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Updated Oct, 2018. |
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| Author |
Title |
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| Campion, Thomas |
A book of airs, as
written to be sung to the lute and viol. |
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| Caroso, Fabritio |
Il ballarino di M.
Fabritio Caroso da Sermoneta, diuiso in due trattati. Venetia 1581by Appresso Francesco Ziletti. |
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| Dowland, John |
The first booke of
songes, or, Ayres of fowre partes with tableture for the lute. London 1597 |
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| Dowland, John |
The second booke of
songs, or, Ayres, of 2. 4. and 5. parts. London 1600 |
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| Inglis, Alexander Wood |
A collection of the
most celebrated songs set to music by several eminent authors, adapted for
the guitar. London 1774 |
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| Mace, Thomas |
Musick's monument;
or, A remembrancer of the best practical musick, both divine, and civil, that
has ever been known, to have been in the world. London 1676. |
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| Milan, Luis de |
Libro intitulado El
cortesano. El cortesano., Libro de motes de damas y caballeros. Madrid 1874.
First edition of Libro de motes de damas y caualleros, Valencia, 1535. |
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| Moretti, Federico |
Trois rondeaux pour
la guitare ou lyre, Oeuvre Ive. Paris 1800. |
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| Mozart, Wolfgang Amadeus |
The sound of her
native guitar, from Mozarts grand opera Il seraglio arranged for voice and
piano, Published 1827 . |
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| Oswald Körte |
Laute und
Lautenmusik bis zur Mitte des 16. Jahrhunderts. Unter besonderer
Berücksichtigung der deutschen Lautentabulatur. Leipzig 1901. [ML1010 .K85] |
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| Salmon, Thomas |
An essay to the
advancement of musick. uniting all sorts of musick lute, viol, violin, organ,
harpsechord, voice. London 1672. |
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| Sor, Ferdinand |
Vingt quatre
exercices très faciles & soigneusement doigtés pour le guitar, op. 35,
Bonn 1830. |
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| Willibald Leo Frh |
Die Geigen und
Lautenmacher vom Mittelalter bis zur Gegenwart. Frankfurt am Main :
Frankfurter Verlags-Anstalt a. g., 1922. This book is a catalog of violin and
lute constructors from the middle ages to the 1920s.
It characterizes the type of instruments made e.g. violin, viola, cello,
bass, lute, guitar and other stringed instruments. |