 1696 (three books) |
1696 |
Theorbo |
|
|
|
|
| Heinichen, Johann David |
Anweisung zu
vollkommener Erlernung des General-Basses, Neu erfundene und gründliche
Anweisung wie ein Musik-liebender auf gewisse vortheilhafte Art könne zu
vollkommener Erlernung des General-Basses ...gelangen. 1721. |
1721 |
Basso Continuo |
|
|
|
|
| Heinichen, Johann David |
Der General-Bass
in der Composition, Oder: Neue und gründliche Anweisung, Wie ein
Music-Liebender mit besonderm Vortheil, durch die Principia der Composition,
nicht allein den General-Bass im Kirchen- Cammer- und Theatralischen Stylô
vollkommen, & in altiori Gradu erlernen; sondern auch zu gleicher Zeit in
der Composition selbst, wichtige Profectus machen könne. Nebst einer
Einleitung Oder Musicalischen Raisonnement von der Music überhaupt, und
vielen besondern Materien der heutigen Praxeos. Herausgegeben von Johann
David Heinichen. 1728. |
1728 |
Basso Continuo |
|
|
|
|
| Henestrosa, Luis Venegas de |
Libro de cifra
nueva para tecla, harpa, y vihvela, en el qual se enseña breuemente cantar
canto llano, y canto de organo, y algunos auisos para contra punto.. 1557. |
1557 |
Lute |
|
|
|
|
| Herbst, Johann Andreas |
Arte prattica
& poëtica. 1621 |
1621 |
Basso Continuo |
|
|
|
|
| Hinterleithner, Ferdinand Ignaz |
Lauthen Concert
mit Violin, Bass und Lauthen, Vienna 1699. |
1699 |
|
|
|
|
|
| Hoffer, Johann Jacob |
Suite for Lute in
A major, 6 movements. 1720-1755. [Mus.2745-V-1] |
1720 |
Lute |
|
|
|
|
| Holborne, Anthony |
The Cittharn Schoole. London 1597. |
1597 |
|
|
|
|
|
| Hove, Joachim van den |
Delitiæ musicæ, Utrecht 1612 |
1612 |
|
|
|
|
|
| Hume, Tobias |
Captaine Humes
Poeticall Musicke, London, John Windet, 1607 |
1607 |
|
|
|
|
|
| Hume, Tobias |
The First Part of
Ayres, French, Pollish, and others together, London, John Windet, 1605 |
1605 |
|
|
|
|
|
| Jacob Kremberg |
Musicalische
Gemüths-Ergötzung, oder Arien, samt deren unterlegten hochdeutschen
Gedichten, theils hoher Standes-Personen und vortrefflicher Leute, theils
eigener Erfindung. Welche also eingerichtet, daß Sie mit einer Stimme
allein zu singen benebenst dem General-Bass, oder aber zugleich und besonders
auf der Lauthe, Angelique, Viola di Gamba, und Chitarra, können gespielt
werden�c, Dresden: self-published, 1689 |
1689 |
Guitar |
|
|
|
|
| Jones, Robert |
A Musicall Dreame
or the fovrth booke of ayres. The First part is for the Lute, two Voyces, and
the Viole de Gambo; The Second part is for the Lute, the Viole and foure
Voices to Sing; The Third part is for one Voyce alone, or to the Lute, the
Basse Viole, or to both if you please, Whereof, two are Italian Ayres.
Composed by Robert Iones.. 1609. |
1609 |
Lute |
|
|
|
|
| Jones, William |
A Treatise on the
Art of Music; in which the Elements of Harmony and Air are practically
considered, and illustrated by an hundred and fifty examples in notes Many of
them taken from the best Authors: The whole being intended as a Course of
Lectures, preparatory to the practice of Thorough-Bass and Musical
Composition. 1784. |
1784 |
Basso Continuo |
|
|
|
|
| Judenkünig, Hans |
Ain schone
Kunstliche Underweisung, Wien, Hanns Singryener, 15232 |
1532 |
|
|
|
|
|
| Kapsberger, Giovanni Girolamo |
Libro primo di
Arie passeggiate à vna voce con l'intavolatura del chitarone. Roma 1612. RISM
K 186 |
1612 |
Theorbo |
|
|
|
|
| Kapsberger, Giovanni Girolamo |
Libro primo di
mottetti passeggiati. Roma 1612. RISM K 185 |
1612 |
|
|
|
|
|
| Kapsberger, Giovanni Girolamo |
Libro primo
d'intavolatvra di chitarone. Roma 1604.
RISM K 181 |
1604 |
Theorbo |
|
|
|
|
| Kapsberger, Giovanni Girolamo |
Libro primo
d'intavolatvra di lavto. Roma 1611. |
1611 |
Lute |
|
|
|
|
| Kapsberger, Giovanni Girolamo |
Madrigali a 5
voci, Libro 1. Roma 1608 or 1609. AA.130 ; RISM A/I: K 182 |
1608 |
Voice |
|
|
|
|
| Kapsberger, Giovanni Girolamo |
Villanelle, Libro
1. Libro primo di Villanelle à 1, 2 et 3 uoci accommodate per qualsiuoglia
strumento con l'intavolatura del chitarone et alfabeto per la chitarra
spagnola. Roma 1610 |
1610 |
Guitar |
|
|
|
|
| Kapsberger, Giovanni Girolamo |
Villanelle, Libro
4. Libro Quarto di Villanelle a una e piu voci. Roma 1623. |
1623 |
Voice |
|
|
|
|
| Kapsperger, Giovanni Girolamo |
Libro primo
d'intavolatvra di lavto. 1611. |
1611 |
Lute |
|
|
|
|
| Kargel, Sixt |
Novae,
elegantissimae, gallicae. Newe, schöne, und liebliche Tabulatur. Straßburg
1574. |
1574 |
|
|
|
|
|
| Kollmann, Augustus Frederic Christopher |
Practical guide to
thorough bass. 1808. |
1808 |
Basso Continuo |
|
|
|
|
| Krause, Johann Georg |
9 Partien auf die
Viola Paradon, IX. Partien auf die Viola Paradon aus unterschiedlichen Tonen
nach der leichsten und bequemsten art componiret, und auf Verlangen Vornehmer
Liebhaber dieses Instruments zum Drucke befoerdert von Joh. Georg Krausen.
Ca.1700 |
1700 |
|
|
|
|
|
| Krengel, Gregor |
Tabvlatvra nova continens selectissimas
qvasqve cantiones vt svnt madrigalia, mvtetae, padvananae et Vilanellæ,
testudini sic aptatas, vt quilibet singulas duplici modo ludere &
concinere possitiam recens edita per Gregorivm Krengel. 1584. |
1584 |
Lute |
|
|
|
|
| Lalande, Michel-Richard de |
Jubilate Deo omnis
terra, S.9 |
1689 |
Basso Continuo |
|
|
|
|
| Lambert, Michel |
60 Airs for Voices
and Continuo, Airs à une, II, III & IV parties avec, la basse continue�c
1689 |
1689 |
Basso Continuo |
|
|
|
|
| Lampe, John Frederick |
A Plain and
Compendious Method of Teaching Thorough Bass. 1737. |
1737 |
Basso Continuo |
|
|
|
|
| Landi, Stefano |
Il quinto libro
d'arie da cantarsi ad una voce con la spinetta & con le littere per la
chitarra |
1637 |
Basso Continuo, chitarra |
|
|
|
|
| Lawes, Henry |
Ayres and
Dialogues, for One, Two, And Three Voyces, 1653 |
1653 |
|
|
|
|
|
| Lawes, Henry |
The treasury of
musick containing ayres and dialogues to sing to the theorbo-lute or
basse-viol. Composed by Mr Henry Lawes ... and other eminent masters |
1669 |
Theorbo |
|
|
|
|
| Le Roy, Adrian |
Livre d'air de
cours miz sur le luth. Paris: l'Auteur & Robert Ballard, 1571. |
1571 |
Lute |
|
|
|
|
| Le Roy, Adrian |
Premier livre de
tabulature de guiterre, contenant plusieurs Chansons, Fantasies, Pauanes,
Gaillardes, Almandes, Bransles, tant simples qu'autres: le tout compose par
Adrian Le Roy.. 1551. |
1551 |
Guitar |
|
|
|
|
| Le Roy, Adrian |
Premier livre de
tabulature de luth, contenant plusieurs motetz, chansons, fantasies, pavanes,
gaillardes, almandes, branles, tat simples qu'autres : le tout composé par
Adrian Le Roy. 1551.
RISM B/I: 1551²⁴ |
1551 |
Lute |
|
|
|
|
| Le Roy, Adrian |
Tiers Livre de
Tabvlatvre de Gviterre, contenant plusieurs Preludes, Chansons, Basse-dances,
Tourdions, Pauanes, Gaillardes, Almandes, Bransles, tant doubles que simples.
Le tout compose par Adrian le Roy. 1552. |
1522 |
Guitar |
|
|
|
|
| Lieto Panhormitano, Bartolomeo |
Dialogo quarto di
musica, dove si ragiona sotto un piacevole discorso delle cose pertinenti,
per intavolare le opere di musica exercitarle con viola a mano over liuto con
sue tavole ordinate per diversi gradi alti e bassi. 1559. |
1559 |
Lute |
|
|
|
|
| Locke, Matthew |
Little Consort of
3 Parts, Matthew Locke His Little Consort of 3 Parts: Containing Pavans,
Ayres, Corants and Sarabands, for Viols or Violins. In 2 several Varieties:
The first 20 are for 2 Trebles and a Basse: The last 20 for Treble, Tenor
& Basse. To be performed either alone or with Theorbo's and Harpsecord.
1656. |
1656 |
Theorbo |
|
|
|
|
| Locke, Matthew |
Melothesia,
Certain General Rules for Playing upon a Continued Bass. With A choice
Collection of Lessons for the Harpsicord and Organ of all Sorts: never before
Published. All carefully reviewed by M. Locke, Composer in Ordinary to His
Majesty, and Organist of Her Majesties Chappel. 1673. |
1673 |
Basso Continuo |
|
|
|
|
| Lodovico Bellanda |
Musiche di
Ludovico Bellanda Veronese per cantare sopra la chitarrone, et clavicimbalo,
Venetia, Giacomo Vincenti, 1607 |
1607 |
Theorbo |
|
|
|
|
| Löhlein, Georg Simon |
Clavier-Schule,
Georg Simon Löhleins Clavier-Schule, oder kurze und gruendliche Anweisung zur
Melodie und Harmonie, durchgehends mit practischen Beyspielen. 1765-81. |
1765 |
Basso Continuo |
|
|
|
|
| Luzzaschi, Luzzasco |
12 madrigals: 3
for 1 voice, 4 for 2 voices, 5 for 3 voices. 1601. 1-3 sopranos, continuo.
Roma 1601. |
1601 |
Basso Continuo |
|
|
|
|
| Lyon, James |
Exercises in
Figured Bass and Melody Harmonisation |
1912 |
Basso Continuo |
|
|
|
|
| Mace, Thomas |
Musick�fs Monument,
or A Remembrancer of the Best Practical Musick. 3 parts. 1676. |
1671 |
Basso Continuo |
|
|
|
|
| Marchetti, Tommaso |
Il primo libro
d'intavolatvra della chitarra spagnola. Composto, e dato in luce da Tomasso
Marchetti Romano, con vna regola facilissima per poter'imparar'a sonare,
accordare e far lettere della detta Chitarra de se stesso. Et si contengono
anco nel detto libre molte sonate passeggiate, non piu da altri date in luce.
Rome: Francesco Moneta, 1660. |
1660 |
Guitar |
|
|
|
|
| Marsh Lutebook |
The Marsh Lute
Book (Various). 1595? |
1595 |
Lute |
|
|
|
|
| Mattheson, Johann |
Das neu-eröffnete
Orchestre, oder Universelle und gründliche Anleitung wie ein Galant Homme
einen vollkommenen Begriff von der Hoheit und Würde der edlen Music erlangen
/ seinen Gout darnach formiren / die Terminos technicos verstehen und
geschicklich von dieser vortrefflichen Wissenschafft raisonniren möge.
durch J. Mattheson, Secr. mit beygefügten Anmerkungen Herrn Capell-Meister
Keisers. 1713. |
1713 |
Basso Continuo |
|
|
|
|
| Mattheson, Johann |
Der vollkommene
Capellmeister, Das ist Gründliche Anzeige aller derjenigen Sachen, die einer
wissen, können, und vollkommen inne haben muß, der einer Capelle mit Ehren
und Nutzen vorstehen will: Zum Versuch entworffen. 1739. |
1739 |
Basso Continuo |
|
|
|
|
| Mattheson, Johann |
Exemplarische
Organisten-Probe Im Artikel vom General-Bass. Welche mittelst 24. leichter,
und eben so viel etwas schwerer Exempel, aus allen Tonen, des Endes
anzustellen ist, daß einer, der diese 48. 1719. includes 48 exercises in all
the keys (24 easy, 24 more difficult) |
1719 |
Basso Continuo |
|
|
|
|
| Mattheson, Johann |
Grosse
General-Baß-Schule: oder der exemplarischen Organisten-Probe zweite,
verbesserte und vermehrte Auflage. 1731. |
1731 |
Basso Continuo |
|
|
|
|
| Mattheson, Johann |
Johann Matthesons
Kleine General-Baß-Schule. 1735. |
1735 |
Basso Continuo |
|
|
|
|
| Melli, Pietro Paolo |
DI PIETRO PAOLO
MELII DA REGGIO LAVTINISTA, E MVSICO DI CAMERA DI SVA M. CESAREA INTAVOLATVRA
DI LIVTO ATTIORBATO LIBRO SECONDO Nel quale si contiene Corrente Volte
Gagliarde, Preludi & vna Tastata�c, Venetia: Giacomo Vincenti, 1616. & Libro Terzo |
1616 |
|
|
|
|
|
| Melli, Pietro Paolo |
Intavolatura di
liuto. 1616. |
1616 |
Lute |
|
|
|
|
| Mersenne, Marin |
Harmonie
universelle. Part I & Part II. 1636-37. |
1636 |
Theory |
|
|
|
|
| Milan, Luis de |
Libro de Música de
Vihuela de mano, Intitulado El Maestro. Valencia 1536. |
1536 |
Vihuela |
|
|
|
|
| Milano, Francesco da |
Intabolatura de lauto di Francesco da
Milano. Libro primo. 1546, 1548, 1562
RISM 1548 13, RISM 1546 26, RISM 1546 27, RISM 1546 29m, RISM 1546 30 |
1546 |
Lute |
|
|
|
|
| Molinaro, Simone |
Intavolatura di
liuto libro primo. Venice 1599. |
1599 |
Lute |
|
|
|
|
| Monteverdi, Claudio |
II Sesto Libro /
de Madrigali / a cinqve voci, / con vno Dialogo a Sette, / Con il suo Basso
continuo per poterli con- / certare nel Clauacembano, & altri /
Stromenti. / Di Clavdio Monteverde / Maestro di Cappella della Sereniss. Sig.
/ di Venetia in S. M |
1612 |
Basso Continuo |
|
|
|
|
| Monteverdi, Claudio |
L'Orfeo, Favola in
musica. Venice 1609, re-issued 1615.
SV 318 |
1609 |
|
|
|
|
|
| Monteverdi, Claudio |
Madrigals, Book 7,
Concerto: settimo libro de madrigali. 1619 - Venezia. SV 117–145 ; RISM A/I:
M 3494. |
1619 |
Voice |
|
|
|
|
| Monteverdi, Claudio |
Sì dolce è'l
tormento. 1624. SV 332 |
1624 |
|
|
|
|
|
| Monteverdi, Claudio |
Vespro della Beata
Vergine. 1610. SV 206 |
1610 |
|
|
|
|
|
| Morley, Thomas |
A plaine and easie
introduction to practicall musicke |
1597 |
|
|
|
|
|
| Morley, Thomas |
Ayres or Little
Short Songs, Book 1 1600. RISM A/I: M 3711 |
1600 |
|
|
|
|
|
| Morley, Thomas |
Canzonets or
Little Short Aers to Five and Sixe Voices. London 1597.
RISM A/I: M 3710 |
1597 |
Lute |
|
|
|
|
| Morley, Thomas |
Consort Lessons,
Book 1 - The First Booke of Consort Lessons, made by divers exquisite
Authors, for 6 Instruments to play together, the Treble Lute, the Pandora,
the Cittern, the Base-Violl, the Flute & Treble Violl. 1599. |
1599 |
Lute |
|
|
|
|
| Moulinié, Etienne |
Airs de cour
Premier Livre, Second livre, Troisiesme Livre, Quatriesme livre, Cinquiesme
Livre, Paris: Pierre Ballard, 1624, 1625, 1629, 1633, 1635. |
1624 |
Airs de Cour |
|
|
|
|
| Mouton, Charles |
Pièces de luth sur
différents modes (Mouton, Charles).
1er Livre, 2nd Livre.
Ca.1680 |
1680 |
Lute |
|
|
|
|
| Muffat, Georg |
Regulae Concentuum
Partiturae. 1699. |
1699 |
Basso Continuo |
|
|
|
|
| Murcia, Santiago de |
Resumen de acompañar la parte con la
guitarra. 1714, 1716, 1726. |
1714 |
Guitar |
|
|
|
|
| Murschhauser, Franz Xaver |
Academia
Musico-Poetica Bipartita. Oder: Hohe Schul der Musicalischen Composition in
Zwey Theil eingetheilt. 1721. |
1721 |
Basso Continuo |
|
|
|
|
| Narváez, Luys de |
Los seys libros
del Delphín de musica de cifras para tañer Vihuela. Libro 1 - 6, 1538. |
1538 |
Lute |
|
|
|
|
| Naumann, Johann Gottlieb |
LIBRO PRIMO / DI
ARIE PASSEG/giate a una voce per Cantar / e Sonar nel Chitarone, et altri /
Simile Istromenti, Dresden, 1623 |
1623 |
Theorbo |
|
|
|
|
| Naumann, Johann Gottlieb |
Libro Primo di
Arie, passegiate á una voce per cantar, e sonar del Chitarone, +& altri
simile instromenti, di Giuanni Nauwach, nella corte del serenissiomo Duca di
Sassonia Elettore Musico di Camera. 1623. |
1623 |
Theorbo |
|
|
|
|
| Neri, Massimiliano |
Sonate Da Sonare
con varij stromenti A trè sino a dodeci, Venetia, Gardano/Franceso Magni,
1651 |
1651 |
Basso Continuo |
|
|
|
|
| Neri, Massimiliano |
Sonate e canzone a
quatro da sonarsi con diversi stromenti in chiesa, & in camera, Venetia,
Bartolomeo Magni, 1644 |
1644 |
Basso Continuo |
|
|
|
|
| Neusidler, Hans |
Das Ander Buch.
Ein New künstlich Lautten Buch, für die anfahenden Schuler. Nuremberg 1544. |
1544 |
Lute |
|
|
|
|
| Neusidler, Hans |
Das Erst Buch.
Nuremberg 1544, 1547. |
1544 |
Lute |
|
|
|
|
| Neusidler, Hans |
Ein newes
Lautenbüchlein mit al schönen Liedern. Nuremberg: Hans Guldenmundt, 1540. |
1540 |
Lute |
|
|
|
|
| Neusidler, Hans |
Ein newgeordent
künstlich Lautenbuch. 1536 |
1536 |
Lute |
|
|
|
|
| Neusidler, Melchior |
Il Primo Libro / Intabolatura di liuto
di Melchior Neysidler Alemano, Sonatore di Liuto in Augsta, ove sono
Madrigali, Canzon Francesi, Pass'emezi, Saltarelli & alcuni suoi
Ricercari, Novamẽte da lui posti in luce. 1566 |
1566 |
Lute |
|
|
|
|
| Neusidler, Melchior |
Teütsch Lautenbuch, Deutsch Lautenbuch
; Teütsch Lautenbuch darinnenn kunstliche Muteten, liebliche Italianische,
Frantzösische, Teütsche Stuck, fröliche Teütsche Täntz, Passoe mezo,
Saltarelle und drei Fantaseien, Alles mit fleiss aussgesetzt, auch artlich
und zierlich Coloriert durch Melchior Newsidler, Burger und Lautenist in
Augsburg. 1574. |
1574 |
Lute |
|
|
|
|
| Niedt, Friedrich Erhardt |
Musicalische
Handleitung. 1700/1706/1717 |
1700 |
Basso Continuo |
|
|
|
|
| Notari, Angelo |
Primo Musiche
Nuove, à una, due, et tre Voci, per Cantare con la Tiorba, et altri
Strumenti, Nuovamente poste in luce. Con privilegio. |
1613 |
Theorbo |
|
|
|
|
| Ochsenkhun, Sebastian |
Tabulaturbuch auff
die Lauten von Moteten, Frantzösischen. Heydelberg 1558. |
1558 |
Lute |
|
|
|
|
| Ornithoparchus, Andreas |
Musicae activae
micrologus. Leipzig 1519. London 1609. |
1519 |
|
|
|
|
|
| Ortiz, Diego |
Trattado de glosas
sobre clausulas y otros generos de puntos en la musica de violones. 1553. |
1553 |
Basso Continuo |
|
|
|
|
| Pacoloni, Giovanni |
Longe
Elegantissima Excel, Tribus testudinibus lucenda carmina. Louvain: Pierre
Phalèse, 1564. |
1564 |
|
|
|
|
|
| Paisiello, Giovanni |
Regole per bene
accompagnare il partimento o sia il basso fondamentale sopra il Cembalo. di
Giovanni Paisiello, St. Petersburg. 1782 |
1782 |
Basso Continuo |
|
|
|
|
| Paladino, Giovanni Paolo |
Premier livre de
tablature de luth (...), contenant fantasies, motetz, madrigales, chansons
françoises, pavanes & gaillardes; avec une brieve instruction de la
tablature dudit instrument, de nouveau adiodtee. 1553. |
1553 |
Lute |
|
|
|
|
| Paladino, Giovanni Paolo |
Tablatures de luth
en diverses sortes comme chansons, pavanes, fantaisies, gaillardes et la
bataille. 1549 |
1549 |
Lute |
|
|
|
|
| Pasquali, Nicolo |
Thorough-Bass Made
Easy: or, Practical Rules for finding and applying its various Chords with
little Trouble; together with Variety of Examples in Notes, shewing the
Manner of accompanying Concertos, Solos, Songs, and Recitatives. 1757. |
1757 |
Basso Continuo |
|
|
|
|
| Penna, Lorenzo |
Li primi albori
musicali per li principianti della musica figurata. 1672. |
1672 |
Basso Continuo |
|
|
|
|
| Peri, Jacopo |
Euridice, Le Musiche di Jacopo Peri
nobil Fiorentino sopra l'Euridice del Sig. Ottavio Rinuccini Rappresentate
Nello Sponsalizio della Cristianissima Maria Medici Regina di Francia e di
Navarra. Florence 1601. |
1601 |
Basso Continuo |
|
|
|
|
| Perrine |
Livre de Musique
pour le Lut Contenant une Metode nouvelle et facile pour aprendre a toucher
le Lut sur les notes de la musique avec des regles pour exprimer par les
memes notes toutes sortes de pieces de Lut dans leur propre mouvt. Perrine, 1679. |
1679 |
Lute |
|
|
|
|
| Petrucci, Ottaviano |
Frottole con
tenori et bassi tabulati et con soprani in canto figurato per cantar et sonar
col lauto / de misser Bartolomio Tromboncino et de misser Marchetto Carra.
1509, 1511. RISM B/I: 1509³, 1511¹ |
1509 |
Lute |
|
|
|
|
| Petrucci, Ottaviano |
Harmonice Musices
Odhecaton. Venice 1501, 1502, 1504 |
1501 |
|
|
|
|
|
| Petrucci, Ottaviano |
Tenori e
contrabassi intabulati col sopran in canto figurato per cantar e sonar col
lauto. Venice 1509, 1511. RISM B/I: 1509³, 1511¹ |
1509 |
Lute |
|
|
|
|
| Phalese, Pierre |
Carminum ad
testudini usum compositorum liber tertius, Des chansons & motetz reduictz
en tabulature de luc, a quatre, cinque et six parties, livre troixiesme.
1547. |
1547 |
|
|
|
|
|
| Phalese, Pierre |
Hortulus cytharae, Pierre Phalèse 1570 |
1570 |
|
|
|
|
|
| Phalese, Pierre |
Hortus Musarum in quo tanquam flosculi
quidam selectissimorum carminum collecti sunt ex optimis quihusque autoribus.
Phalèse, Pierre 1552.
RISM B/I: 1552²⁹ |
1552 |
|
|
|
|
|
| Phalese, Pierre |
Selectissima
elegantissima qve, gallica, italica et latina in gviterna lvdenda carmina,
qvibvs addvntur & fantasiae, Passomezi, saltarelli, galliardi, almandes,
branles & similia, ex oprimis elegantissimisque collecta, & iam cum
omni diligentia recens impressa. 1570. |
1570 |
Guitar |
|
|
|
|
| Phalèse, Pierre |
Carminum quae
chely vel testudine canuntur. Book I, II, III. Louvain: Pierre Phalèse, 1546,
1547.
RISM B/I, 154938 |
1546 |
Lute |
|
|
|
|
| Phalèse, Pierre |
Luculentum
theatrum musicum, in quo (demptis vetustate tritis cantionibus) selectissima
optimorum quorumlibet autorum, ac excellentissimorum artificum tum veterum,
tum praecipue recentiorum carmina, maiore quam unquam diligentia &
industria expressa, oculis proponuntur. 1586. |
1586 |
Lute |
|
|
|
|
| Phalèse, Pierre & Jean Bellère (publisher) |
HORTVS MVSARVM /
IN QVO TANQVAM FLOSCVLI / quidam selesctissimorum carminum collecti sunt ex
optimis / quihusque autoribus�c, Louvain, Pierre Phalèse, 1552 |
1552 |
|
|
|
|
|
| Piccinini, Alessandro |
Intavolatura di
liuto et di chitarrone. First edition Bologna 1623 |
1623 |
Theorbo
Lute |
|
|
|
|
| Pico, Foriano |
Nuova scelta di
sonate per la chittara spagnola (1608 or 1628)
Con alcune Sonate, e Passeggiate non più poste alla Stampa, tutte curiose;
trà le quali vi s'è aggiunto la Siciliana, e le Letanie de'Santi, con
l'Intauolature messe spezzatamente; e la Romanella. |
1608 |
Guitar |
|
|
|
|
| Pifaro, Marc Antonio |
Intabulatura de Lauto. Venezia 1546. |
1546 |
Lute |
|
|
|
|
| Pilkington, Francis |
The first booke
of songs or ayres [...] |
|
Lute |
|
|
|
|
| Pisador, Diego |
Libro de musica de
vihuela / agora nueuamente compuesto por Diego Pisador. |
1552 |
Vihuela |
|
|
|
|
| Playford, Henry |
DELICIÆ MUSICÆ /
BEING A / Collection of the newest and best SONGS / Sung at Court and at the
Publick Theatres, most / of them within the Compass of the FLUTE / WITH / A
Thorow-Bass, for the Theorbo-Lute, / Bass-Viol, Harpsichord, or Organ,
London, Henry Playford, 1696 |
1696 |
Theorbo |
|
|
|
|
| Playford, Henry |
Deliciæ musicæ,
voice/s, continuo (unfigured) [theorbo/viol/harpsichord/organ]; voice,
trumpet, continuo; voice, 2 recorders, continuo, 1695-96 |
1595 |
Theorbo |
|
|
|
|
| Playford, Henry |
Harmonia Sacra.
Harmonia Sacra: or, Divine Hymns and Dialogues: with a thorough-bass for the
Theorbo-Lute, Bass-Viol, Harpsichord, or Organ. Composed by the Best Masters
of the last and Present Age. The Words by several Learned and Pious Persons. |
1693 |
Theorbo |
|
|
|
|
| Playford, Henry |
Harmonia Sacra: /
OR, / DIVINE HYMNS / AND / DIALOGUES / WITH / A THOROUGH-BASS for the
Theorbo-Lute / Bass-Viol, Harpsichord, or Organ�c, London, Henry Playford,
1714 |
1714 |
Theorbo |
|
|
|
|
| Playford, Henry |
The Banquet of
Musick: or, A Collection of the newest and best Songs Sung at Court and at
Publick Theatres, being most of them within the Compass of the Flute.
With a Thorow-Bass for the Theorbo-Lute, Bass-Viol, Harpsichord, or
Organ. Composed by severa |
1692 |
Theorbo |
|
|
|
|
| Playford, Henry |
THE Theater of
MUSIC: / OR, A / COLLECTION of the newest and best Songs / Sung at the COURT,
and Public THEATERS �c WITH / A Thorow-Baß to each SONG for the Harpsichord,
Theorbo, or Baß-Viol �c THE FOURTH and LAST BOOK, London, B. Motte for Henry
Playford, 1687 |
1687 |
Theorbo |
|
|
|
|
| Playford, John |
A Choice
Collection of the newest and best Songs Sung at the Court and Public
Theaters, The First, Second, Third, Fourth Book |
1686 |
Basso Continuo |
|
|
|
|
| Playford, John |
Choice Ayres,
Songs, and Dialogues. First, Second, Third, Fourth, Fifth Book. London: John
Playford, 1676-1684. |
1676 |
|
|
|
|
|
| Playford, John |
Musick's Delight
on the Cithren. London 1666. |
1666 |
|
|
|
|
|
| Playford, John |
Musick's
Hand-Maid, Keyboard (harpsichord/virginals/spinet), psalms in 1st edition 'to
the Virginal or the Organ, 1663, reissued 1678, 1689 |
1678 |
Clavecin |
|
|
|
|
| Playford, John |
Select Ayres and
Dialogues. Second, Third Book. London: Printed by William Godbid for John
Playford, 1669 |
1669 |
|
|
|
|
|
| Playford, John |
Select Musicall
Ayres and Dialogues. The First Book (Ayres), The Second Book (Pastoral
Dialogues), The Third Book (Ayres For Three Voices). London: T. H. for J.
Playford, 1653 |
1653 |
|
|
|
|
|
| Praetorius, Michael |
Syntagma musicum.
1618-1620. 3 volumes + supplement |
1618 |
Basso Continuo |
|
|
|
|
| Prelleur, Peter |
The Modern
Musick-Master, or The Universal Musician. 1730. |
1730 |
Basso Continuo |
|
|
|
|
| Purcell, Henry |
Orpheus
Britannicus. A Collection of all the choicest songs for One, Two, and Three
Voices, compos'd by Mr. Henry Purcell. together with such Symphonies for
Violins or Flutes [recorders], as were by him design's for any of them: and a
thorough-bass to each song; figur'd for the Organ, Harpsichord, or
Theorbo-Lute. All which are placed in their several Keys according to the
Order of the Gamut. |
1702 |
Theorbo |
|
|
|
|
| Quantz, Johann Joachim |
Versuch einer
Anweisung die Flöte traversiere zu spielen. 1752 |
1752 |
Basso Continuo |
|
|
|
|
| Rameau, Jean Philippe |
Code de musique
practique, ou méthodes. 1760. |
1760 |
Basso Continuo |
|
|
|
|
| Rameau, Jean Philippe |
Dissertation sur
les différentes métodes d'accompagnement pour le Clavecin, ou pour l'Orgue..
1732 |
1732 |
Basso Continuo |
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| Rameau, Jean Philippe |
Nouveau systême de
musique théorique, où l'on découvre le principe de toutes les règles
necessaires à la pratique, pour servir d'introduction au "Traite de
l'harmonie". 1726. |
1726 |
Basso Continuo |
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| Rameau, Jean Philippe |
Traité de
l'harmonie réduite à ses principes naturels. 1722 |
1722 |
Basso Continuo |
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| Rameau, Jean Philippe |
Traité des accords
et de leur succession selon le systéme de la Basse-fondamentale. 1764. |
1764 |
Basso Continuo |
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| Respighi, Ottorino |
Antiche danze et
arie per liuto, Suite No.3 |
1932 |
Lute |
|
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| Ribayaz, Lucas Ruiz de |
Luz y norte
musical para caminar por las cifras de la guitarra española, y arpa, tañer, y
cantar á compás por canto de organo. Madrid 1677. |
1677 |
Guitar |
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| Richard, François |
Airs de cour avec
la tablature de luth. 1637. |
1637 |
Airs de Cour |
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| Rigaud, Louis de |
Airs faits, et mis
en tablature de luth. 1623. |
1623 |
Lute |
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| Robinson, Thomas |
The Schoole of Musicke vvherein is
tavght, the perfect method of trve fingering of the Lute, Pandora, Orpharion,
and Viol de Gamba; with most infallible generall rules, both easie and
delightfull. Also, a method, how you may be your owne instructor for Prick-song,
by the help of your Lute, without any other teacher: with lessons of all
sorts, for your further and better instruction. Newly composed by Thomas
Robinson, Lutenist. London 1603. |
1603 |
Lute |
|
|
|
|
| Rossi, Salamone |
Madrigali à 5,
libro primo. 1600.
RISM-A/I: R-2748 |
1600 |
theorbo |
|
|
|
|
| Rotta, Antonio |
Intabolatura de
lauto... Libro primo. 1546. |
1546 |
Lute |
|
|
|
|
| Rousseau, Jean-Jacques |
Dictionnaire de
musique. 1768, 1772, 1775, 1826. |
1768 |
Basso Continuo |
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| Sabbatini, Galeazzo |
Regola facile e
breve per sonare sopra il basso continuo nell�forgano, manacordo o altro
simile stromento. 1628. |
1628 |
Basso Continuo |
|
|
|
|
| Saint-Lambert, Michel de |
Nouveau traité de
l'accompagnement du Clavecin, de l'Orgue et des autres instruments. Paris
1707. |
1707 |
Basso Continuo |
|
|
|
|
| Sanz, Gaspar |
Instrucción de
Música Sobrel la Gvitarra Espanola, (Libro Primo), 1674.
[BNE] |
1674 |
Guitar |
|
|
|
|
| Sanz, Gaspar |
Instrucción de
Música Sobrel la Gvitarra Espanola, (Libro Primo), 1697.
Libro Segunde de Cifras Sobre la Gvitrra Espanola, 1675.
Libro Tercero de Musica de Cifras Sobre la Gvitrra Espanola,
[MDZ] |
1697
1675 |
Guitar |
|
|
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| Sanz, Gaspar |
Instrucción de
Música Sobrel la Gvitarra Espanola, (Libro Primo), 1697.
Libro Segunde de Cifras Sobre la Gvitrra Espanola,
Libro Tercero de Musica de Cifras Sobre la Gvitrra Espanola,
[Minkoff edition] |
1697 |
Guitar |
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| Schlick, Arnolt |
Tabulaturen
etlicher Lobgesang, Mainz 1512. |
1512 |
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| Shield, William |
Rudiments of
Thorough Bass. London 1817? |
1817 |
Basso Continuo |
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| Simpson, Christopher |
The Division Viol,
or the Art of Playing upon a Ground. 1659. 3 sections. |
1659 |
Basso Continuo |
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| Sorge, Georg Andreas |
Compendium
Harmonicum, oder Kurzer Begrif der Lehre von der Harmonie, vor diejenigen,
welche den Generalbass und die Composition studiren, in der Ordnung welche
die Natur des Klangs an die Hand giebt.. 1760. |
1760 |
Basso Continuo |
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|
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| Stradella, Alessandro |
Regole del
Contrapunto. |
16xx |
Basso Continuo |
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| Straube, Rudolf |
2 Lute Sonatas. Leipzig 1746. |
1746 |
Lute |
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| Susato, Tielman |
Le premier Livre
des chansons à deux ou à troix parties |
1544 |
trumpets |
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| Tailour, Robert |
Sacred hymns. Consisting of fifty select psalms
of David and others. London 1615 |
1615 |
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| Telemann, Georg Philipp |
Singe-, Spiel- und
Generalbassübungen, TWV 25:39-85. Hamburg ca.1733-4. |
1733 |
Basso Continuo |
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| Telemann, Georg Philipp |
Violin Concerto,
TWV 51:G8 |
1730 |
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| Thomassini, Filippo |
Conserto vago di
balletti, volte, correnti ed gagliarde, con la loro canzone alla franzese.
1645. |
1645 |
Lute, Guitar, Theorbo |
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| Torres y Martínez Bravo, Joseph de |
Reglas generales
de acompañar en órgano, clavicordio, y harpa, con solo saber cantar la parte.
1702 |
1702 |
Basso Continuo |
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|
|
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| Tye, Christopher |
The Actes of the Apostles, translated
into Englyshe Metre, and dedicated to the kynges most excellent Maiestye, by
Christofer Tye. London 1553. |
1553 |
Basso Continuo |
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|
|
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| Ucellini, Marco |
Sonate, arie et
correnti a 2. e. 3. Per sonare con diversi instromenti. Op.3 Venezia 1642.
RISM A/I: U 14 |
1642 |
Basso Continuo |
|
|
|
|
| Valderrabano, Enriquez de |
Libro de Musica de
Vihuela, intitulado Silva de Sirenas |
1547 |
Vihuela |
|
|
|
|
| Valerius, Adriaen |
Nederlandtsche
gedenck clanck. 1626. |
1626 |
Lute |
|
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|
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| Vallet, Nicolas |
Le secret des mvses. Avqvel est
nayfvement demonstrée la vraye maniere de bien & promptement apprendre a
sonner du luth.. 1615, 1616, 1618. |
1615 |
Lute |
|
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|
| Various composers |
Balletti moderni
facili per sonar sopra il Liuto. Venice 1611 |
1611 |
Lute |
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| Various composers |
Miscellaneous
17th-century Italian Arias. Very few attributions; one pencilled note
'Monteverdi Orfeo', and a few arias 'Di Giulio Romano'. In a couple of places
the continuo line is a mixture of standard notation and lute tablature. |
16xx |
Lute |
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| Various composers |
Newerlessner
fleissiger ettlicher viel schöner Lautenstück. Strasburg 1572. RISM B/I:
1572¹² ; RISM A/I: J 546 |
1572 |
Lute |
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| Various composers |
Testudo
Gallo-Germanica. Nürnberg 1615. Fuhrmann, Georg Leopold; publisher |
1615 |
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| Various composers |
Theatrum musicum in quo selectissima optimorum quorum
libet autorum ac excellentissimorum artificum cum veterum tum etiam novorum
carmina summa diligentia ac industria expressa oculis proponuntur. Leuven:
Pierre Phalèse, 1563. |
1563 |
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| Various composers |
Vinculum
Societatis, or the Tie of good Company: Being a Choice Collection of the
Newest Songs now in Use. With Thorow Bass to each Song for the Harpsichord,
Theorbo, or Bass-Viol. London: T. Moore and J. Heptinstall, for John Carr,
1691. |
1691 |
Theorbo |
|
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| Vecchi, Orazio |
Selva di Varia
Ricreatione Di Horatio Vecchi, Nelle quale si contengono Varii Sogetti, À 3,
à 4, à 5, à 6, à 7, à 8, à 9 & à 10 voci. 1590. |
1590 |
Lute |
|
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| Verdelot, Philippe |
Intavolatura de li
madrigali di Verdelotto da cantare et sonare nel lauto, intavolati per Messer
Adriano. Venezia 1536. |
1536 |
Lute |
|
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| Verovio, Simone |
20 Canzonettas for 4 voices and
continuo. Roma 1591 |
1591 |
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| Verovio, Simone |
Diletto Spirituale, Roma 1586. RISM
B/I: 1586³ |
1586 |
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| Verovio, Simone |
Ghirlanda di
fioretti musicali. Roma 1589 |
1589 |
Lute |
|
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| Verovio, Simone |
Lodi della musica a 3 voci. Roma 1595. |
1595 |
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|
| Viadana, Lodovico da |
Cento Concerti
Ecclesiastici a Una, a Due, a Tre, & Quattro voci. Con il Basso continuo
per Sonar nell'Organo. 1602. |
1602 |
Basso Continuo |
|
|
|
|
| Viaera, Frederic |
Nova et
elegantissima in cythara ludenda carmina quae videlicet in sola cythara vel
etiam cum tribus Testudinibus exhibita, mira dulcedina auiditorum possunt
oblectare, eaque omnia facilitate quam fieri potuitsumma in tyronum usum
composita. 1564. |
1564 |
Guitar |
|
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|
|
| Vindella, Francesco |
Intabolatura di Liuto (...) triviggiano
d'alcuni madriali d'Archadelt. Venice 1546. |
1546 |
Lute |
|
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|
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| Virdung, Sebastian |
Musica getutscht und außgezogen durch
Sebastianus Virdung. Basel 1511. |
1511 |
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| Visée, Robert de |
Livre de guittarre
dédié au roy. 1682. (Minkoff) |
1682 |
Guitar |
|
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|
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| Visée, Robert de |
Livre de pieces
pour la guitare. Paris 1686. |
1686 |
Guitar |
|
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| Visée, Robert de |
PIECES / DE
THEORBE ET DE LUTH / Mises in Partition, Dessus et Baße
/ Composées / Par Mr. de Visée�c, Paris, Claude Roussel, 1716
(another source for the same data) |
1716 |
Theorbo |
|
|
|
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| Vivaldi, Antonio |
Trio Sonata in G
minor, RV 85 (Vivaldi, Antonio). 1731 |
1731 |
Lute |
|
|
|
|
| Vivaldi, Antonio |
VI Sonatas
Violoncello Solo col Basso, Op.14 : RV 47, 41, 43, 45, 40, 46. Paris 1740. |
1740 |
Basso Continuo |
|
|
|
|
| Vredeman, Sebastian |
Carminum quae
cythara pulsantur: in quo selectissima quaeque et iucunda carmina
continentur: ut passomezi, gailliardes, branles, alemande, & alia eius
generis permulta quae sua dulcedine auditorum animos mire oblectant. Leuven:
Pierre Phalèse, 1569. |
1569 |
Guitar |
|
|
|
|
| Vredeman, Sebastian |
Nova longeque
elegantissima cithara ludenda carmina, cum gallica tum etiam germanica:
fantasiae item passomezi, gailliarde, branles, almandes etc. Nunc primum ex
musica in usum citharae traducta. Leuven: Pierre Phalèse, 1568. |
1568 |
Guitar |
|
|
|
|
| Waissel, Matthäus |
Tabulatura continens insignes et selectissimas
qvasqve Cantiones, 4, 5 et 6 Vocum, Testitudini aptatas, vt sunt: Praeambula:
Phantasiae: Cantiones Germanicae, Italicae, Gallicae, & Latinae;
Passemesi; Gagliardae; & Choreae.. 1573, 1575. |
1573 |
|
|
|
|
|
| Walther, Johann Gottfried |
Musicalisches
Lexicon. Leipzig 1732. |
1732 |
Basso Continuo |
|
|
|
|
| Weiss, Silvius Leopold |
8 Lute Sonatas (Nos. 29, 37-42)
Mus.2841-V-1,2 |
1730 |
Lute |
|
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|
|
| Werckmeister, Andreas |
Die nothwendigsten
Anmerckungen und Regeln wie der Bassus continuus oder General-Baß wol könne
tractiret werden. Aschersleben 1698. |
1698 |
Basso Continuo |
|
|
|
|
| Wolf, Ernst Wilhelm |
Musicalischer
Unterricht. Dresden 1788. |
1788 |
Basso Continuo |
|
|
|
|
| Wyssenbach, Rudolf |
Tabulaturbuch uff
die Lutten, von mancherley Lieplicher Italienischer Dantzliedern mitsampt dem
Vogelgsang und einer Fäldschlacht, uß Wälhscher [sic] Tabulatur flyssig in
Thütsche gesetzt; Tabulaturbuch auf die Lauten. 1550. |
1550 |
Lute |
|
|
|
|
| Zamboni, Giovanni |
Sonate
d'intavolatura di leuto, Op.1. 1718. |
1718 |
Lute |
|
|
|
|
| Zarlino, Gioseffo |
Le istitutioni
harmoniche di M. Gioseffo Zarlino da Chiogga, nelle quali oltra le materie
appartenti alla musica, si trovano dichiarati molti luoghi vedere. Venice
1558, 1562, 1573. |
1558 |
|
|
|
|
|
| Ziegler, Johann Christoph |
Intavolatura zur
Viola di Gamba. 1680. |
1680 |
Gamba |
|
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|