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Updated Dec, 2019. |
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| Author |
Title |
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| Abel, Carl Friedrich |
Six favorite overtures, adapted for the harpsichord or
organ. London: Longman, Lukey & Co., ca. 1775. 27 p. 25 × 34 cm. |
Clavecin |
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| Albert, Heinrich |
Poetisch-musikalisches Lust Wäldlein,
das ist Arien oder Melodeyen etlicher Theils geistlicher, Theils weltlicher…
Königsberg, 1648. |
Voice |
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| Albrechtsberger, Johann Georg |
Gründliche
Anweisung zur Composition. Leipzig: J.
G. I. Breitkopf, 1790. 440 p. 25 cm. M-6 (2). |
Theory |
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| Arcadelt, Jakob |
Cinquanta, et sei
madrigali a quattro voci dello eccellente musico Giaches Arcadelt ... Libro
Primo. Venetia: Plinio Pietrasanta,
1557. 46 p. 15 × 21 cm. N-1 (18). |
Voice |
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| Bach,
Carl Philipp Emanuel |
Exempel nebst achtzehn Probe-Stücken in
Sechs Sonaten. Berlin: G. L. Winter, 1753. 20 p. 41 cm. |
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| Bach,
Carl Philipp Emanuel |
Exempel nebst achtzehn Probe-Stücken in
Sechs Sonaten. Berlin: G. L. Winter, 1762. 20 p. |
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| Bach,
Carl Philipp Emanuel |
Exempel nebst achtzehn Probe-Stücken in
Sechs Sonaten. Leipzig: Schwickert, 1787. 25 p. 41 cm. |
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| Bach, Carl Philipp Emanuel |
Karl Wilhelm Rammlers Aufferstehung und
Himmelfahrt Jesu. Leipzig: Breitkopf & Härtel, 1787. 184 p. 36 cm. |
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| Bach, Carl Philipp Emanuel |
Sei Sonate per Cembalo. London: W.
Randall, ca. 1770. |
Clavecin |
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| Bach,
Carl Philipp Emanuel |
Versuch über die wahre Art das Clavier
zu spielen. 2 vols. Berlin: G. L. Winter, 1759, 1762. 118, 341 p. 21 cm. |
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| Bach,
Carl Philipp Emanuel |
Versuch über die wahre Art das Clavier
zu spielen. Hertzberg: F. Mohr, 1852. 436 p. 23 cm. |
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| Bach, Johann Christian |
A new lesson for the harpsichord or
piano forte. London: Longman, Lukey & Co., ca. 1770. 39 p. 34 cm. |
Clavecin |
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| Bach, Johann Sebastian |
Einige canonische Veränderungen über das
Weynacht-Lied: Vom himmel hoch da komm ich her… Nürnberg, Balth. Schmids, Pl.
no. XXVIII. 6 p. 37 cm. |
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| Becker, Carl Ferdinand |
Systematisch-chronologische
Darstellung der musicalischen Literatur. 1836 [M-2 (22] |
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| Blow, John |
An Ode on the death of Mr. Henry
Purcell. London: Henry Playford, 1696. 30 p. 32 cm. |
Voice |
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| Boccherini, Luigi |
The grand symphonies for violins, oboes,
horns, tenors, and violoncelos &c. in 10 and 12 parts obligato. London:
Longman and Broderip. 36 cm. |
Ensemble |
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| Bononcini, Antonio Maria |
Songs in the new opera of Camilla.
London: John Cullen, [n. d.]. 47 p. 34 cm. |
Voice |
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| Caix d'Hervelois, Louis de |
Pièces de viole avec la basse continue.
2 vols. Amsterdam: Michel Charles Le Cene, [n. d.]. Pl. no. 479. 43, 68 p. 29
cm. N-2 (16). |
Viola
da Gamba |
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| Chilesotti, Oscar |
Da un Codice
Lauten-Buch del Cinquecento Trascrizioni in notazione moderna. Leipzig: Breitkopf & Härtel, ca. 1890.
Pl. no. 18821. 101 p. 16 × 21 cm. N-5 (5). |
Lute |
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| Chilesotti, Oscar |
Lautenspieler des
XVI. Jahrhunderts. Ein Beitrag zur Kenntnis des Ursprungs der moderne
Tonkunst. Leipzig: Breitkopf &
Härtel, 1891. xvii, 248 p. 17 × 27 cm. N-2 (10). |
Lute |
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| Cimarosa, Domenico |
L’impresario in Angustie. Paris: Sieber,
Pl. no. 1051. 214 p. 34 cm. |
Opera |
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| Clari, Giovanni Carlo Maria |
Sei Madridali, Messi in musica. London:
Bremner, 1740. 62 p. 36 cm. |
Voice |
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| Daube, Johann Friedrich |
General-Baß in drey
Accorden, gegründet in den Regeln der alt- und neuen Autoren., 1756. Leipzig:
J. B. Andrä, 1756. xxii, 215 p. M-1 (47). |
Basso
Continuo |
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| Gamble, John |
Ayres and
Dialougues (to be sung to the Theorbo-lute or Bass-viol). London: W. Godbid, 1657. 82 p. 30 cm. N-6
(29). |
Theorbo |
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| Geminiani, Francesco |
Guida armonica, o dizionario armonico.
Opera X. London: J. Johnson, 1742. 34, 10 p. 34 cm. M-7 (14). |
Theory |
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| Handel, George Frideric |
A second set of six concertos for the
harpsichord or organ. London: J. Walsh, 1740. 61 p. 30 cm. |
Clavecin |
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| Handel, George Frideric |
Acis and Galatea. London: W. Randall,
1769. 89 p. 32 cm. |
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| Handel, George Frideric |
Der Messias. Oratorium. Leipzig,
Kistner, 1884. Pl. no. 6300. v, 334 p. 34 cm. Last page is wanting. |
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| Handel, George Frideric |
Faramondo. London: J. Walsh, 1738. Pub.
No. 633. 91 p. 32 cm. |
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| Handel, George Frideric |
Handel’s songs selected from his
oratorios. For the harpsichord, voice, hoboy, or German flute. Vol. 1.
London: J. Walsh, [n. d.] 170 p. 22 × 31 cm. |
Clavecin |
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| Handel, George Frideric |
Messiah, a sacred oratorio. [n. p.], [n.
d.]. 219 p. |
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| Handel, George Frideric |
Oratorium. Der Messias. Leipzig,
Breitkopf & Härtel, 1803. 108, 95, 48 p. 29 × 36 cm. |
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| Handel, George Frideric |
Sacred Oratorio, The Messiah. London:
Novello, [n. d.]. iv, 297 p. 39 cm. |
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| Handel, George Frideric |
Six concertos for the harpsichord or
organ. [1st set.] London: J. Walsh, ca. 1738, or later. 48 p. 32 cm. |
Clavecin |
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| Handel, George Frideric |
Six concertos for the harpsichord or
organ. [1st set.] London: J. Walsh, ca. 1750. 48 p. |
Clavecin |
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| Handel, George Frideric |
Six concertos, (commonly called the
Hautboy concertos). London: Birchall, [n. d.]. 49 p. 37 cm. |
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| Handel, George Frideric |
Songs in the opera of Rinaldo. London:
J. Walsh, 1711. 65 p. 37 cm. |
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| Handel, George Frideric |
Suites de pieces pour le clavecin. 2
vols. London: J. Walsh, ca. 1736 & 1784. |
Clavecin |
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| Handel, George Frideric |
Suites de pieces pour le clavecin. 2
vols. London: J. Walsh, ca. 1784. 94, 83 p. 26 × 26 cm. |
Clavecin |
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| Handel, George Frideric |
Suites de pieces pour le clavecin. Vol.
1. London: J. Walsh, ca. 1736. 94 p. 24 × 34 cm. |
Clavecin |
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| Handel, George Frideric |
The Messiah, an oratorio. London:
Goulding & D’Almaine, [n. d.]. 343 p. 37 cm. |
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| Handel, George Frideric |
The Messiah. An Oratorio. 2 vols.
London: The Handel Society, 1850. 593 p. 39 cm. |
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| Handel, George Frideric |
The Messiah. An Oratorio. London: [The
Royal Harmonic Institution], [n. d.]. Pl. no. 283. 188 p. 33 cm. |
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| Handel, George Frideric |
The Messiah; an oratorio… For the voice,
harpsichord, and violin; with the chorusses in score. London: Harrison &
Co., 1784. 88 p. 25 × 35 cm. |
Clavecin |
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| Handel, George Frideric |
The Messiah… Arranged for the organ or
piano forte. London: S. J. Button & J. Whitaker, ca. 1808. 213 p. 37 cm. |
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| Handel, George Frideric |
Theodora, an oratorio. London: J. Walsh,
1778. 191 p. 34 cm. |
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| Haydn, Joseph |
Ariana a Naxos. London: J. Blands, [n.
d.]. 18 p. 27 × 36 cm. (With autograph signature of the Haydn.) |
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| Haydn, Joseph |
Die Jahreszeiten. Leipzig: Breitkopf
& Härtel, [n. d.]. v, 251 p. 34 cm. |
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| Haydn, Joseph |
Die Schoepfung. Wien, [n. d.]. 303 p. 36
cm. |
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| Haydn, Joseph |
Die Worte des Erlösers am Kreuze.
Leipzig: Breitkopf & Härtel, ca. 1801. 108 p. 27 × 36 cm. |
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| Haydn, Joseph |
Die Worte des Erlösers am Kreuze.
Leipzig: Breitkopf & Härtel, ca. 1801. 68 p. 30 cm. |
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| Haydn, Joseph |
Haydn, Michael
(1737-1806). Requiem. Leipzig: A. Kühnel, ca. 1811. 38 p. |
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| Haydn, Joseph |
Seven sonatas with an introduction and
finale, for the pianoforte or harpsichord. Op. 45. London: Longman &
Broderip, [n. d.]. 27 p. 33 cm. |
Clavecin |
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| Haydn, Joseph |
The celebrated concertante, La reine de
France, adapted for the harpsichord or piano-forte with an accompaniment for
a violin. London: Longman & Broderip, [n. d.]. 12 p. 35 cm. |
Clavecin |
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| Haydn, Joseph |
Twelve ballads, adopted to English words
with an accompaniment for the harpsichord or piano forte. London: Longman
& Broderip, [n. d.]. 24 p. |
Clavecin |
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| Haydn, Joseph |
XII Lieder für das Clavier. Wien:
Artalia, 1784. 80 p. 22 × 32 cm. |
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| Jones, John |
Jones, John (1728-1796). Lessons
for the harpsichord. Vol. 1. London: the author, 1761. 55, 63 p. 27 × 36 cm. |
Clavecin |
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| Lawes, Henry |
Choice psalmes put into musick, for
three voices. London: J. Young, H. Humphrey Moseley, 1648. |
Voice |
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| Lawes, Henry |
Comus, a Mask. London: J. Hughs, R. Dodsley, 1738. 52 p.
21 cm. M-6 (56). |
Lyric |
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| Lawes, Henry |
Psalmody for a single voice, being
twenty-four melodies for private devotion, with a base for voice or
instrument. [n. p.], W Blanchard, 1789. viii, 51 p. 23 cm. |
Voice |
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| Lenton, John |
A three part consort of new musick;
consisting of overtures, trio’s, and ayres, &c. First treble. London: J.
Heptinstall, 1697. 16 p. 18 × 22 cm. |
Ensemble |
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| Leveridge, Richard |
A collection of songs. 2 vols. London:
the author, 1727. 65, 64 p. 20 cm. |
Voice |
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| Lock, Matthew |
English opera or the vocal musick in
Psyche. London: T. Ratcliff & N. Thompson, 1675. 76 p. 25 cm. |
Opera |
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| Marcello, Beneditto |
Estro poetico-armonico. Parafrasi sopra
li primi. 8 vols. Venezia, 1724-1726. 39 cm. |
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| Marcello, Beneditto |
Estro poetico-armonico. Parafrasi sopra
li primi. 8 vols. Venezia, 1724-1726. 39 cm. |
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| Marpurg, Friedrich Wilhelm |
Exempel in LXII und LX Kupfertafeln zur
Abhandlung von der Fuge. 4. Ausgabe. Leipzig: C. F. Peters, 1858. 63 p. 27 ×
42 cm. |
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| Mattheson, Johann |
Das beschützte Orchestre. Hamburg: Schiller, 1717. 561 p. 16
cm. |
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| Mattheson, Johann |
Das neu-eröffnete Orchestre. Hamburg, B. Schiller, 1713. 338 p. 15 cm.
M-5 (27). |
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| Mattheson, Johann |
Der vollkommene Capellmeister. Hamburg: Herold, 1739. 484 p.
33 cm. |
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| Mattheson, Johann |
Exemplarische Organisten-Probe im Artikel vom General-bass.
Hamburg: Schiller, 1719. 128, 276 p. 21 cm. |
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| Morley, Thomas |
A plaine and easie introduction
to practicall musicke. 1597 |
Textbook |
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| Morley, Thomas |
A plaine and easie introduction to
practicall musicke. 1597. Reprinted for W. Randall, 1771. iv, 257, 29 p. 26
cm. M-2 (21). |
Textbook |
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| Morley, Thomas |
Canzonets, or little short songs to
three voyces. London: Thomas Est,
1593. 44 p. 21 cm. Include MS pages. N-5 (22). |
Voice |
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| Orpheus Britannicus |
Orpheus Britannicus; or, The gentlemen
and lady's musical museum: Consisting of one hundred favorite songs. London: B. Cole, 1760. 98 p. 24 cm. N-1
(25). |
Ensemble |
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| Palestrina, Giovanni Pierluigi da |
Raccolta di musica sacra in cui contengonsi i gapi lavori de
più celebri compositori italiani. Vol. 7. Roma: F. Martelli, 1846. 422 p. 38
cm. |
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| Pearson, William |
Harmonia Sacra: or
divine hymns and dialogues: with a through-bass for the theorbo-lute,
bass-viol, harpsichord, or organ. Vol. 1.
London: W. Pearson, J. Young, 1714. 130 p. 33 cm. N-6 (44-1). |
Theorbo |
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| Pearson, William |
Harmonia Sacra: or
divine hymns and dialogues: with a through-bass for the theorbo-lute,
bass-viol, harpsichord, or organ. Vol. 2.
London: W. Pearson, J. Young, 1714. 112 p. 33 cm. N-6 (44-2). |
Theorbo |
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| Pellegrini, Ferdinando |
Six lessons for the harpsichord. Opera Vth. London: R.
Bremner, ca. 1770. 19 p. 33 cm. |
Clavecin |
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| Pepusch, Johann Christoph |
Polly. London: the author, 1729. vii, 72, 31 p. 22 cm. |
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| Playford, Henry |
Deliciae Musicae: Being a collection of
the newest and best songs sung at court and the Publick Theatres. 4
vols. London: H. Playford, 1695-1696.
32, 24, 22, 18 p. 32 cm. N-6 (26). |
Voice |
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| Playford, Henry |
Deliciæ Musicæ: Being a collection of
the newest and best songs sung at court and the Publick Theatres. 6
vols. London: J. Heptinstall, H.
Playford, 1695-1696. 32, 24, 22, 18, 18, 26 p. 32 cm. N-6 (104). |
Voice |
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| Playford, Henry |
Deliciæ Musicæ: Being a collection of
the newest and best songs sung at court and the Publick Theatres. 7
vols. London: J. Heptinstall, H.
Playford, 1695-1696. 24, 18, 18, 18, 26, 18, 6 p. 32 cm. N-6 (103). |
Voice |
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| Playford, John |
An introduction to the skill of musick. London: E. Jones,
the author, 1697. ix, 134 p. 16 cm. |
Textbook |
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| Playford, John |
An introduction to the skill of musick. London: W. Pearson,
the author, J. Sprint, 1703. 180 p. 18 cm. |
Textbook |
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| Playford, John |
Chioce ayres, songs, & dialogues.
To sing to the theorbo-lute, or bass-viol. Being the most newest ayres and
songs. 5 vols. London: J. Playford,
1676-1684. 95, 67, 52, 87, 63 p. 32 cm. N-6 (20). |
Theorbo |
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| Playford, John |
Porpora, Nicola (1686-1768). All’ Altezza reale di
Federico Prencipe reale di Vallia e Prencipe Elettorale di Hanouer. London,
1735. 82 p. 25 × 35 cm. |
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| Playford, John |
Psalms & hymns in solemn musick of foure parts on the
common tunes to the psalms in metre. London: W. Godbid, J. Playford, 1671. 8,
97, 3 p. 31 cm. |
Voice |
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| Playford, John |
Select musicall ayres and dialogues, in
three bookes. London: T. H., J.
Playford, 1653. 36, 33 p. 30 cm. N-6 (88). |
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| Playford, John |
The dancing master: containing
directions and tunes for dancing.
London: W. Pearson, 1716. 358 p. 12 × 21 cm. M-5 (28). |
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| Playford, John |
The whole book of psalms: with the usual hymns and spiritual
songs. London: W. Godbid, J. Playford, 1677. 8, 293, 3 p. 19 cm. |
Voice |
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| Purcell, Henry |
A choice collection of lessons for the harpsichord or
spinnet. London: Frances Purcell, [n. d.]. viii, 63 p. 12 × 23 cm. |
Clavecin |
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| Purcell, Henry |
A collection of ayres. London: J. Heptinstall, Frances
Purcell, B. Aylmer, 1697. 32 cm. |
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| Purcell, Henry |
A collection of songs for two and three voices taken from
Orpheus Britannicus. London: J. Johnson, [n. d.]. 70 p. 33 cm. |
Voice |
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| Purcell, Henry |
A collection of the most celebrated songs & dialogues.
London: R. Meares, [n. d.]. 40 p. 35 cm. |
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| Purcell, Henry |
A fool’s preferment. London: J. Knight, 1688. 88, 16 p. 22
cm. |
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| Purcell, Henry |
A musical entertaiment perform’d on November XXII. 1683. It
being the festival of St. Cecillia. London: J. Playford, Jr., 1684. 40 p. 20
cm. |
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| Purcell, Henry |
A new edition of the celebrated music in the Tempest.
London: Broderip & Wilkinson, ca. 1800. 50 p. 35 cm. |
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| Purcell, Henry |
Amphitryon; or the two Sofia’s. [Libretto]. London: J.
Tonson, 1691. 57 p. 21 cm. |
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| Purcell, Henry |
Harmonia sacra or select anthems in score for one, two, and
three voices. London: J. Walsh, [n. d.]. 34 p. 34 cm. |
Voice |
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| Purcell, Henry |
King Arthur: Or, the British Worthy. [Libretto]. London: W.
Strahan, L. Hawes, T. Davies, T. Lownds, T. Becket, W. Griffin, 1770. 49 p.
21 cm. |
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| Purcell, Henry |
Orpheus Britannicus. A collection of
all the choicest songs for one, two, three voices. 2 vols. London: J. Heptinstall, W. Pearson, H.
Playford, 1698 & 1702(Book2). 248,
176 p. N-3 (15). |
Voice |
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| Purcell, Henry |
Orpheus Britannicus. A collection of
all the choicest songs for one, two, three voices. 2 vols. London: W. Pearson, J. Cullen, 1706(Book1)
& 1711(Book2). 286, 204 p. N-7 (32). |
Voice |
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| Purcell, Henry |
Orpheus Britannicus. A collection of
all the choicest songs for one, two, three voices. 2 vols. London: W. Pearson, J. Young, 1721(Book1
& 2). 286, 204 p. N-7 (33). |
Voice |
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| Purcell, Henry |
Sonata’s of III parts: two violins and basse: to the organ
or harpsichord. London: the author, J. Playford, J. Carr, 1683. |
Clavecin |
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| Purcell, Henry |
Sonata’s of III parts: two violins and basse: to the organ
or harpsichord. London: the author, J. Playford, J. Carr, 1683. 27 cm. |
Clavecin |
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| Purcell, Henry |
Sonata’s of III parts: two violins and basse: to the organ
or harpsichord. London: the author, J. Playford, J. Carr, 1683. Part for 1st
Violin is missing. |
Clavecin |
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| Purcell, Henry |
Sonata’s of III parts: two violins and basse: to the organ
or harpsichord. Part for 2nd Violin. London: the author, J. Playford, J.
Carr, 1683. 24 p. |
Clavecin |
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| Purcell, Henry |
Sonata’s of III parts: two violins and basse: to the organ
or harpsichord. Part for 2nd Violin. London: the author, J. Playford, J.
Carr, 1683. 24 p. 30 cm. |
Clavecin |
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| Purcell, Henry |
The favorite songs, duetts & chorusses of (Britons.
Strike Home &c.) in “Bonduca.” London: R. Birchall. 21 p. 33 cm. |
Voice |
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| Purcell, Henry |
The original music in the Tempest. London: Lonsdale, [n.
d.]. 69 p. 36 cm. |
Voice |
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| Purcell, Henry |
The songs in the Indian Queen. London: J. Heptinstall, J.
May, 1695. 14 p. 32 cm. |
Voice |
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| Purcell, Henry |
The vocal and instrumental Musick of the Prophetess or the
history of Dioclesian. London: J. Heptinstall, 1691. 173 p. 35 cm. |
Voice |
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| Quantz, Johann
Joachim |
Versuch einer Anweisung die Flöte traversiere zu spielen.
Breslau: J. F. Korn, 1789. 334, 24 p. 24 cm. |
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| Rameau, Jean
Philippe |
Code de musique practique, ou méthodes. Paris: L’imprimerie
Royale, 1760. xx, 237 p. 28 cm. |
Method |
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| Robinson, Thomas |
New Citharen lessons. London: W. Barley, 1609. 53 p. 21 cm. M-6
(72). |
Chitaren |
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| Rousseau, Jean
Jacques |
Dictionnaire de musique. Paris: Veuve Duchesne, 1768. ix,
548 p. 27 cm. |
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| Rousseau, Jean Jacques |
Les consolations des miseres de ma vie, ou recueil d’airs
romances et duos. Paris: De Roullede de la Chevardienne, 1781. 199 p. 34 cm. |
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| Rousseau, Jean
Jacques |
Musique. Edited and Reprinted by Framery, Ginguené et
Monigny. 1791. 1818. 40 p. 22 cm. |
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| Salmon, Thomas |
A proposal to perform musick, in
perfect and mathematical proportions.
London: J. Lawrence, 1688. 42 p. 24 cm. M-6 (78). |
Theory |
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| Scarlatti, Domenico |
Forty-two suits of lessons for the harpsichord. Vol. 1.
London: Preston, 1785. 62 p. 26 cm. |
Clavecin |
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| Scarlatti, Domenico |
Forty-two suits of lessons for the harpsichord. Vol. 2.
London: Preston, 1785. 67 p. 26 cm. |
Clavecin |
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| Scarlatti, Domenico |
Forty-two suits of lessons for the harpsichord. Vol. 3.
London: Preston, 1785. 25 p. 26 cm. |
Clavecin |
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| Scarlatti, Domenico |
Libro de XII Sonatas modernas para Clavicordio. London: J.
Johnson, [n. d.]. 41 p. 34 cm. |
Clavicord |
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| Scarlatti, Domenico |
XLII Suite de pieces pour le clavecin. 2 vols. London: B.
Cooke, 1739. 62, 67 p. 26 × 34 cm. |
Clavecin |
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| Schilling, Gustav |
Musikalische Dynamik oder die Lehre von
Vortrage in der Musik. Cassel: J. C.
Krieger, 1843. 367 p. 22 cm. M-6 (88). |
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| Smith, John Christopher |
Suites de pièces pour le clavecin. 2 vols. London: J. Walsh,
[n. d.]. 59, 82 p. 24 × 30 cm. |
Clavecin |
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| Smith, John Christopher |
Suites de pieces pour le clavecin. London: J. C. Smith, [n.
d.]. 59 p. 24 × 30 cm. |
Clavecin |
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| Tailour, Robert |
Sacred hymns. Consisting of fifty
select psalms of David and others.
London: T. Snodham, 1615. 136 p. 23 cm. N-1 (28). |
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| Voigtländer, Gabriel. |
Allerhand Oden und Lieder. Lübeck: M. Volken, 1650. 116 p.
31 cm. N-6 (97). |
Voice |
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| Walsh, John |
The Catch Club or Merry Companions
being a choice collection of the most diverting catches for three and four
voices. 2 parts. London: J. Walsh, ca.
1730. 17 × 24 cm. N-1 (2). |
Voice |
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| Weldon, John |
Divine harmony. Six select anthems for
a voice alone with a thorow bass for the organ, harpsichord or
arch-lute. London: J. Walsh, [n. d.].
29 p. 35 cm. N-7 (44). 1716 |
Voice
Arch-Lute |
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| Worgan, John |
Six sonatas for the harpsichord. London: the author, J.
Johnson, 1769. 30 p. 24 cm. |
Clavecin |
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