| Author |
Title |
| Adson, John |
Courtly Masquing / AYRES /
Composed to 5. and 6 / Parts, for Violins, Consorts,
/ and Cornets, / BY / IOHN ADSON, London, John Browne, 1621 |
| Adson, John |
Courtly Masquing Ayres, Composed to 5.
and 6. Parts, for Violins, Consorts, and Cornets, London, John Browne, 1621 |
| Allessandro Scarlatti |
Il Martirio di S. Orsola / Oratorio a
5. con VViolini e Tromba, Yale University, Osborn Music MS 24, ca. 1695 |
| Bach, Johann Sebastian |
|
| Bacilly, Bertrand de |
Les trois Livres d'Airs regravez de nouveau en deux
volumes |
| Bertrand de Bacilly |
Les trois Liures d’Airs / Regrauez de
nouueau in deux volumes / Augmentez de plusieurs Airs Nouueaux, / De chiffres
pour le Theorbe … Premiere Partie Paris, self-published, 1668 |
| Caccini, Francesca |
Il primo Libro delle Musiche a una e
due Voci, Firenze, Zanobi Pignoni, 1618 |
| Caccini, Francesca |
MUS.D.39 Il Primo libro delle musiche a
una e due voci |
| Caccini, Giulio |
Euridice |
| Caccini, Giulio |
|
| Caccini, Giulio |
Le nuove musiche / di Giulio Caccini
detto Romano |
| Caccini, Giulio |
Le nuove musiche / di Giulio Caccini
detto Romano |
| Caccini, Giulio |
Le Nuove Musiche, Firenze 1601 |
| Caccini, Giulio |
L'Evridice : composta in mvsica in
stile rappresentatiuo (1600) |
| Carr, John |
Vinculum Societatis, or the Tie of good
Company: Being a Choice Collection of the Newest Songs now in Use. With
Thorow Bass to each Song for the Harpsichord, Theorbo, or Bass-Viol. |
| Domenico Belli |
Orfeo dolente musica di Domenico Belli
diviso in cinque Intermedii, Venetia, Ricciardo Amadino, 1645 |
| Franceschini, Petronio |
|
| Francesco Cavalli |
MVSICHE / SACRE / CONCERNENTI / Messa,
e Salmi Concertati con Istroment Imni Antifone & / Sonate, A Due 3. 4. 5.
6. 8. 10. e 12. Voci…, Venetia, Alessandro Vincenti, 1656 |
| Gabriel Voightländer |
Erster Theil Allerhand Oden vnnd
Lieder, welche auff allerley, als Italianische, Frantzösische, Englische vnd
anderer Teutschen guten Componisten, Melodien vnd Arien gerichtet, Hohen vnd
Nieder Stands Persohnen zu sonderlicher Ergetzlichkeit, in vornehmen
Conviviis vnd Zusammenkunfften, bey Clavi Cimbalen, Lauten, Tiorben, Pandorn,
Violen di Gamba gantz bequemlich zu gebrauchen…, Sohra: Henrich Kruse, 1642 |
| Giovanni Alberto Ristori |
Arianna |
| Giovanni Antonio Rigatti |
MVSICHE / CONCERTATE / Cioe Madrigali A
2. 3. 4. / Con Basso Continuo. … Libro Primo, Opera II, Venetia, Gardano,
1636 |
| Giovanni Antonio Rigatti |
MVSICHE / DIVERSE / A Voce Sola.,
Venetia, Bartolomeo Magni, 1641 |
| Giovanni Battista Buonamenti |
Il quarto libro de varie sonate,
sinfonie..., Venetia, Alessandro Vincenti, 1626 |
| Giovanni Battista Buonamenti |
Il quinto libro de varie sonate...,
Venetia, Alessandro Vincenti, 1629 |
| Giovanni Battista Buonamenti |
Sonate et Canzoni liblo Sesto |
| Giovanni Battista Buonamenti |
Sonate, et Canzoni a due, tre, quattro,
cinque et a sei voci, Libro sesto, Venetia, Alessandro Vincenti, 1636 |
| Giovanni Battista Fontana |
Sonate a 1, 2, 3 per il Violino, o
Cornetto, Fagotto, Chitarone, Violoncino o simile altro istromento, Venetia,
Bartolomeo Magni, 1641 |
| Giovanni Felice Sances |
Antifone e litanie della Beatissima
Vergine a piu voci, Venezia, Appresso Bartolomeo Magni, 1640 |
| Giovanni Felice Sances |
Cantade di Gio: Felice Sances a voce
sola, commode da cantarsi sopra Tiorba, Clauicembalo Arpa, ò altro simile
instrumento. Libro Secondo…, Venetia, Appresso Bartholomeo Magni, 1633 |
| Giovanni Felice Sances |
Capricci poetici di Gioan Felice Sances
[…] a una, doi, tre voci, Venezia, Gardano, 1649 |
| Giovanni Felice Sances |
Il quarto libro delle cantate, et arie
a voce sola […] commode da cantarsi soura spinetta, tiorba, arpa, o altro
simile instrumento, con duo canzonette à due, & una arietta à tre voci
nel fine, Venezia, Alessandro Vincenti, 1636 |
| Graupner, Christoph |
|
| Graupner, Christoph |
Kommt lasst uns mit Jesu gehen, GWV
1119/22, Theorbo, Strings, Basso continuo
|
| Gregorius Urbanus |
Sacri armonici concentus singulis,
binis, ternis, quaternis vocibus concinendi nec non, et symphonia tribus
instrumentis, Venetia, Bartolomei Magni, 1640 |
| Hasse, Johann Adolph |
Sei tu Lidippe o il sole - Mus.2477-L-1 |
| Hasse, Johann Adolph |
Sei tu Lidippe, o il sole |
| Henry Lawes |
SELECT / AYRES / AND / DIALOGUES / To
Sing to the / THEORBO-LUTE / OR / BASSE-VIOL… The Second BOOK, London,
William Godbid for John Playford, 1669 |
| Henry Lawes |
SELECT / AYRES / AND / DIALOGUES / To
Sing to the / THEORBO-LUTE / OR / BASSE-VIOL… The Third BOOK, London, William
Godbid for John Playford, 1669 |
| Henry Lawes |
|
| Henry Playford (publisher) |
DELICIÆ MUSICÆ / BEING A / Collection
of the newest and best SONGS / Sung at Court and at the Publick Theatres,
most / of them within the Compass of the FLUTE / WITH / A Thorow-Bass, for
the Theorbo-Lute, / Bass-Viol, Harpsichord, or Organ, London, Henry Playford,
1696 |
| Henry Playford (publisher) |
Harmonia Sacra: / OR, / DIVINE HYMNS /
AND / DIALOGUES / WITH / A THOROUGH-BASS for the Theorbo-Lute / Bass-Viol,
Harpsichord, or Organ…, London, Henry Playford, 1714 |
| Henry Playford (publisher) |
The Banquet of Musick: or, A Collection
of the newest and best Songs Sung at Court and at Publick Theatres, being
most of them within the Compass of the Flute. With a Thorow-Bass for
the Theorbo-Lute, Bass-Viol, Harpsichord, or Organ. Composed by severa |
| Henry Playford (publisher) |
The Theater of Music. Voice, Theorbo or
Bass-Viol. First, Second, Third,
Fourth Book. London: John Playford, 1685-1687 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A THEORBO-BASS to each Song for the Theorbo, or Bass-Viol …
THE FIRST BOOK, London, J. Playford for Henry Playford and R. C., 1685 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A Thorow-Baß to each SONG for the Harpsichord, Theorbo, or
Baß-Viol … THE FOURTH and LAST BOOK, London, B. Motte for Henry Playford,
1687 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A THOROW-BASS to each Song for the Theorbo, or Baß-Viol …
THE SECOND BOOK, London, J. P. for Henry Playford and R. C., 1685 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A THOROW-BASS to each Song for the Theorbo, or Baß-Viol …
THE THIRD BOOK, London, Henry Playford and R. C., 1686 |
| Henry Purcell, |
Mr Henr. Purcell’s / Favourite Songs /
out of his most celebrated / ORPHEUS BRITTANICUS / and the rest of his
Works…, London, John Walsh, n.d. [ca. 1710] |
| Henry Purcell, |
ORPHEUS BRITANNICUS. / A / COLLECTION /
OF / The Choicest SONGS, / FOR / One, Two, and Three Voices. / COMPOS’D / By
Mr. Henry Purcell / … AND / A THROUGH-BASS to each SONG. / Figur’d for the
Organ, Harpsichord, or Theorbo-Lute. / The Second BOOK, which renders the
First Compleat. London, William Pearson for Henry Playford, 1702 |
| Henry Purcell, |
ORPHEUS BRITANNICUS. / A / COLLECTION /
OF / The Choicest SONGS, / FOR / One, Two, and Three Voices. / COMPOS’D / By
Mr. Henry Purcell / … AND / A THROUGH-BASS to each SONG. / Figur’d for the
Organ, Harpsichord, or Theorbo-Lute. [First Book]. London, J. Heptinstall for
Henry Playford, 1698 |
| Henry Purcell, |
Orpheus Britannicus. A Collection of
all the choicest songs for One, Two, and Three Voices, compos'd by Mr. Henry
Purcell. together with such Symphonies for Violins or Flutes [recorders], as
were by him design's for any of them: and a thorough-bass to eac |
| Henry Purcell, |
ORPHEUS BRITANNICUS… [First Book].
London, William Pearson for Henry Playford, 1706 |
| Henry Purcell, |
ORPHEUS BRITANNICUS… Second BOOK.
London, William Pearson for Henry Playford, 1702 |
| Jacob Kremberg |
Musicalische Gemüths-Ergötzung, oder
Arien, samt deren unterlegten hochdeutschen Gedichten, theils hoher
Standes-Personen und vortrefflicher Leute, theils eigener Erfindung.
Welche also eingerichtet, daß Sie mit einer Stimme allein zu singen benebenst
dem General-Bass, oder aber zugleich und besonders auf der Lauthe, Angelique,
Viola di Gamba, und Chitarra, können gespielt werden…, Dresden:
self-published, 1689 |
| Jacopo Peri |
LE MUSICHE / DI IACOPO PERI / NOBIL
FIORENTINO / Sopra L’Euridice / DEL SIG OTTAVIO RINVCCINI …, Fiorenza,
Giorgio Marescotti, 1600 |
| Johann Heinrich Schmelzer |
Suite à 4. Viol: ê Bass, MS, Uppsala,
mid 17th century |
| John Gamble |
AYRES / AND / DIALOGUES / (To be Sung
to the THEORBO-LUTE / Or BASS-VIOL.), London, W. Godbid for Humphrey Mosley,
1657 |
| John Gamble |
AYRES / AND / DIALOGUES / For One, Two
and Three Voyces / To be Sung to the / THEORBO-LUTE or BASSE-VIOL … The
Second Book, London, W. Godbid, 1659 |
| John Hedgebut |
Thesaurus Musicus: Being a Collection
of the Newest Songs performed at Their Majesties Theatres; and at the
Consorts in Viller-street in York-Buildings, and in Charles-street
Covent-Garden. With a Thorow-Bass to each Song, for the Harpsichord, Theorbo,
or Bass-Viol. To which is Annexed, A Collection of Airs, Composed for two
Flutes, by several Masters, London, J. Heptinstall, 1696 (three books) |
| Lalande, Michel Richard de |
|
| Landi, Stefano |
Il quinto libro d'arie da cantarsi ad
una voce con la spinetta & con le littere per la chitarra |
| Locke, Matthew |
Little Consort of 3 Parts |
| Lodovico Bellanda |
Musiche di Ludovico Bellanda Veronese
per cantare sopra la chitarrone, et clavicimbalo, Venetia, Giacomo Vincenti,
1607 |
| Marais, Marin |
Pièces de viole. Livre 1 |
| Marais, Marin |
Pièces de viole. Livre 2 |
| Marais, Marin |
Pieces de viole. Livre 3 |
| Marco Uccellini |
Sonate, Arie et Correnti a 2 & 3,
per Sonare con diversi Instomenti (Op. 3), Venetia, Alessandro Vincenti, 1642 |
| Massimiliano Neri |
Sonate Da Sonare con varij stromenti A
trè sino a dodeci, Venetia, Gardano/Franceso Magni, 1651 |
| Massimiliano Neri |
Sonate e canzone a quatro da sonarsi
con diversi stromenti in chiesa, & in camera, Venetia, Bartolomeo Magni,
1644 |
| Masson, Charles |
Nouveau traité des règles pour la
composition de la musique |
| Monteverdi, Claudio |
II Sesto Libro / de Madrigali / a
cinqve voci, / con vno Dialogo a Sette, / Con il suo Basso continuo per
poterli con- / certare nel Clauacembano, & altri / Stromenti. / Di
Clavdio Monteverde / Maestro di Cappella della Sereniss. Sig. / di Venetia in
S. M |
| Nauwach, Johann |
Erster Theil Teutscher Vilanellen mit
1., 2. und 3. Stimmen auf die Tiorba, Laute, Clavicymbel, und andere
Instrumenta gerichtet |
| Nauwach, Johann |
LIBRO PRIMO / DI ARIE PASSEG/giate a
una voce per Cantar / e Sonar nel Chitarone, et altri / Simile Istromenti,
Dresden, 1623 |
| Nauwach, Johann |
|
| Notari, Angelo |
Prime Musiche Nuove di Angelo Notari a
una, due, et tre Voci, per Cantare con la Tiorba, et altri Stumenti,
Nouamente Poste in luce |
| Notari, Angelo |
Primo Musiche Nuove, à una, due, et tre
Voci, per Cantare con la Tiorba, et altri Strumenti, Nuovamente poste in
luce. Con privilegio. |
| Playford, Henry |
|
| Samuel Friedrich Capricornus |
Quae fata spes ve fingo? (Hÿmnus pii
desiderij, a 2. voc. con 6 viole), MS, Uppsala, mid 17th century |
| Schein, Johann Hermann |
Ander Theil der Musica boscareccia.
Wald-Liederlein Auff Italian-Villanellische Invention Beydes fuer sich allein
mit lebendiger StimXC4 oder in ein Clavicimbel, Spinet, Tiorba, Lauten etc. -
Straßburg, 1628 |
| Schein, Johann Hermann |
Dritter Theil Musica boscareccia.
Wald-Liederlein Auff Italian-Villanellische Invention Beydes fuer sich allein
mit lebendiger StimXC4 oder in ein Clavicimbel, Spinet, Tiorba, Lauten etc. -
Straßburg, 1628 |
| Schein, Johann Hermann |
Musica boscareccia. Wald Liederlein
Auff Italian-Villanellische Invention Beydes für sich allein mit lebendiger
Stim oder in ein Clavicimbel, Spinet, Tiorba, Laüten: Befreijung vnnd, 1621 |
| Telemann, Georg Philipp |
|
| Vincenzo Albrici |
Sinfonia a 6. Primo
Tono (with B.c. part for guitar), MS Uppsala, 1654 |
| Vivaldi, Antonio |
VI Sonatas Violoncello Solo col Basso |
| Fleury, Nicolas |
Methode pour apprendre facilement a
toucher le theorbe sur la basse-continuë. 1660. |