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Updated May, 2020. |
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| Author |
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| Minamino, Hiroyuki |
A Monkey Business: Petrucci, Antico, and the Frottola
Intabulation. 1994. Journal of the Lute Society of America 26-27 (1993-1994):
96-106. |
Paper |
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| Minamino, Hiroyuki |
An Invisible Notation: On the Invention
of German Lute Tablature. 2000. Discoveries: South-Central Renaissance
Conference News and Notes 17, no. 2 (2000): 3, 13. |
Paper |
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| Minamino, Hiroyuki |
Chicken or Egg: Frottola 'Arrangements'
for Voice and Lute. 1998. The Journal of the Lute Society 38 (1998): 43-57. |
Paper |
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| Minamino, Hiroyuki |
Conrad Paumann and the evolution of solo
lute practice in the fifteenth century. 1986. Journal of Musicological
Research, 6(4), 291-310. |
Paper |
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| Minamino, Hiroyuki |
Dream of a Dream: Giovan Maria's
Extra-Musical Career. 1997. The Journal of the Lute Society 37 (1997): 9-16. |
Paper |
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| Minamino, Hiroyuki |
European Musical Instruments in
Sixteenth-Century Japanese Paintings. 1999. Music in Art:International
Journal for Music Iconography 24, nos. 1-2 (1999): 41-50. |
Paper |
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| Minamino, Hiroyuki |
Harping on a Lute String. Discoveries:
South-Central Renaissance Conference News and Notes 16, no. 2 (1999): 5-6. |
Paper |
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| Minamino, Hiroyuki |
Henry VIII’s Pastime with Good Company.
Lute Society of America Quarterly 33, no. 4 (1998): 11-13. |
Paper |
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| Minamino, Hiroyuki |
Johannes and Carolus Fernandez,
Fifteenth-Century Composers of Music for Lute. The Lute: The Journal of the
Lute Society 37 (1997): 5-8. |
Paper |
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| Minamino, Hiroyuki |
Musica Giapponese: Storia e teoria,
trans. by Daniele Sestilli (Lucca, 1996), in Music in Art: International
Journal for Music Iconography 23 (1998): 117-118. |
Paper |
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| Minamino, Hiroyuki |
Neapolitan (Viola da Mano) Tablature.
Lute Society of America Quarterly 34, no. 3 (1999): 8-18. |
Paper |
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| Minamino, Hiroyuki |
ohannes Tinctoris on the Invention of
the Spanish Plucked Viola. In Music Observed: Studies in Memory of William C.
Holmes (Harmonie Park Press, 2004), pp. 321-332. Series Title: Detroit
monographs in musicology/Studies in music, no. 42. |
Paper |
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| Minamino, Hiroyuki |
Painting Music in the Sixteenth Century,
Variorum Collected Studies Series (Ashgate: Aldershot, 2002), in Music in
Art: International Journal for Music Iconography. |
Paper |
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| Minamino, Hiroyuki |
Production and Reception of Petrucci’s
Lute Books. Journal of the Lute Society of America 41 (2008): 38-55. |
Paper |
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| Minamino, Hiroyuki |
Sixteenth-Century Lute Treatises with
Emphasis on Process and Techniques of Intabulation. University of Chicago,
Department of Music, 1988 |
Paper |
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| Minamino, Hiroyuki |
Solo Lute Practice in Italy before Petrucci. The Lute: The
Journal of the Lute Society 51 (2011): 1-5. |
Paper |
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| Minamino, Hiroyuki |
The Dissemination Of Lute Music in Renaissance Society:The
Case Of Tablature Sheets. 2014.
The change in lute playing from the monophonic ensemble style using the
plectrum-plucking technique to the polyphonic solo style using the
finger-plucking technique took place sometimein the mid 15th century. |
Paper |
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| Minamino, Hiroyuki |
The First Printed Lute Instruction, Petrucci's Regola. 2014.
The Journal of the Lute Society, 52, 30-50.
The Venetian publisher Ottaviano Pecrucci's petition of 1498, submitted to
the Dogeand the Signory of Venice, requesting the exclusive privilege to
publish music books.... |
Paper |
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| Minamino, Hiroyuki |
The Schlick-Virdung Intabulation Controversy. The Lute: The
Journal of the Lute Society 46 (2006): 54-67. |
Paper |
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| Minamino, Hiroyuki |
The Spanish Plucked Viola in Renaissance Italy, 1480-1530.
Early Music 32, no. 2 (2004): 177-192. |
Paper |
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| Minamino, Hiroyuki |
The Viola da Mano in Renaissance Italy: A Synopsis. Lute
Society of America Quarterly 34, no. 1 (1999): 6-9. |
Paper |
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| Minamino, Hiroyuki |
Transformation in Intabulation. Journal of the Lute Society
of America 17-18 (1984-1985): 114-17 |
Paper |
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| Minamino, Hiroyuki |
Valencian Vihuela de Mano Tablature. Lute Society of America
Quarterly 33, no. 3 (1998): 4-6. |
Paper |
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| Minamino, Hiroyuki |
Village Noise and Brueghel’s Parables. In Music, Sensation
and Sensuality. Edited by Linda Austern (Routledge: New York and London,
2002), pp. 267-84. |
Paper |
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| Minamino, Hiroyuki |
Was Francesco da Milano a Viola da Mano Player? The Lute:
The Journal of the Lute Society 38 (1998): 58-64. |
Paper |
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| Minamino, Hiroyuki |
Where Has Fortune Gone: Music-Iconographical Problems in
Sultzbach’s Viola da Mano Books. International Repertory of Musical
Iconography Newsletter 22 (1997): 31-35. |
Paper |
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| Minamino, Hiroyuki |
Who was Henricus? The Lute: The Journal of the Lute Society
46 (2006): 68-72. |
Paper |
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