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Updated Mar, 2024. |
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Author |
Title |
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Adolf Koczirz (1870-1941)-Editor
Hans Judenkünig (-1526)-Author |
LC Call No. M2 .D396O Bd.18.
Österreichische Lautenmusik im XVI. Jahrhundert [von] Hans Judenkünig [et
al.] und Unika der Wiener Hofbibliothek. Bearbeitet von Adolf Koczirz. 1911 |
1911 |
Lute |
Adolph Pochhammer |
Einfuehrung in die Musik. Edition 2. verbesserte Auflage. LC Call No. MT6 .P73. LCSH Music - Dictionaries. |
1890 |
|
Agricola, Martin |
Musica instrumentalis deudsch.
Wittemberg 1528 und 1545. Music theory - 16th-17th cent. [M2 .P97G Bd.20] |
1528-1545 |
|
Anonymous |
LC Call No. M125.FLXVII. Tablature for
guitar and lute. Manuscript of the second half of the 17th century. Tablature
for the guitar on 5 lines filling the first 14 pages of the manuscript. |
1907 |
Lute |
Anonymous |
Lute music, in tablature. [M140.V186S] |
2013 |
Lute |
Antonio Draghi (1635 - 1700) |
Kirchenwerke; enthaltend zwei Messen,
eine Sequenz, zwei Hymnen |
1916 |
|
Attaingnant, Pierre
Claude Gervaise/Étienne Dutertre |
Maîtres musiciens de la Renaissance
française / 23. Danceries (1er volume). Paris 1908. [M2 .M23 vol. 23] |
1908 |
|
Autori diversi
Parisotti Alessandro |
Arie antiche : [con pianoforte
accompagnamento] / Raccolte per cura di Alessandro Parisotti. Milano,
Ricordi
1900. [ M1750 .P23]
Vol.1 : Vittoria, vittoria / G. G. Carissimi / G. Legrenzi/ G. M. Bononcini
/ A. Scarlatti / A. Vivaldi / A. Lotti / A. Caldara / D. Scarlatti / G. F.
Handel / B. Marcello / L. Leo / G. B. Pergolesi / W. C. Gluck / N. Jommelli /
T. Traetta / N. Piccinni / G. Paisiello / J. P. Martini.
Vol.2 : G. B. Bassani / G. Caccini
--
Vol.3 : F. Blangini / G. G. Carissimi -- |
1900 |
|
Bach, Johann Sebastian |
Aria mit 30 Veränderungen : die Goldbergschen
Variationen / von Joh. Seb. Bach ; für zwei Klaviere bearbeitet von Josef
Rheinberger ; revidiert von Max Reger. [M215.B118 A696 1915]. 1915. |
1915 |
Clevecin |
Bach, Johann Sebastian |
Das Wohltemperirte Klavier / von Joh.
Seb. Bach ; revidiert und mit Fingersatz von Carl Czerny und F.A. Roitzsch.
Leipzig Peters 1800. |
1800 |
Clevecin |
Bach, Johann Sebastian |
Das wohltemperirte Klavier / von Joh.
Seb. Bach. Leipzig Peters 1800. |
1800 |
Clevecin |
Bach, Johann Sebastian |
Le clavecin bien tempâerâe : ou
Preludes et fugues dans tous les tons et demitons du mode majeur et mineur.
Vienne 1800. |
1800 |
Clevecin |
Bach, Johann Sebastian |
Le clavecin bien tempéré, 48
préludes et fugues. [M211 .B118W]. 1914. Théodore Dubois - Arranger |
1914 |
Clevecin |
Bach, Johann Sebastian |
Six sonatas for violin solo / Johann
Sebastian Bach ; edited by Eduard Herrmann. BWV1000-1006. 1900 [221 G. Schirmer] |
|
|
Bach, Johann Sebastian |
Sonaten und Partiten, violin, BWV
1001-1006. Publisher No. U.E. 6976--U.E. 6977 Universal-Edition |
1900 |
|
Bacilly, Bretrand de |
Remarques curieuses sur l'art de bien
chanter, et particulierement pour ce qui regarde le chant françois / par le
sieur B.D.B., 1688 |
1688 |
|
Barry, Katharin |
The silent lute. Verse by Lilian Scott. Music by
Katharine Barry. 1912. [M1619
.C56 v.10] |
1912 |
Lute |
Bruger, Hans Dagobert |
Schule des Lautenspiels für die
gewöhnliche Laute, Basslaute, doppelchörige und theorbierte Laute. Unter
berücksichtigung der Regeln und Erfahrungen der berühmtesten Lautenmeister
des XVI. und folgender Jahrhunderte bis zur Gegenwart, herausgegeben von Hans
Dagobert Bruger. |
1925 |
Lute |
Campion, Thomas |
Masque in honour of the marriage of
Lord Hayes (1607). The words by Thomas Campion, the music by various
composers. Edited by G. E. P. Arkwright. |
1889 |
|
Canaletti, Giovanni Battista |
VI trii per violini due e cetra. Composta da Gio.
Battista Canaletti. Dedicati all�f Thomas Mayer Esq. London 1770. [M372
.C212]
RISM, C 777. |
1770 |
|
Caroso, Marco Fabrizio - Composer
Negri, Cesare - Author (Chilesotti, Oscar) |
Nobilita` di dame, Trios (Recorder,
lute, viola da gamba) - Scores.;Recorder and continuo music - Scores.;Dance
music - Italy.�@reproduction of t.p. of 1605 edition of Nobilità di dame. ---
Includes only the music, without the text of the complete works. |
1605
1883 |
Lute |
Chilesotti, Oscar |
Lautenspieler des XVI. Jahrhunderts =
Luitisti del Cinquecento : ein Beitrag zur Kenntnis des Ursprungs der
modernen Tonkunst |
1891 |
Lute |
Chilesotti, Oscar |
Sulla melodia popolare del cinquecento;
saggio del Dr. Oscar Chilesotti �c. LC Call No. ML290.2 .C537. History and criticism. - 500-1400 |
1889 |
|
Dean, Alexander |
The five-course guitar and
seventeenth-century harmony : Alfabeto and Italian song : Thesis |
2009 |
Guitar |
Diego Pisador, des Pres Josquin, Matheo Flecha, Nicolas Gombert,
Cristóbal de Morales, Jean Mouton, Juan Vásquez |
Libro de musica de vihuela / agora
nueuamente compuesto por Diego Pisador |
1552 |
Vihuela |
Dolmetsch, Arnold |
Select English songs and dialogues of
the 16th and 17th centuries; book 1, 1898 [M1740 .D66] |
1898 |
|
Dolmetsch, Arnold |
The interpretation of the music of the
XVII and XVIII centuries revealed by contemporary |
1915 |
|
Dolmetsch, Arnold |
The interpretation of the music of the
XVIIth and XVIIIth centuries revealed by contemporary evidence. LC Call No. MT75 .D66 |
1915 |
|
Dolmetsch, Arnold |
The interpretation of the music of the
XVIIth and XVIIIth centuries revealed by contemporary evidence. LC Call No.
M21 .D66 |
1915 |
|
Fr Zimmer |
LC Call No. MT6 .Z72E.2.
Elementar-Musiklehre. Enthaltend das Wissensnötige für jeden
Musiktreibenden .. 1877 |
1877 |
|
Francisque, Antoine; Quittard,Henri |
Le Tresor d�fOrphée, Livre de Tablature
de Luth contenant une Susane un iour, plusieurs Fantaisies, Preludes,
Passemaises, Gaillardes, Pauanes d�fAngleterre, Pauane Espagnolle, fin de
Gaillarde, suittes de Bransles tant a̓ cordes aualées qu�fautres, Voltes et
Courantes. Mises par Antoine Francisque. [Transcription de clavier par Henri
Quittard] Paris, Robert Ballard, 1600. |
1600 |
Lute |
Geminiani, Francesco |
Dictionaire harmonique |
1756 |
|
Giovan
Pietro Franchi |
La cetra sonora. Sonata a trè, doi
violini e violone ò arcileuto col basso per l'organo, opera prima, da D.
Gio. Pietro Franchi da Pistoya. 1710. [M407 .F816][RISM F 1602] |
1710 |
Arcilute |
Giovanni Battista Abbatessa |
Ghirlanda di varii fiori, overo,
intavolatvra di ghitarra spagnvola, doue che da se stesso ciascuno potráa
imparare con grandissima facilitáa, e breuita |
1650 |
Guitar |
Giovanni Picchi - Composer
Oscar Chilesotti - Editor |
LC Call No. M2.3 .C53 v.2. Balli
d'arpicordo. 1884 |
1884 |
|
Giovanni Stefani - Composer
Oscar Chilesotti - Editor |
Affetti amorosi : canzonette ad una
voce sola. Biblioteca di rarità
musicali / v. 3. LCSH Songs (High
voice) with guitar. Italian. |
1886 |
Guitar |
Godard, Benjamin |
Nouvelles chansons du vieux temps [pour chant et
piano] Op. 24. Paris 1870. [M1621 .G577n] |
1870 |
|
Hauff, Johann Christian |
LC Call No. MT40 .H369t. Die Theorie
der Tonkunst von J.C. Hauff. Band I-V. 1883 |
1883 |
|
Heinrich Albert (1604 - 1651) |
Arien. Hrsg. von Eduard Bernoulli, mit
Einleitung von Hermann Kretzschmar. |
1638-50 |
|
Heinrich Isaac-Composer
Johannes Wolf-Editor |
LC Call No. M2 .D396O Bd.14. Weltliche
Werke. 1907. Part-songs for 3-4 voices, with or without instruments; and
chamber music for one or more instruments, not specified. Heinrich Isaac in
der Hausmusik des 16. Jahrhunderts. Orgel- und Lauten-Tabulaturen. |
1907 |
Lute |
Herbst, Johann Andreas |
Arte prattica & poetica, Das ist:
Ein kurtzer Unterrricht wie man einen Contrapunct machen und Componiren sol
lernen (in Zehen Bücher abgetheilet) sehr kürtz- und leichtlich zu
begreiffen; So vor diesem von Giov. Chiodino Latein- und Italienisch beschri |
1653 |
|
Hercules
Ferrucio |
Intabulatura di lauto, fior de virtu
intitolata fior de virtu intitolata, composta per mano di M. Hyeronimo
Ferrutio di Vdine, sonatore eccelentissimo, con molto noui Balli, passi mezi,
padoane et saltorelli dalui (proprio) nouamente a vtilita degli virtuosi
posta in luce. 1590. [M140 .F398] |
1590 |
Lute |
J A Fuller-Maitland, William Barclay Squire - Editor |
The Fitzwilliam virginal book,
[commonly known as Queen Elizabeth's virginal book] (M21 .F564 1899) |
1899 |
Virginal |
Kocher, Konrad |
Local Call No. MT50 .K76. Harmonik. Die
Kunst des Tonsatzes aus den Grund-Elementen theoretisch entwickelt u.
praktisch dargestellt. 1850 |
1850 |
|
Lyon, James |
Exercises in figured bass and melody
harmonisation : for the use of candidates preparing for the R.C.O. and other
examinations |
1912 |
|
Marais, Marin |
Pieces de violes. Composées par M.
Marais, ordinaire de la musique de la Chambre du Roy. [Second livre]. Paris
1701. [M286 .M299.2] |
1689 |
|
Morley, Thomas |
A plaine and easie introduction to
practicall musicke, set down in forme ce a dialogue, devided into three
partes, the first teacheth to sing with all things necessary for the
knowledge of prickt-song. The second treateth of descante and to sing two
parts in one upon a plainsong or ground, with other things necessary for a
descanter. The third and last part entreateth of composition of three, foure,
five or more parts with many profitable rules to that effect. With new songs
of 2, 3, 4, and 5 parts. |
1597 |
|
Morley, Thomas |
A plaine and easie introdvction to
practicall mvsicke, : set downe in forme of a dialogue: diuided into three
parts. The first teacheth to sing, with all things necessarie for the
knowledge of pricktsong. The second treateth of descante, and to sing two parts
in one vpon a plainsong or ground, with other things necessarie for a
descanter. The third and last part entreateth of composition of three, foure,
fiue or more parts, with many profitable rules to that effect. With new songs
of, 2. 3. 4. and 5. parts. / By Thomas Morley ... |
1597 |
|
Morley, Thomas - Composer; Vincent Novello- Arranger |
I am the resurrection and the life...
The service for the burial of the dead. The organ part by Vincent Novello. |
1844 |
|
Pesori, Stefano |
Toccate di Chitarriglia Oue con cinque
bellissimi ordini descrita si vede vna facilissima Regola, per apprendere il
modo, di suonare la Chitarriglia di Spagna. Nel primo. Col tocco della mano,
vn inuentione, di fare tutte le lettere; senza andare alle Scuole. Nel
secondo. Vna facilissima Regola per accordare senza Maestro. Nel terzo.
Vaghissime, ed armoniose suonate, al modo Italiano, Spagnuolo, &
Francese. Nel qvarto, et nel qvinto. Alcuni vaghissimi scherzi di Penna;
opera cvriosa, e dilettevole .., Verona, [MT634 .P474] |
16xx |
Guitar |
Philip C Chang (1966 - ) |
Analytical and performative issues in
selected unmeasured preludes by Louis Couperin Vol.1,2 |
1966 |
|
Purcell, Henry |
Fairy queen. Vocal score. ( Vocal
scores with piano.). Published by J S Shedlock. 1900. [M1503 .P985F] |
1900 |
|
Respighi, Ottorino |
Antiche danze ed arie per liuto/
trascrizione libera per orchestra. Partiura. |
1920 |
Lute |
Schlick, Arnolt |
Tabulaturen etlicher Lobgesang und Lidlein uff
die Orgeln und lauten etc. Hrsg. von Gottlieb Harms. [M2 .S34]. 1512 |
1512 |
Lute |
Sebastian Virdung; Robert Eitner |
Musica getutscht und ausgezogē durch
Sebastianū Virdung Priesters von Amberg und alles Gesang auss den Notē in
die Tabulaturē diser benantē dryer Instrumētē, der Orgeln, der Lautē und
d̄ Flöten transferieren zu lernē kurtzlich gemacht zu erendē hochwirdigē
hoch gebornen fürsten unnd Herren: Herr Wilhalmen Bischoue zü Strassburg
seynem gnedigē Herren. Basel 1511. |
1511 |
Lute |
Simone Verovio - Compiler |
Canzonette a quattro voci, composte da
duiversi eccti musici, con l'intauolatura del cimbalo et del liuto. |
1591 |
Lute |
Simone Verovio; Catherine Betts |
Canzonette a quattro voci composte da diversi
eccellenti musici con l�fintavolatura del cimbalo et del livto (Simone
Verovio, Roma, 1591) |
1591 |
Lute |
Vallet, Nicolas |
Secret des muses, 1. livre |
1618 |
|
Vallet, Nicolas |
Secret des muses, 2. livre |
1619 |
|
Vallet, Nicolas |
XXI [i.e. Vingt-et-un] Pseaumes de
David, Accommodés pour chanter & jouer du Luth ensemble. |
du Luth ensemble |
Lute |
Various
composers |
Le false consonanse della musica. |b
Per toccar la chittara sopra alla parte in breue. Essendo detto libro ottimo
per accompagnar la parte sopra il cinbaro leuto tiorba viola da gamma �c 1680.
[ML96 .M435] |
1680 |
Guitar |
Various composers |
My Lord Danby his book. Transcriptions
for lute of early 18th-cent. music. [LC Call No. M2.1 .D172]. Manuscript in
French lute tablature. Anthology written for William Henry Osborne, Earl of
Danby (1690-1711); manuscript dated between 1765 and 1770. Composers named
include: Corelli, Handel, and a few unknown. |
1765 |
Lute |
Various
composers |
Tablature for the lute. Manuscript of
the early 18th century. [ML96 .L973] |
17xx |
Lute |
Vecchi, Horatio |
Arie, canzonette e balli : a tre, a
quattro e a cinque voci con liuto |
1590 |
Lute |
Weichenberger, Losy, Saint-Luc, Biber etc. |
PL-Wu ms. RM 4142 (olim Ms. Mf. 2010) |
1650 |
Lute |
Wolf, Johannes |
Musikalische Schrifttafeln für den Unterricht in
der Notationskunde. Leipzig 1922. [ML174 .W854] |
1922 |
|
Giovanni Battista Abbatessa |
Ghirlanda di varii fiori, overo,
intavolatvra di ghitarra spagnvola, doue che da se stesso ciascuno potráa
imparare con grandissima facilitáa, e breuita |
1650 |
Guitar |
|
|
|
|
Giovanni Picchi - Composer
Oscar Chilesotti - Editor |
LC Call No. M2.3 .C53 v.2. Balli
d'arpicordo. 1884 |
1884 |
|
|
|
|
|
Giovanni Stefani - Composer
Oscar Chilesotti - Editor |
Affetti amorosi : canzonette ad una
voce sola. Biblioteca di rarità
musicali / v. 3. LCSH Songs (High
voice) with guitar. Italian. |
1886 |
Guitar |
|
|
|
|
Godard, Benjamin |
Nouvelles chansons du vieux temps [pour chant et
piano] Op. 24. Paris 1870. [M1621 .G577n] |
1870 |
|
|
|
|
|
Hauff, Johann Christian |
LC Call No. MT40 .H369t. Die Theorie
der Tonkunst von J.C. Hauff. Band I-V. 1883 |
1883 |
|
|
|
|
|
Heinrich Albert (1604 - 1651) |
Arien. Hrsg. von Eduard Bernoulli, mit
Einleitung von Hermann Kretzschmar. |
1638-50 |
|
|
|
|
|
Heinrich Isaac-Composer
Johannes Wolf-Editor |
LC Call No. M2 .D396O Bd.14. Weltliche
Werke. 1907. Part-songs for 3-4 voices, with or without instruments; and
chamber music for one or more instruments, not specified. Heinrich Isaac in
der Hausmusik des 16. Jahrhunderts. Orgel- und Lauten-Tabulaturen. |
1907 |
Lute |
|
|
|
|
Herbst, Johann Andreas |
Arte prattica & poetica, Das ist:
Ein kurtzer Unterrricht wie man einen Contrapunct machen und Componiren sol
lernen (in Zehen Bücher abgetheilet) sehr kürtz- und leichtlich zu
begreiffen; So vor diesem von Giov. Chiodino Latein- und Italienisch beschri |
1653 |
|
|
|
|
|
Hercules
Ferrucio |
Intabulatura di lauto, fior de virtu
intitolata fior de virtu intitolata, composta per mano di M. Hyeronimo
Ferrutio di Vdine, sonatore eccelentissimo, con molto noui Balli, passi mezi,
padoane et saltorelli dalui (proprio) nouamente a vtilita degli virtuosi
posta in luce. 1590. [M140 .F398] |
1590 |
Lute |
|
|
|
|
J A Fuller-Maitland, William Barclay Squire - Editor |
The Fitzwilliam virginal book,
[commonly known as Queen Elizabeth's virginal book] (M21 .F564 1899) |
1899 |
Virginal |
|
|
|
|
Kocher, Konrad |
Local Call No. MT50 .K76. Harmonik. Die
Kunst des Tonsatzes aus den Grund-Elementen theoretisch entwickelt u.
praktisch dargestellt. 1850 |
1850 |
|
|
|
|
|
Lyon, James |
Exercises in figured bass and melody
harmonisation : for the use of candidates preparing for the R.C.O. and other
examinations |
1912 |
|
|
|
|
|
Marais, Marin |
Pieces de violes. Composées par M.
Marais, ordinaire de la musique de la Chambre du Roy. [Second livre]. Paris
1701. [M286 .M299.2] |
1689 |
|
|
|
|
|
Morley, Thomas |
A plaine and easie introduction to
practicall musicke, set down in forme ce a dialogue, devided into three
partes, the first teacheth to sing with all things necessary for the
knowledge of prickt-song. The second treateth of descante and to sing two
parts in one upon a plainsong or ground, with other things necessary for a
descanter. The third and last part entreateth of composition of three, foure,
five or more parts with many profitable rules to that effect. With new songs
of 2, 3, 4, and 5 parts. |
1597 |
|
|
|
|
|
Morley, Thomas |
A plaine and easie introdvction to
practicall mvsicke, : set downe in forme of a dialogue: diuided into three
parts. The first teacheth to sing, with all things necessarie for the
knowledge of pricktsong. The second treateth of descante, and to sing two parts
in one vpon a plainsong or ground, with other things necessarie for a
descanter. The third and last part entreateth of composition of three, foure,
fiue or more parts, with many profitable rules to that effect. With new songs
of, 2. 3. 4. and 5. parts. / By Thomas Morley ... |
1597 |
|
|
|
|
|
Morley, Thomas - Composer; Vincent Novello- Arranger |
I am the resurrection and the life...
The service for the burial of the dead. The organ part by Vincent Novello. |
1844 |
|
|
|
|
|
Pesori, Stefano |
Toccate di Chitarriglia Oue con cinque
bellissimi ordini descrita si vede vna facilissima Regola, per apprendere il
modo, di suonare la Chitarriglia di Spagna. Nel primo. Col tocco della mano,
vn inuentione, di fare tutte le lettere; senza andare alle Scuole. Nel
secondo. Vna facilissima Regola per accordare senza Maestro. Nel terzo.
Vaghissime, ed armoniose suonate, al modo Italiano, Spagnuolo, &
Francese. Nel qvarto, et nel qvinto. Alcuni vaghissimi scherzi di Penna;
opera cvriosa, e dilettevole .., Verona, [MT634 .P474] |
16xx |
Guitar |
|
|
|
|
Philip C Chang (1966 - ) |
Analytical and performative issues in
selected unmeasured preludes by Louis Couperin Vol.1,2 |
1966 |
|
|
|
|
|
Purcell, Henry |
Fairy queen. Vocal score. ( Vocal
scores with piano.). Published by J S Shedlock. 1900. [M1503 .P985F] |
1900 |
|
|
|
|
|
Respighi, Ottorino |
Antiche danze ed arie per liuto/
trascrizione libera per orchestra. Partiura. |
1920 |
Lute |
|
|
|
|
Schlick, Arnolt |
Tabulaturen etlicher Lobgesang und Lidlein uff
die Orgeln und lauten etc. Hrsg. von Gottlieb Harms. [M2 .S34]. 1512 |
1512 |
Lute |
|
|
|
|
Sebastian Virdung; Robert Eitner |
Musica getutscht und ausgezogē durch
Sebastianū Virdung Priesters von Amberg und alles Gesang auss den Notē in
die Tabulaturē diser benantē dryer Instrumētē, der Orgeln, der Lautē und
d̄ Flöten transferieren zu lernē kurtzlich gemacht zu erendē hochwirdigē
hoch gebornen fürsten unnd Herren: Herr Wilhalmen Bischoue zü Strassburg
seynem gnedigē Herren. Basel 1511. |
1511 |
Lute |
|
|
|
|
Simone Verovio - Compiler |
Canzonette a quattro voci, composte da
duiversi eccti musici, con l'intauolatura del cimbalo et del liuto. |
1591 |
Lute |
|
|
|
|
Simone Verovio; Catherine Betts |
Canzonette a quattro voci composte da diversi
eccellenti musici con l�fintavolatura del cimbalo et del livto (Simone
Verovio, Roma, 1591) |
1591 |
Lute |
|
|
|
|
Vallet, Nicolas |
Secret des muses, 1. livre |
1618 |
|
|
|
|
|
Vallet, Nicolas |
Secret des muses, 2. livre |
1619 |
|
|
|
|
|
Vallet, Nicolas |
XXI [i.e. Vingt-et-un] Pseaumes de
David, Accommodés pour chanter & jouer du Luth ensemble. |
|
Lute |
|
|
|
|
Various composers |
My Lord Danby his book. Transcriptions
for lute of early 18th-cent. music. [LC Call No. M2.1 .D172]. Manuscript in
French lute tablature. Anthology written for William Henry Osborne, Earl of
Danby (1690-1711); manuscript dated between 1765 and 1770. Composers named
include: Corelli, Handel, and a few unknown. |
1765 |
Lute |
|
|
|
|
Vecchi, Horatio |
Arie, canzonette e balli : a tre, a
quattro e a cinque voci con liuto |
1590 |
Lute |
|
|
|
|
Weichenberger, Losy, Saint-Luc, Biber etc. |
PL-Wu ms. RM 4142 (olim Ms. Mf. 2010) |
1650 |
Lute |
|
|
|
|
Wolf, Johannes |
Musikalische Schrifttafeln für den Unterricht in
der Notationskunde. Leipzig 1922. [ML174 .W854] |
1922 |
|
|
|
|
|