2014年5月4日日曜日

Basso Continuo

Author  Title 
Adson, John Courtly Masquing / AYRES / Composed to 5. and 6 / Parts, for Violins, Consorts, / and Cornets, / BY / IOHN ADSON, London, John Browne, 1621
Adson, John Courtly Masquing Ayres, Composed to 5. and 6. Parts, for Violins, Consorts, and Cornets,  London, John Browne, 1621
Allessandro Scarlatti Il Martirio di S. Orsola / Oratorio a 5. con VViolini e Tromba, Yale University, Osborn Music MS 24, ca. 1695
Bach, Johann Sebastian
Brandenburg Concerto No.3
Bacilly, Bertrand de Les trois Livres d'Airs regravez de nouveau en deux volumes
Bertrand de Bacilly Les trois Liures d’Airs / Regrauez de nouueau in deux volumes / Augmentez de plusieurs Airs Nouueaux, / De chiffres pour le Theorbe … Premiere Partie Paris, self-published, 1668
Caccini, Francesca Il primo Libro delle Musiche a una e due Voci, Firenze, Zanobi Pignoni, 1618
Caccini, Francesca MUS.D.39 Il Primo libro delle musiche a una e due voci 
Caccini, Giulio Euridice
Caccini, Giulio
Le nuove musiche
Caccini, Giulio Le nuove musiche / di Giulio Caccini detto Romano
Caccini, Giulio Le nuove musiche / di Giulio Caccini detto Romano
Caccini, Giulio Le Nuove Musiche,  Firenze 1601
Caccini, Giulio L'Evridice : composta in mvsica in stile rappresentatiuo (1600)
Carr, John Vinculum Societatis, or the Tie of good Company: Being a Choice Collection of the Newest Songs now in Use. With Thorow Bass to each Song for the Harpsichord, Theorbo, or Bass-Viol.
Domenico Belli Orfeo dolente musica di Domenico Belli diviso in cinque Intermedii, Venetia, Ricciardo Amadino, 1645
Franceschini, Petronio
Sonata in D major
Francesco Cavalli MVSICHE / SACRE / CONCERNENTI / Messa, e Salmi Concertati con Istroment Imni Antifone & / Sonate, A Due 3. 4. 5. 6. 8. 10. e 12. Voci…, Venetia, Alessandro Vincenti, 1656
Gabriel Voightländer Erster Theil Allerhand Oden vnnd Lieder, welche auff allerley, als Italianische, Frantzösische, Englische vnd anderer Teutschen guten Componisten, Melodien vnd Arien gerichtet, Hohen vnd Nieder Stands Persohnen zu sonderlicher Ergetzlichkeit, in vornehmen Conviviis vnd Zusammenkunfften, bey Clavi Cimbalen, Lauten, Tiorben, Pandorn, Violen di Gamba gantz bequemlich zu gebrauchen…, Sohra: Henrich Kruse, 1642
Giovanni Alberto Ristori Arianna
Giovanni Antonio Rigatti MVSICHE / CONCERTATE / Cioe Madrigali A 2. 3. 4. / Con Basso Continuo. … Libro Primo, Opera II, Venetia, Gardano, 1636
Giovanni Antonio Rigatti MVSICHE / DIVERSE / A Voce Sola., Venetia, Bartolomeo Magni, 1641
Giovanni Battista Buonamenti Il quarto libro de varie sonate, sinfonie..., Venetia, Alessandro Vincenti, 1626
Giovanni Battista Buonamenti Il quinto libro de varie sonate..., Venetia, Alessandro Vincenti, 1629
Giovanni Battista Buonamenti Sonate et Canzoni liblo Sesto
Giovanni Battista Buonamenti Sonate, et Canzoni a due, tre, quattro, cinque et a sei voci, Libro sesto, Venetia, Alessandro Vincenti, 1636
Giovanni Battista Fontana Sonate a 1, 2, 3 per il Violino, o Cornetto, Fagotto, Chitarone, Violoncino o simile altro istromento, Venetia, Bartolomeo Magni, 1641
Giovanni Felice Sances Antifone e litanie della Beatissima Vergine a piu voci, Venezia, Appresso Bartolomeo Magni, 1640
Giovanni Felice Sances Cantade di Gio: Felice Sances a voce sola, commode da cantarsi sopra Tiorba, Clauicembalo Arpa, ò altro simile instrumento. Libro Secondo…, Venetia, Appresso Bartholomeo Magni, 1633
Giovanni Felice Sances Capricci poetici di Gioan Felice Sances […] a una, doi, tre voci, Venezia, Gardano, 1649
Giovanni Felice Sances Il quarto libro delle cantate, et arie a voce sola […] commode da cantarsi soura spinetta, tiorba, arpa, o altro simile instrumento, con duo canzonette à due, & una arietta à tre voci nel fine, Venezia, Alessandro Vincenti, 1636
Graupner, Christoph
Kommt lasst uns mit Jesu gehen, GWV 1119/22
Graupner, Christoph Kommt lasst uns mit Jesu gehen, GWV 1119/22, Theorbo, Strings, Basso continuo
Gregorius Urbanus Sacri armonici concentus singulis, binis, ternis, quaternis vocibus concinendi nec non, et symphonia tribus instrumentis, Venetia, Bartolomei Magni, 1640
Hasse, Johann Adolph Sei tu Lidippe o il sole - Mus.2477-L-1
Hasse, Johann Adolph Sei tu Lidippe, o il sole
Henry Lawes SELECT / AYRES / AND / DIALOGUES / To Sing to the / THEORBO-LUTE / OR / BASSE-VIOL… The Second BOOK, London, William Godbid for John Playford, 1669
Henry Lawes SELECT / AYRES / AND / DIALOGUES / To Sing to the / THEORBO-LUTE / OR / BASSE-VIOL… The Third BOOK, London, William Godbid for John Playford, 1669
Henry Lawes
The treasury of musick containing ayres and dialogues to sing to the theorbo-lute or basse-viol. Composed by Mr Henry Lawes ... and other eminent masters
Henry Playford (publisher) DELICIÆ MUSICÆ / BEING A / Collection of the newest and best SONGS / Sung at Court and at the Publick Theatres, most / of them within the Compass of the FLUTE / WITH / A Thorow-Bass, for the Theorbo-Lute, / Bass-Viol, Harpsichord, or Organ, London, Henry Playford, 1696
Henry Playford (publisher) Harmonia Sacra: / OR, / DIVINE HYMNS / AND / DIALOGUES / WITH / A THOROUGH-BASS for the Theorbo-Lute / Bass-Viol, Harpsichord, or Organ…, London, Henry Playford, 1714
Henry Playford (publisher) The Banquet of Musick: or, A Collection of the newest and best Songs Sung at Court and at Publick Theatres, being most of them within the Compass of the Flute.  With a Thorow-Bass for the Theorbo-Lute, Bass-Viol, Harpsichord, or Organ.  Composed by severa
Henry Playford (publisher) The Theater of Music. Voice, Theorbo or Bass-Viol.  First, Second, Third, Fourth Book. London: John Playford, 1685-1687
Henry Playford (publisher) THE Theater of MUSIC: / OR, A / COLLECTION of the newest and best Songs / Sung at the COURT, and Public THEATERS … WITH / A THEORBO-BASS to each Song for the Theorbo, or Bass-Viol … THE FIRST BOOK, London, J. Playford for Henry Playford and R. C., 1685
Henry Playford (publisher) THE Theater of MUSIC: / OR, A / COLLECTION of the newest and best Songs / Sung at the COURT, and Public THEATERS … WITH / A Thorow-Baß to each SONG for the Harpsichord, Theorbo, or Baß-Viol … THE FOURTH and LAST BOOK, London, B. Motte for Henry Playford, 1687
Henry Playford (publisher) THE Theater of MUSIC: / OR, A / COLLECTION of the newest and best Songs / Sung at the COURT, and Public THEATERS … WITH / A THOROW-BASS to each Song for the Theorbo, or Baß-Viol … THE SECOND BOOK, London, J. P. for Henry Playford and R. C., 1685
Henry Playford (publisher) THE Theater of MUSIC: / OR, A / COLLECTION of the newest and best Songs / Sung at the COURT, and Public THEATERS … WITH / A THOROW-BASS to each Song for the Theorbo, or Baß-Viol … THE THIRD BOOK, London, Henry Playford and R. C., 1686
Henry Purcell, Mr Henr. Purcell’s / Favourite Songs / out of his most celebrated / ORPHEUS BRITTANICUS / and the rest of his Works…, London, John Walsh, n.d. [ca. 1710]
Henry Purcell, ORPHEUS BRITANNICUS. / A / COLLECTION / OF / The Choicest SONGS, / FOR / One, Two, and Three Voices. / COMPOS’D / By Mr. Henry Purcell / … AND / A THROUGH-BASS to each SONG. / Figur’d for the Organ, Harpsichord, or Theorbo-Lute. / The Second BOOK, which renders the First Compleat. London, William Pearson for Henry Playford, 1702
Henry Purcell, ORPHEUS BRITANNICUS. / A / COLLECTION / OF / The Choicest SONGS, / FOR / One, Two, and Three Voices. / COMPOS’D / By Mr. Henry Purcell / … AND / A THROUGH-BASS to each SONG. / Figur’d for the Organ, Harpsichord, or Theorbo-Lute. [First Book]. London, J. Heptinstall for Henry Playford, 1698
Henry Purcell, Orpheus Britannicus. A Collection of all the choicest songs for One, Two, and Three Voices, compos'd by Mr. Henry Purcell. together with such Symphonies for Violins or Flutes [recorders], as were by him design's for any of them: and a thorough-bass to eac
Henry Purcell, ORPHEUS BRITANNICUS… [First Book]. London, William Pearson for Henry Playford, 1706
Henry Purcell, ORPHEUS BRITANNICUS… Second BOOK. London, William Pearson for Henry Playford, 1702
Jacob Kremberg Musicalische Gemüths-Ergötzung, oder Arien, samt deren unterlegten hochdeutschen Gedichten, theils hoher Standes-Personen und vortrefflicher Leute, theils eigener Erfindung.  Welche also eingerichtet, daß Sie mit einer Stimme allein zu singen benebenst dem General-Bass, oder aber zugleich und besonders auf der Lauthe, Angelique, Viola di Gamba, und Chitarra, können gespielt werden…, Dresden: self-published, 1689
Jacopo Peri LE MUSICHE / DI IACOPO PERI / NOBIL FIORENTINO / Sopra L’Euridice / DEL SIG OTTAVIO RINVCCINI …, Fiorenza, Giorgio Marescotti, 1600
Johann Heinrich Schmelzer Suite à 4. Viol: ê Bass, MS, Uppsala, mid 17th century
John Gamble AYRES / AND / DIALOGUES / (To be Sung to the THEORBO-LUTE / Or BASS-VIOL.), London, W. Godbid for Humphrey Mosley, 1657
John Gamble AYRES / AND / DIALOGUES / For One, Two and Three Voyces / To be Sung to the / THEORBO-LUTE or BASSE-VIOL … The Second Book, London, W. Godbid, 1659
John Hedgebut Thesaurus Musicus: Being a Collection of the Newest Songs performed at Their Majesties Theatres; and at the Consorts in Viller-street in York-Buildings, and in Charles-street Covent-Garden. With a Thorow-Bass to each Song, for the Harpsichord, Theorbo, or Bass-Viol. To which is Annexed, A Collection of Airs, Composed for two Flutes, by several Masters, London, J. Heptinstall, 1696 (three books)
Lalande, Michel Richard de
Jubilate Deo omnis terra, S.9
Landi, Stefano Il quinto libro d'arie da cantarsi ad una voce con la spinetta & con le littere per la chitarra
Locke, Matthew Little Consort of 3 Parts
Lodovico Bellanda Musiche di Ludovico Bellanda Veronese per cantare sopra la chitarrone, et clavicimbalo, Venetia, Giacomo Vincenti, 1607
Marais, Marin Pièces de viole. Livre 1
Marais, Marin Pièces de viole. Livre 2
Marais, Marin Pieces de viole. Livre 3
Marco Uccellini Sonate, Arie et Correnti a 2 & 3, per Sonare con diversi Instomenti (Op. 3), Venetia, Alessandro Vincenti, 1642
Massimiliano Neri Sonate Da Sonare con varij stromenti A trè sino a dodeci, Venetia, Gardano/Franceso Magni, 1651
Massimiliano Neri Sonate e canzone a quatro da sonarsi con diversi stromenti in chiesa, & in camera, Venetia, Bartolomeo Magni, 1644
Masson, Charles Nouveau traité des règles pour la composition de la musique
Monteverdi, Claudio II Sesto Libro / de Madrigali / a cinqve voci, / con vno Dialogo a Sette, / Con il suo Basso continuo per poterli con- / certare nel Clauacembano, & altri / Stromenti. / Di Clavdio Monteverde / Maestro di Cappella della Sereniss. Sig. / di Venetia in S. M
Nauwach, Johann Erster Theil Teutscher Vilanellen mit 1., 2. und 3. Stimmen auf die Tiorba, Laute, Clavicymbel, und andere Instrumenta gerichtet
Nauwach, Johann LIBRO PRIMO / DI ARIE PASSEG/giate a una voce per Cantar / e Sonar nel Chitarone, et altri / Simile Istromenti, Dresden, 1623
Nauwach, Johann
Libro Primo di Arie, passegiate á una voce per cantar, e sonar del Chitarone, +& altri simile instromenti, di Giuanni Nauwach, nella corte del serenissiomo Duca di Sassonia Elettore Musico di Camera. 1623.
Notari, Angelo Prime Musiche Nuove di Angelo Notari a una, due, et tre Voci, per Cantare con la Tiorba, et altri Stumenti, Nouamente Poste in luce
Notari, Angelo Primo Musiche Nuove, à una, due, et tre Voci, per Cantare con la Tiorba, et altri Strumenti, Nuovamente poste in luce. Con privilegio.
Playford, Henry
Harmonia Sacra. Harmonia Sacra: or, Divine Hymns and Dialogues: with a thorough-bass for the Theorbo-Lute, Bass-Viol, Harpsichord, or Organ. Composed by the Best Masters of the last and Present Age. The Words by several Learned and Pious Persons. 
Samuel Friedrich Capricornus Quae fata spes ve fingo? (Hÿmnus pii desiderij, a 2. voc. con 6 viole), MS, Uppsala, mid 17th century
Schein, Johann Hermann Ander Theil der Musica boscareccia. Wald-Liederlein Auff Italian-Villanellische Invention Beydes fuer sich allein mit lebendiger StimXC4 oder in ein Clavicimbel, Spinet, Tiorba, Lauten etc. - Straßburg, 1628
Schein, Johann Hermann Dritter Theil Musica boscareccia. Wald-Liederlein Auff Italian-Villanellische Invention Beydes fuer sich allein mit lebendiger StimXC4 oder in ein Clavicimbel, Spinet, Tiorba, Lauten etc. - Straßburg, 1628
Schein, Johann Hermann Musica boscareccia. Wald Liederlein Auff Italian-Villanellische Invention Beydes für sich allein mit lebendiger Stim oder in ein Clavicimbel, Spinet, Tiorba, Laüten: Befreijung vnnd, 1621
Telemann, Georg Philipp
Violin Concerto, TWV 51:G8
Vincenzo Albrici Sinfonia a 6.  Primo Tono (with B.c. part for guitar), MS Uppsala, 1654
Vivaldi, Antonio VI Sonatas Violoncello Solo col Basso
Fleury, Nicolas Methode pour apprendre facilement a toucher le theorbe sur la basse-continuë. 1660.

0 件のコメント: