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Updated May, 2020. |
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Title |
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Arne, Thomas Augustine |
Vocal Melody Book
IV. A favourite collection of English
songs sung at the Publick Gardens: with the songs in Harlequin sorcerer, and
the Oracle sung by Mrs. Cibber. 1572. |
Voice |
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Brossard, Sébastien de |
Prodromus
Musicalis. ou, Elévations et motets: à voix seule, avec une
basse-continue,seconde edition, revûë, corrigée & augmentée d'un motet
pour une basse-taille, livre premier. 1704. [Call Number: M2112.B87 E4
1702]
RISM No.: RISM A/I, B 4597 |
Basso Continuo |
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Collasse, Pascal,
Lully, Jean Baptiste,
Campistron, Jean Galbert de |
Achille et Polixene, tragédie dont le
prologue & les quatre derniers actes. Paris 1687.
RISM A/I, C 3383 |
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Corelli, Arcangelo |
XII solos for a violin. London, I. Walsh. (English edition of
Corelli's Op. 5 sonata for violin and continuo.) |
Violin |
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Handel, George Frideric |
Giulio Cesare : Opera in tre atti.
Italian opera seria in three acts by Handel. The performance forces include:
flute, oboe, horns (in A and D), strings (violin, viola, violoncello, bass),
continuo (theorbo and viola da gamba), harp, chorus of mixed voice (soprano,
alto, tenor, bass), and soloist singers. 1743. [M1500.H13 G5 1789]
RISM No.: RISM A/I, H 1512 |
Theorbo |
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Jean-Baptiste Lully Collection |
Jean-Baptiste Lully Collection on the
web since 1997. (27 works.) |
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Kirnberger, Johann Philipp; Vierling, Johann
Gottfried |
Grundsätze des
Generalbasses als erste Linien zur Composition; Allgemeinfasslicher
Unterricht im Generalbass: mit Rücksicht auf den jetzt herrschenden Geschmack
in der Komposition, durch treffende Beispiele erläutert. 178u-1805. [MT49.A2
K61]
RISM B VI, p. 452 |
Basso Continuo |
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La Fontaine, Jean de(Compiler) |
Nouvelles Poesies
Morales sur Les Plus Beaux Airs de la Musique Francoise et Italienne avec la
Basse.: Fables Choisies Dans le gout de M. De La Fontaine, Sur des
Vaudevilles & petits Airs aisés à chanter, avec leur Basse & une
Basse en Musette. Recueil I. |
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Lully, Jean Baptiste |
Atys : tragedie. Paris 1708.
RISM A/I, L 2962 |
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Lully, Jean Baptiste |
Isis : tragedie. paris 1677.
RISM A/II, 000110849 |
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Lully, Jean Baptiste |
Le triomphe de l'amour. Paris. 1681. |
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Lully, Jean Baptiste |
Recueil d'airs serieux et a boire de
differents auteurs : pour l'année 1701. Paris : C. Ballard.
RISM A/I, L 3067 and RISM B/II, p. 311 |
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Lully, Jean Baptiste,
Benserade, Isaac de,
Quinault, Philippe |
Le triomphe de l'amour : ballet royal.
Paris 1681.
RISM A/I, L 3054 |
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Lully, Jean Baptiste,
Corneille, Pierre,
Fontenelle, M. de (Bernard Le Bovier),
Boileau Despréaux, Nicolas |
Bellérophon; tragedie mise en musique.
Paris 1679.
RISM A/I, L 2974 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Amadis; tragedie, mise en musique. Paris
1684.
RISM A/I, L 2944 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Armide : tragedie mise en musique. Paris
1686.
RISM A/I, L 2954 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Armide. Paris 1686. |
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Lully, Jean Baptiste,
Quinault, Philippe |
Atys; tragedie mise en musique. Paris
1709.
RISM A/I, L 2963 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Ballet du Temple de la paix. Paris
1685.
RISM A/I, L 3049 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Isis; tragedie mise en musique. Paris
1719.
RISM A/I, L 2989 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Phaëton : tragédie mise en musique.
Paris 1683.
RISM A/I, L 3002 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Phaëton. Tragedie mise en musique. Paris
1709.
RISM A/I, L 3003 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Proserpine : tragedie mise en musique.
Paris 1707.
RISM A/I, L 3015 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Proserpine; tragedie. Paris 1680.
RISM A/I, L 3014. |
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Lully, Jean Baptiste,
Quinault, Philippe |
Roland. Tragédie mis en musique. Paris
1709.
RISM A/I, L 3028 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Roland; tragédie mise en musique. Paris
1685.
RISM A/I, L 3027 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Thesee : tragédie. Paris 1675. |
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Lully, Jean Baptiste,
Quinault, Philippe |
Thesée; tragedie mise en musique. Paris
1711.
RISM A/I, L 3038 |
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Lully, Jean Baptiste,
Quinault, Philippe |
Thesée; tragedie, mise en musique. Paris
1688.
RISM A/I, L 3037 |
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Lully, Louis de,
Duboullay, Michel |
Zéphire et Flore; opéra en musique.
Paris 1688.
RISM A/I, L 3071 |
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Mersenne, Marin |
F. Marini Mersenni harmonicorvm libri. A
Paris 1635. [ML3805.A2 M5 1635]
RISM B/VI, p. 572 |
Theory |
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Morley, Thomas |
Plain and easy
introduction to practical music. 1771. In 1597, while Morley was negotiating
for the patent, he wrote his musical treatise, A Plaine and Easie
Introduction to Practicall Musicke. Although his preface contains the
statement. [MT6.A2 M84 1771] |
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Playford, Henry |
The Theater of
music. Or, a Choice collection of the newest and best songs sung at the
court, and public theaters. The words composed by the most ingenious wits of
the age, and set to music by the greatest masters in that science; with a
theorbo-bass to e |
Theorbo |
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Purcell, Henry |
Harmonia Sacra.
This collection of six anthems for various combinations of voices employs a
figured continuo accompaniment. Instrumental interludes labeled
"symphonies" can also be found interspersed among the choral
selections. Though the music cites no particular scriptural passages, the
text seems inspired by - if not directly derived from - the Bible. London
1730? [M2112.P87 H26 1730]
RISM A/I, P 5811 |
Voice |
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Quinault, Philippe,
Benserade, Isaac de,
Corneille, Thomas |
Le triomphe de l'amour : ballet : dansé
devant Sa Maiesté a S. Germain en Laie. Psyché : tragedie en musique :
representée par l'Academie Royale de Musique. Paris 1680. |
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Rousseau, Jean |
Traite De La Viole. A Paris 1687. [MT338
.R7 1687]
RISM B/VI, p. 720 |
Viole |
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Simpson, Christopher |
A compendium of practical music in five
parts, Teaching, by a new and easie method. [MT40 .S6 1678]
RISM B/VI, p. 784 |
Thory |
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Zacconi, Lodovico |
Prattica di musica,
utile et necessaria si al compositore per comporre i canti suoi
regolatamente, si anco al cantore per assicurarsi in tutte le cose cantabili,
book, 1596; Venice, Italy. |
Textbook |
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Zacconi, Lodovico |
Prattica di musica, utile et necessaria
si al compositore per comporre i canti suoi regolatamente, si anco al cantore
per assicurarsi in tutte le cose cantabili. 1596; Venice. |
Theory |
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Zarlino, Gioseffo |
Le istitutioni
harmoniche, 1562. The first edition appeared in Venice in 1558. The treatise,
divided in four parts, includes theoretical and practical elements of music.
The first two parts discuss philosophical, cosmological and mathematical
aspects of music, Greek tonal system and tuning. The third and fourth parts
cover the rules of counterpoint and modes, respectively. 1562. [ML171 .Z37
1562] |
Textbook |
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