| Author |
Title |
| Adrian Denss |
Florilegivm omnis fere generis
cantionvm svavissimarvm ad testvdinis tabvlatvram accommodatarvm, longe
ivcvndissimvm, Köln, Gerhard Grevenbruch, 15945 |
| Adriano Banchieri |
Conclusioni nel suono dell’organo,
Op.20 la tiorba in sol |
| Angelo Notari |
Prime Musiche Nuove di Angelo Notari, a
una, due et tre Voci, per Cantare con la Tiorba, et altri Instrumenti,
London, Guglielmo Hole, 1613 |
| Antoine Boesset |
AIRS DE COVR / AVEC LA TABLATVRE DE
LVTH / de Anthoyne Boessét, Surintendant de la Musique de la Chambre du
Roy, & de la Reyne. DOUZIESME LIVRE. Paris, Pierre Ballard, 1624 |
| Antonio de Cabezón |
Obras de musica para tecla, arpa y
vihuela de Antonio de Cabeçon |
| Attaingnant, Pierre |
Second Livre de Danceries (Attaingnant,
Pierre) |
| Attaingnant, Pierre(editor) |
Cinquiesme livre de danceries
(Gervaise, Claude) |
| Attaingnant, Pierre(editor) |
Quart livre de danceries (Gervaise,
Claude) |
| Attaingnant, Pierre(editor) |
Septieme livre de danceries (Tertre,
Estienne du) |
| Attaingnant, Pierre(editor) |
Sixieme livre de danceries (Gervaise,
Claude) |
| Attaingnant, Pierre(editor) |
Troisieme livre de danceries a quatre
et cinq parties (Gervaise, Claude) |
| Bach, Johann Sebastian |
BWV 1001-1006 Violin Sonatas and
Partitas |
| Bach, Johann Sebastian |
BWV 998 Prelude, Fugue and Allegro in
Eb major |
| Bach, Johann Sebastian |
BWV996 Suite in E minor |
| Bach, Johann Sebastian |
Pièces pour la Luth à Monsieur
Schouster (BWV 995 – color – another source), autograph MS, 18th century |
| Bach, Johann Sebastian |
Pièces pour la Luth à Monsieur
Schouster (BWV 995 – monochrome – another source), autograph MS, 18th
century |
| Barley, William |
A new book of tablature, containing
sundry easy and familiar instructions |
| Bertrand de Bacilly |
Les trois Liures d’Airs / Regrauez de
nouueau in deux volumes / Augmentez de plusieurs Airs Nouueaux, / De chiffres
pour le Theorbe … Premiere Partie Paris, self-published, 1668 |
| Caccini, Francesca |
Il primo Libro delle Musiche a una e
due Voci, Firenze, Zanobi Pignoni, 1618 |
| Capirola, Vincenzo |
Compositione di meser Vincenzo Capirola |
| Claudio Monteverdi |
IL SESTO LIBRO / DE MADRIGALI / A
CINQVE VOCI / con vno Dialogo a Sette, Con il suo Basso continuo per poter li
con-/certare nel Clauacembano, & altri / Stromenti, Venezia, Ricciardo
Amadino, 1614 |
| Danyel, John |
Songs for the Lute, Viol and Voice |
| de Visée, Robert |
Livre de pieces pour la guitare |
| de Visée, Robert |
Pieces de theorbe et de luth |
| Diego Pisador |
Libro de musica de vihuela agora
nueuamente compuesto por Diego Pisador, Salamanca, 15527 |
| Domenico Belli |
Orfeo dolente musica di Domenico Belli
diviso in cinque Intermedii, Venetia, Ricciardo Amadino, 1645 |
| Dowland, John |
Lachrimae, or Seven Teares |
| Francesco Cavalli |
MVSICHE / SACRE / CONCERNENTI / Messa,
e Salmi Concertati con Istroment Imni Antifone & / Sonate, A Due 3. 4. 5.
6. 8. 10. e 12. Voci…, Venetia, Alessandro Vincenti, 1656 |
| Gabriel Voightländer |
Erster Theil Allerhand Oden vnnd
Lieder, welche auff allerley, als Italianische, Frantzösische, Englische vnd
anderer Teutschen guten Componisten, Melodien vnd Arien gerichtet, Hohen vnd
Nieder Stands Persohnen zu sonderlicher Ergetzlichkeit, in vornehmen
Conviviis vnd Zusammenkunfften, bey Clavi Cimbalen, Lauten, Tiorben, Pandorn,
Violen di Gamba gantz bequemlich zu gebrauchen…, Sohra: Henrich Kruse, 1642 |
| Giovanni Antonio Rigatti |
MVSICHE / CONCERTATE / Cioe Madrigali A
2. 3. 4. / Con Basso Continuo. … Libro Primo, Opera II, Venetia, Gardano,
1636 |
| Giovanni Antonio Rigatti |
MVSICHE / DIVERSE / A Voce Sola.,
Venetia, Bartolomeo Magni, 1641 |
| Giovanni Battista Buonamenti |
Il quarto libro de varie sonate,
sinfonie..., Venetia, Alessandro Vincenti, 1626 |
| Giovanni Battista Buonamenti |
Il quinto libro de varie sonate...,
Venetia, Alessandro Vincenti, 1629 |
| Giovanni Battista Buonamenti |
Sonate et Canzoni liblo Sesto |
| Giovanni Battista Buonamenti |
Sonate, et Canzoni a due, tre, quattro,
cinque et a sei voci, Libro sesto, Venetia, Alessandro Vincenti, 1636 |
| Giovanni Battista Fontana |
Sonate a 1, 2, 3 per il Violino, o
Cornetto, Fagotto, Chitarone, Violoncino o simile altro istromento, Venetia,
Bartolomeo Magni, 1641 |
| Giovanni Battista Gervasio |
Duetto à Due Mandolini |
| Giovanni Battista Gervasio |
Duetto á Due Mandolini, MS (Gimo 147),
18th century |
| Giovanni Battista Gervasio |
Sonata a mandolino solo e Basso, MS
(Gimo 141), 18th century |
| Giovanni Battista Gervasio |
Sonata a mandolino solo è Basso, MS
(Gimo 143), 18th century |
| Giovanni Battista Gervasio |
Sonata di mandolino e Basso, MS (Gimo
146), 18th century |
| Giovanni Battista Gervasio |
Sonata Per Camera di Mandolino e Basso
Gimo 141 |
| Giovanni Battista Gervasio |
Sonata Per Camera di Mandolino e Basso
Gimo 142-143 |
| Giovanni Battista Gervasio |
Sonata Per Camera di Mandolino e Basso
Gimo 144 |
| Giovanni Battista Gervasio |
Sonata Per Camera di Mandolino e Basso
Gimo 145-146 |
| Giovanni Battista Gervasio |
Sonata Per Camera di Mandolino e Basso
Gimo 149 |
| Giovanni Battista Gervasio |
Sonata per Camera di mandolino e Basso,
MS (Gimo 142), 1762 |
| Giovanni Battista Gervasio |
Sonata per Camera di mandolino è Basso,
MS (Gimo 145), 18th century |
| Giovanni Battista Gervasio |
Sonata per Camera di Mandolino è Basso,
MS (Gimo 149), 18th century |
| Giovanni Battista Gervasio |
Sonata per Camera di mandolino solo è
Basso, MS (Gimo 144), 18th century |
| Giovanni Battista Gervasio |
Trio a Due Mandolini e Basso |
| Giovanni Battista Gervasio |
Trio a Due Mandolini e Basso, (Gimo
150), 18th century |
| Giovanni Felice Sances |
Antifone e litanie della Beatissima
Vergine a piu voci, Venezia, Appresso Bartolomeo Magni, 1640 |
| Giovanni Felice Sances |
Cantade di Gio: Felice Sances a voce
sola, commode da cantarsi sopra Tiorba, Clauicembalo Arpa, ò altro simile
instrumento. Libro Secondo…, Venetia, Appresso Bartholomeo Magni, 1633 |
| Giovanni Felice Sances |
Capricci poetici di Gioan Felice Sances
[…] a una, doi, tre voci, Venezia, Gardano, 1649 |
| Giovanni Felice Sances |
Il quarto libro delle cantate, et arie
a voce sola […] commode da cantarsi soura spinetta, tiorba, arpa, o altro
simile instrumento, con duo canzonette à due, & una arietta à tre voci
nel fine, Venezia, Alessandro Vincenti, 1636 |
| Giuseppe Antonio Brescianello |
Sinfonia in D major No.1 |
| Giuseppe Antonio Brescianello |
Sinfonia in D major No.1(half of last
movement only) |
| Gregorius Urbanus |
Sacri armonici concentus singulis,
binis, ternis, quaternis vocibus concinendi nec non, et symphonia tribus
instrumentis, Venetia, Bartolomei Magni, 1640 |
| Hans Judenkünig |
Ain schone Kunstliche Underweisung,
Wien, Hanns Singryener, 15232 |
| Henry Lawes |
SELECT / AYRES / AND / DIALOGUES / To
Sing to the / THEORBO-LUTE / OR / BASSE-VIOL… The Second BOOK, London,
William Godbid for John Playford, 1669 |
| Henry Lawes |
SELECT / AYRES / AND / DIALOGUES / To
Sing to the / THEORBO-LUTE / OR / BASSE-VIOL… The Third BOOK, London, William
Godbid for John Playford, 1669 |
| Henry Lawes |
The Treasury of Musick: / CONTAINING /
AYRES / AND / DIALOGUES / To Sing to the / THEORBO-LUTE / OR / BASSE-VIOL… In
Three BOOKS, London, William Godbid for John Playford, 1669 |
| Henry Playford (publisher) |
DELICIÆ MUSICÆ / BEING A / Collection
of the newest and best SONGS / Sung at Court and at the Publick Theatres,
most / of them within the Compass of the FLUTE / WITH / A Thorow-Bass, for
the Theorbo-Lute, / Bass-Viol, Harpsichord, or Organ, London, Henry Playford,
1696 |
| Henry Playford (publisher) |
Harmonia Sacra: / OR, / DIVINE HYMNS /
AND / DIALOGUES / WITH / A THOROUGH-BASS for the Theorbo-Lute / Bass-Viol,
Harpsichord, or Organ…, London, Henry Playford, 1714 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A THEORBO-BASS to each Song for the Theorbo, or Bass-Viol …
THE FIRST BOOK, London, J. Playford for Henry Playford and R. C., 1685 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A Thorow-Baß to each SONG for the Harpsichord, Theorbo, or
Baß-Viol … THE FOURTH and LAST BOOK, London, B. Motte for Henry Playford,
1687 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A THOROW-BASS to each Song for the Theorbo, or Baß-Viol …
THE SECOND BOOK, London, J. P. for Henry Playford and R. C., 1685 |
| Henry Playford (publisher) |
THE Theater of MUSIC: / OR, A /
COLLECTION of the newest and best Songs / Sung at the COURT, and Public
THEATERS … WITH / A THOROW-BASS to each Song for the Theorbo, or Baß-Viol …
THE THIRD BOOK, London, Henry Playford and R. C., 1686 |
| Henry Purcell, |
Mr Henr. Purcell’s / Favourite Songs /
out of his most celebrated / ORPHEUS BRITTANICUS / and the rest of his
Works…, London, John Walsh, n.d. [ca. 1710] |
| Henry Purcell, |
ORPHEUS BRITANNICUS. / A / COLLECTION /
OF / The Choicest SONGS, / FOR / One, Two, and Three Voices. / COMPOS’D / By
Mr. Henry Purcell / … AND / A THROUGH-BASS to each SONG. / Figur’d for the
Organ, Harpsichord, or Theorbo-Lute. / The Second BOOK, which renders the
First Compleat. London, William Pearson for Henry Playford, 1702 |
| Henry Purcell, |
ORPHEUS BRITANNICUS. / A / COLLECTION /
OF / The Choicest SONGS, / FOR / One, Two, and Three Voices. / COMPOS’D / By
Mr. Henry Purcell / … AND / A THROUGH-BASS to each SONG. / Figur’d for the
Organ, Harpsichord, or Theorbo-Lute. [First Book]. London, J. Heptinstall for
Henry Playford, 1698 |
| Henry Purcell, |
ORPHEUS BRITANNICUS… [First Book].
London, William Pearson for Henry Playford, 1706 |
| Henry Purcell, |
ORPHEUS BRITANNICUS… Second BOOK.
London, William Pearson for Henry Playford, 1702 |
| Jacob Kremberg |
Musicalische Gemüths-Ergötzung, oder
Arien, samt deren unterlegten hochdeutschen Gedichten, theils hoher
Standes-Personen und vortrefflicher Leute, theils eigener Erfindung.
Welche also eingerichtet, daß Sie mit einer Stimme allein zu singen benebenst
dem General-Bass, oder aber zugleich und besonders auf der Lauthe, Angelique,
Viola di Gamba, und Chitarra, können gespielt werden…, Dresden:
self-published, 1689 |
| Jacopo Peri |
LE MUSICHE / DI IACOPO PERI / NOBIL
FIORENTINO / Sopra L’Euridice / DEL SIG OTTAVIO RINVCCINI …, Fiorenza,
Giorgio Marescotti, 1600 |
| Johann Nauwach |
LIBRO PRIMO / DI ARIE PASSEG/giate a
una voce per Cantar / e Sonar nel Chitarone, et altri / Simile Istromenti,
Dresden, 1623 |
| John Danyel |
SONGS / FOR THE LVTE VIOL / and Voice:
/ Composed by I. Danyel, / Batchelar in Musicke, London, Thomas East for
Thomas Adams, 1606 |
| John Dowland |
The Firste Booke of Songes Ayres of
Fowre Partes, London, Humfrey Lownes, 1613 |
| John Gamble |
AYRES / AND / DIALOGUES / (To be Sung
to the THEORBO-LUTE / Or BASS-VIOL.), London, W. Godbid for Humphrey Mosley,
1657 |
| John Gamble |
AYRES / AND / DIALOGUES / For One, Two
and Three Voyces / To be Sung to the / THEORBO-LUTE or BASSE-VIOL … The
Second Book, London, W. Godbid, 1659 |
| John Playford (publisher) |
CHOICE / AYRES & SONGS / To SING to
the / Theorbo=Lute or Bass=Viol … The SECOND BOOK, London, Anne Godbid for
John Playford, 1679 |
| John Playford (publisher) |
CHOICE / AYRES and SONGS / TO SING TO
THE / Theorbo=Lute, or Bass=Viol: … THE FIFTH BOOK, London, J. Playford
Junior for John Playford, 1684 |
| John Playford (publisher) |
CHOICE / AYRES and SONGS / TO SING TO
THE / Theorbo=Lute, or Bass=Viol: … THE FOURTH BOOK, London, A. Godbid and J.
Playford Junior for John Playford, 1683 |
| John Playford (publisher) |
CHOICE / AYRES and SONGS / TO SING TO
THE / Theorbo=Lute, or Bass=Viol: … THE THIRD BOOK, London, A. Godbid and J.
Playford Junior for John Playford, 1681 |
| John Playford (publisher) |
CHOICE / Ayres, Songs, & Dialogues
/ To SING to the / THEORBO-LUTE, or BASS-VIOL … Newly Re-printed with large
ADDITIONS, London, William Godbid for John Playford, 1676 |
| John Playford (publisher) |
SELECT / Musicall Ayres / AND /
DIALOGUES, / In Three BOOKES. / First Book, containes AYRES for a Voyce alone
to the / Theorbo, or Basse Viol … The Second Booke / Containing / PASTORAL
DIALOGUES … The Third Booke, / Containing / Short AYRES or SONGS for three
Voyces, London, T.H. for John Playford. 1653 |
| Juan Bermudo |
El libro llamado Declaración de
instrumentos musicales, Osuna, Juan de Leon, 15551 |
| Juan Bermudo |
El libro primero de la declaración de
instrumentos, Osuna: Juan de Leon, 15493 |
| Le Roy, Adrien |
Livre d'air de cours miz sur le luth |
| Lodovico Bellanda |
Musiche di Ludovico Bellanda Veronese
per cantare sopra la chitarrone, et clavicimbalo, Venetia, Giacomo Vincenti,
1607 |
| Lully, Jean-Baptiste |
Proserpine, LWV 58 |
| Marco Uccellini |
Sonate, Arie et Correnti a 2 & 3,
per Sonare con diversi Instomenti (Op. 3), Venetia, Alessandro Vincenti, 1642 |
| Marco Uccellini |
Sonate, arie et correnti, Op.3 Violin Theorbo (Lute) and Continuo |
| Marin Mersenne |
Part I (1), Prefatory matters + Livre I
De la nature et de proprietéz du son |
| Marin Mersenne |
Part I (10), Traitéz des consonances...
Livre IV De la composition de musique |
| Marin Mersenne |
Part I (2), Livre II Des mouvements de
toutes sortes de corps |
| Marin Mersenne |
Part I (3), Livre III Des mouvements et
du son des chordes |
| Marin Mersenne |
Part I (4), Traité de mechanique |
| Marin Mersenne |
Part I (5), Traitéz de la voix et des
chants: Livre I De la voix |
| Marin Mersenne |
Part I (6), Traitéz de la voix et des
chants: Livre II Des chants |
| Marin Mersenne |
Part I (7), Traitéz des consonances...
Livre I Des consonances |
| Marin Mersenne |
Part I (8), Traitéz des consonances...
Livre II Des dissonances |
| Marin Mersenne |
Part I (9), Traitéz des consonances...
Livre III Des genres... de la musique |
| Marin Mersenne |
Part II (1), Prefatory matters +
Traitéz des consonances... Livre V De la composition de la musique |
| Marin Mersenne |
Part II (10), Livre VII Des instruments
de percussion |
| Marin Mersenne |
Part II (11), Livre de l'utilité de la
musique |
| Marin Mersenne |
Part II (12), Nouvelles observations
physiques & mathematiques + Table de XIX livres de musique |
| Marin Mersenne |
Part II (2), Traitéz des consonances...
Livre VI De l'art de bien chanter |
| Marin Mersenne |
Part II (3), Traitéz des consonances...
Livre V [sic] De la rythmique |
| Marin Mersenne |
Part II (4), Livre I Des
instruments |
| Marin Mersenne |
Part II (5), Livre II Des instruments à
chordes [1, Luth] |
| Marin Mersenne |
Part II (6), Livre III Des instruments
à chordes [2, Clavecin] |
| Marin Mersenne |
Part II (7), Livre IV Des instruments à
chordes [3, chordes frottées] |
| Marin Mersenne |
Part II (8), Livre V Des instruments à
vent |
| Marin Mersenne |
Part II (9), Livre VI Des orgues |
| Massimiliano Neri |
Sonate Da Sonare con varij stromenti A
trè sino a dodeci, Venetia, Gardano/Franceso Magni, 1651 |
| Massimiliano Neri |
Sonate da sonarsi con varij stromenti a
trè, fino a dodeci. Opera seconda |
| Massimiliano Neri |
Sonate e canzone a quatro da sonarsi
con diversi stromenti in chiesa, & in camera, Venetia, Bartolomeo Magni,
1644 |
| Milan, Luis de |
Libro de musica de vihuela de mano,
intitulado El Maestro |
| Monteverdi, Claudio |
L'Orfeo |
| Monteverdi, Claudio |
Madrigals |
| Monteverdi, Claudio |
Vespers |
| Morley, Thomas |
A plaine and easie introduction to
practicall musicke |
| Nauwach, Johann |
Libro Primo di Arie Passeggiate |
| Ornithoparchus, Andreas |
Musicae activae micrologus |
| Ornithoparchus, Andreas |
Musicae activae micrologus (John
Dowland, English text) |
| Petrucci, Ottaviano |
Odhecaton A |
| Phalèse, Pierre |
Hortus Musarum |
| Phalèse, Pierre |
Selectissima elegantissimaque, gallica
italica et latina in guiterna ludenda |
| Phalèse, Pierre & Jean
Bellère (publisher) |
HORTVS MVSARVM / IN QVO TANQVAM
FLOSCVLI / quidam selesctissimorum carminum collecti sunt ex optimis /
quihusque autoribus…, Louvain, Pierre Phalèse, 1552 |
| Phalèse, Pierre (publisher) |
Luculentum Theatrum Musicum (1568) |
| Pisador, Diego |
Libro de musica de vihuela / agora
nueuamente compuesto por Diego Pisador. |
| Robert de Visée |
PIECES / DE THEORBE ET DE LUTH / Mises
in Partition, Dessus et Baße / Composées / Par Mr. de Visée…,
Paris, Claude Roussel, 1716 |
| Susato, Tielman |
Le premier Livre des chansons à deux ou
à troix parties |
| Thomas Campion |
The Discription of a Maske, Presented
before the Kinges Maiestie at White-Hall, on Twelfth Night last, in honour of
the Lord Hayes, and his Bride, , London, John Windet for John Brown,
1607 |
| Thomas Mace |
Musick's monument |
| Thomas Morley |
A Plain and Easy Introduction to
Practical Music |
| Tobias Hume |
Captaine Humes Poeticall Musicke,
London, John Windet, 1607 |
| Tobias Hume |
The First Part of Ayres, French,
Pollish, and others together, London, John Windet, 1605 |
| Ucellini, Marco |
Sonate, arie e correnti |
| Valderrabano, Enriquez de |
Libro de Musica de Vihuela, intitulado
Silva de Sirenas |
| William Barley |
A New Book of Tabliture for the
Bandora: Contayning sundrie sorts of lessons, collected together out of
diuers good Authors, London, self published, 15966 |
| William Barley |
A New Book of Tabliture for the
Orpharion, London, self published, 15965 |
| William Barley |
A new Booke of Tabliture, Containing
sundrie easie and familiar Instructions, London, William Barley, 15964 |
| William Corkine |
AYRES, / TO / SING AND PLAY / TO THE
LUTE AND / BASSE VIOLL. / With Pauins, Galliards, Almaines, and / Corantos
for the Lyra / VIOLL, London, W. Stansby for John Browne, 1610 |
| William Corkine |
THE / SECOND BOOKE / OF / AYRES, /
Some, to Sing and Play to the / Base-Violl alone: / Others, to be sung to the
Lute and / Base Violl…, London, W. Barley, 1612 |