2019年1月10日木曜日

(J-Tn) Nanki Ongaku Bunko, Tokyo

Updated May, 2019.
   
Author  Title 
   
Abel, Carl Friedrich Six favorite overtures, adapted for the harpsichord or organ. London: Longman, Lukey & Co., ca. 1775. 27 p. 25 × 34 cm.
Albert, Heinrich Poetisch-musikalisches Lust Wäldlein, das ist Arien oder Melodeyen etlicher Theils geistlicher, Theils weltlicher… Königsberg, 1648.
Albrechtsberger, Johann Georg Gründliche Anweisung zur Composition.  Leipzig: J. G. I. Breitkopf, 1790. 440 p. 25 cm. M-6 (2).
Arcadelt, Jakob Cinquanta, et sei madrigali a quattro voci dello eccellente musico Giaches Arcadelt ... Libro Primo.  Venetia: Plinio Pietrasanta, 1557. 46 p. 15 × 21 cm. N-1 (18).
Bach, Carl Philipp Emanuel Exempel nebst achtzehn Probe-Stücken in Sechs Sonaten. Berlin: G. L. Winter, 1753. 20 p. 41 cm.
Bach, Carl Philipp Emanuel Exempel nebst achtzehn Probe-Stücken in Sechs Sonaten. Berlin: G. L. Winter, 1762. 20 p.
Bach, Carl Philipp Emanuel Exempel nebst achtzehn Probe-Stücken in Sechs Sonaten. Leipzig: Schwickert, 1787. 25 p. 41 cm.
Bach, Carl Philipp Emanuel Karl Wilhelm Rammlers Aufferstehung und Himmelfahrt Jesu. Leipzig: Breitkopf & Härtel, 1787. 184 p. 36 cm.
Bach, Carl Philipp Emanuel Sei Sonate per Cembalo. London: W. Randall, ca. 1770.
Bach, Carl Philipp Emanuel Versuch über die wahre Art das Clavier zu spielen. 2 vols. Berlin: G. L. Winter, 1759, 1762. 118, 341 p. 21 cm.
Bach, Carl Philipp Emanuel Versuch über die wahre Art das Clavier zu spielen. Hertzberg: F. Mohr, 1852. 436 p. 23 cm.
Bach, Johann Christian A new lesson for the harpsichord or piano forte. London: Longman, Lukey & Co., ca. 1770. 39 p. 34 cm.
Bach, Johann Sebastian Einige canonische Veränderungen über das Weynacht-Lied: Vom himmel hoch da komm ich her… Nürnberg, Balth. Schmids, Pl. no. XXVIII. 6 p. 37 cm.
Becker, Carl Ferdinand Systematisch-chronologische Darstellung der musicalischen Literatur. 1836 [M-2 (22]
Blow, John An Ode on the death of Mr. Henry Purcell. London: Henry Playford, 1696. 30 p. 32 cm.
Boccherini, Luigi The grand symphonies for violins, oboes, horns, tenors, and violoncelos &c. in 10 and 12 parts obligato. London: Longman and Broderip. 36 cm.
Bononcini, Antonio Maria Songs in the new opera of Camilla. London: John Cullen, [n. d.]. 47 p. 34 cm.
Caix d'Hervelois, Louis de Pièces de viole avec la basse continue. 2 vols. Amsterdam: Michel Charles Le Cene, [n. d.]. Pl. no. 479. 43, 68 p. 29 cm. N-2 (16).
Chilesotti, Oscar Da un Codice Lauten-Buch del Cinquecento Trascrizioni in notazione moderna.  Leipzig: Breitkopf & Härtel, ca. 1890. Pl. no. 18821. 101 p. 16 × 21 cm. N-5 (5).
Chilesotti, Oscar Lautenspieler des XVI. Jahrhunderts. Ein Beitrag zur Kenntnis des Ursprungs der moderne Tonkunst.  Leipzig: Breitkopf & Härtel, 1891. xvii, 248 p. 17 × 27 cm. N-2 (10).
Cimarosa, Domenico L’impresario in Angustie. Paris: Sieber, Pl. no. 1051. 214 p. 34 cm.
Clari, Giovanni Carlo Maria Sei Madridali, Messi in musica. London: Bremner, 1740. 62 p. 36 cm.
Daube, Johann Friedrich General-Baß in drey Accorden, gegründet in den Regeln der alt- und neuen Autoren., 1756. Leipzig: J. B. Andrä, 1756. xxii, 215 p. M-1 (47).
Gamble, John Ayres and Dialougues (to be sung to the Theorbo-lute or Bass-viol).  London: W. Godbid, 1657. 82 p. 30 cm. N-6 (29).
Geminiani, Francesco Guida armonica, o dizionario armonico. Opera X. London: J. Johnson, 1742. 34, 10 p. 34 cm. M-7 (14).
Handel, George Frideric A second set of six concertos for the harpsichord or organ. London: J. Walsh, 1740. 61 p. 30 cm.
Handel, George Frideric Acis and Galatea. London: W. Randall, 1769. 89 p. 32 cm.
Handel, George Frideric Der Messias. Oratorium. Leipzig, Kistner, 1884. Pl. no. 6300. v, 334 p. 34 cm. Last page is wanting.
Handel, George Frideric Faramondo. London: J. Walsh, 1738. Pub. No. 633. 91 p. 32 cm.
Handel, George Frideric Handel’s songs selected from his oratorios. For the harpsichord, voice, hoboy, or German flute. Vol. 1. London: J. Walsh, [n. d.] 170 p. 22 × 31 cm.
Handel, George Frideric Messiah, a sacred oratorio. [n. p.], [n. d.]. 219 p.
Handel, George Frideric Oratorium. Der Messias. Leipzig, Breitkopf & Härtel, 1803. 108, 95, 48 p. 29 × 36 cm.
Handel, George Frideric Sacred Oratorio, The Messiah. London: Novello, [n. d.]. iv, 297 p. 39 cm.
Handel, George Frideric Six concertos for the harpsichord or organ. [1st set.] London: J. Walsh, ca. 1738, or later. 48 p. 32 cm.
Handel, George Frideric Six concertos for the harpsichord or organ. [1st set.] London: J. Walsh, ca. 1750. 48 p.
Handel, George Frideric Six concertos, (commonly called the Hautboy concertos). London: Birchall, [n. d.]. 49 p. 37 cm.
Handel, George Frideric Songs in the opera of Rinaldo. London: J. Walsh, 1711. 65 p. 37 cm.
Handel, George Frideric Suites de pieces pour le clavecin. 2 vols. London: J. Walsh, ca. 1736 & 1784.
Handel, George Frideric Suites de pieces pour le clavecin. 2 vols. London: J. Walsh, ca. 1784. 94, 83 p. 26 × 26 cm.
Handel, George Frideric Suites de pieces pour le clavecin. Vol. 1. London: J. Walsh, ca. 1736. 94 p. 24 × 34 cm.
Handel, George Frideric The Messiah, an oratorio. London: Goulding & D’Almaine, [n. d.]. 343 p. 37 cm.
Handel, George Frideric The Messiah. An Oratorio. 2 vols. London: The Handel Society, 1850. 593 p. 39 cm.
Handel, George Frideric The Messiah. An Oratorio. London: [The Royal Harmonic Institution], [n. d.]. Pl. no. 283. 188 p. 33 cm.
Handel, George Frideric The Messiah; an oratorio… For the voice, harpsichord, and violin; with the chorusses in score. London: Harrison & Co., 1784. 88 p. 25 × 35 cm.
Handel, George Frideric The Messiah… Arranged for the organ or piano forte. London: S. J. Button & J. Whitaker, ca. 1808. 213 p. 37 cm.
Handel, George Frideric Theodora, an oratorio. London: J. Walsh, 1778. 191 p. 34 cm.
Haydn, Joseph Ariana a Naxos. London: J. Blands, [n. d.]. 18 p. 27 × 36 cm. (With autograph signature of the Haydn.)
Haydn, Joseph Die Jahreszeiten. Leipzig: Breitkopf & Härtel, [n. d.]. v, 251 p. 34 cm.
Haydn, Joseph Die Schoepfung. Wien, [n. d.]. 303 p. 36 cm.
Haydn, Joseph Die Worte des Erlösers am Kreuze. Leipzig: Breitkopf & Härtel, ca. 1801. 108 p. 27 × 36 cm.
Haydn, Joseph Die Worte des Erlösers am Kreuze. Leipzig: Breitkopf & Härtel, ca. 1801. 68 p. 30 cm.
Haydn, Joseph Haydn, Michael (1737-1806). Requiem. Leipzig: A. Kühnel, ca. 1811. 38 p.
Haydn, Joseph Seven sonatas with an introduction and finale, for the pianoforte or harpsichord. Op. 45. London: Longman & Broderip, [n. d.]. 27 p. 33 cm.
Haydn, Joseph The celebrated concertante, La reine de France, adapted for the harpsichord or piano-forte with an accompaniment for a violin. London: Longman & Broderip, [n. d.]. 12 p. 35 cm.
Haydn, Joseph Twelve ballads, adopted to English words with an accompaniment for the harpsichord or piano forte. London: Longman & Broderip, [n. d.]. 24 p.
Haydn, Joseph XII Lieder für das Clavier. Wien: Artalia, 1784. 80 p. 22 × 32 cm.
Jones, John Jones, John (1728-1796). Lessons for the harpsichord. Vol. 1. London: the author, 1761. 55, 63 p. 27 × 36 cm.
Lawes, Henry Choice psalmes put into musick, for three voices. London: J. Young, H. Humphrey Moseley, 1648.
Lawes, Henry Comus, a Mask.  London: J. Hughs, R. Dodsley, 1738. 52 p. 21 cm. M-6 (56).
Lawes, Henry Psalmody for a single voice, being twenty-four melodies for private devotion, with a base for voice or instrument. [n. p.], W Blanchard, 1789. viii, 51 p. 23 cm.
Lenton, John A three part consort of new musick; consisting of overtures, trio’s, and ayres, &c. First treble. London: J. Heptinstall, 1697. 16 p. 18 × 22 cm.
Leveridge, Richard A collection of songs. 2 vols. London: the author, 1727. 65, 64 p. 20 cm.
Lock, Matthew English opera or the vocal musick in Psyche. London: T. Ratcliff & N. Thompson, 1675. 76 p. 25 cm.
Marcello, Beneditto Estro poetico-armonico. Parafrasi sopra li primi. 8 vols. Venezia, 1724-1726. 39 cm.
Marcello, Beneditto Estro poetico-armonico. Parafrasi sopra li primi. 8 vols. Venezia, 1724-1726. 39 cm.
Marpurg, Friedrich Wilhelm Exempel in LXII und LX Kupfertafeln zur Abhandlung von der Fuge. 4. Ausgabe. Leipzig: C. F. Peters, 1858. 63 p. 27 × 42 cm.
Mattheson, Johann Das beschützte Orchestre. Hamburg: Schiller, 1717. 561 p. 16 cm.
Mattheson, Johann Das neu-eröffnete Orchestre.  Hamburg, B. Schiller, 1713. 338 p. 15 cm. M-5 (27).
Mattheson, Johann Der vollkommene Capellmeister. Hamburg: Herold, 1739. 484 p. 33 cm.
Mattheson, Johann Exemplarische Organisten-Probe im Artikel vom General-bass. Hamburg: Schiller, 1719. 128, 276 p. 21 cm.
Morley, Thomas A plaine and easie introduction to practicall musicke. 1597
Morley, Thomas A plaine and easie introduction to practicall musicke. 1597. Reprinted for W. Randall, 1771. iv, 257, 29 p. 26 cm. M-2 (21).
Morley, Thomas Canzonets, or little short songs to three voyces.  London: Thomas Est, 1593. 44 p. 21 cm. Include MS pages. N-5 (22).
Orpheus Britannicus Orpheus Britannicus; or, The gentlemen and lady's musical museum: Consisting of one hundred favorite songs.  London: B. Cole, 1760. 98 p. 24 cm. N-1 (25).
Palestrina, Giovanni Pierluigi da Raccolta di musica sacra in cui contengonsi i gapi lavori de più celebri compositori italiani. Vol. 7. Roma: F. Martelli, 1846. 422 p. 38 cm.
Pearson, William Harmonia Sacra: or divine hymns and dialogues: with a through-bass for the theorbo-lute, bass-viol, harpsichord, or organ. Vol. 1.  London: W. Pearson, J. Young, 1714. 130 p. 33 cm. N-6 (44-1).
Pearson, William Harmonia Sacra: or divine hymns and dialogues: with a through-bass for the theorbo-lute, bass-viol, harpsichord, or organ. Vol. 2.  London: W. Pearson, J. Young, 1714. 112 p. 33 cm. N-6 (44-2).
Pellegrini, Ferdinando Six lessons for the harpsichord. Opera Vth. London: R. Bremner, ca. 1770. 19 p. 33 cm.
Pepusch, Johann Christoph Polly. London: the author, 1729. vii, 72, 31 p. 22 cm.
Playford, Henry Deliciae Musicae: Being a collection of the newest and best songs sung at court and the Publick Theatres. 4 vols.  London: H. Playford, 1695-1696. 32, 24, 22, 18 p. 32 cm. N-6 (26).
Playford, Henry Deliciæ Musicæ: Being a collection of the newest and best songs sung at court and the Publick Theatres. 6 vols.  London: J. Heptinstall, H. Playford, 1695-1696. 32, 24, 22, 18, 18, 26 p. 32 cm. N-6 (104).
Playford, Henry Deliciæ Musicæ: Being a collection of the newest and best songs sung at court and the Publick Theatres. 7 vols.  London: J. Heptinstall, H. Playford, 1695-1696. 24, 18, 18, 18, 26, 18, 6 p. 32 cm. N-6 (103).
Playford, John An introduction to the skill of musick. London: E. Jones, the author, 1697. ix, 134 p. 16 cm.
Playford, John An introduction to the skill of musick. London: W. Pearson, the author, J. Sprint, 1703. 180 p. 18 cm.
Playford, John Chioce ayres, songs, & dialogues. To sing to the theorbo-lute, or bass-viol. Being the most newest ayres and songs. 5 vols.  London: J. Playford, 1676-1684. 95, 67, 52, 87, 63 p. 32 cm. N-6 (20).
Playford, John Porpora, Nicola (1686-1768). All’ Altezza reale di Federico Prencipe reale di Vallia e Prencipe Elettorale di Hanouer. London, 1735. 82 p. 25 × 35 cm.
Playford, John Psalms & hymns in solemn musick of foure parts on the common tunes to the psalms in metre. London: W. Godbid, J. Playford, 1671. 8, 97, 3 p. 31 cm.
Playford, John Select musicall ayres and dialogues, in three bookes.  London: T. H., J. Playford, 1653. 36, 33 p. 30 cm. N-6 (88).
Playford, John The dancing master: containing directions and tunes for dancing.  London: W. Pearson, 1716. 358 p. 12 × 21 cm. M-5 (28).
Playford, John The whole book of psalms: with the usual hymns and spiritual songs. London: W. Godbid, J. Playford, 1677. 8, 293, 3 p. 19 cm.
Purcell, Henry A choice collection of lessons for the harpsichord or spinnet. London: Frances Purcell, [n. d.]. viii, 63 p. 12 × 23 cm.
Purcell, Henry A collection of ayres. London: J. Heptinstall, Frances Purcell, B. Aylmer, 1697. 32 cm.
Purcell, Henry A collection of songs for two and three voices taken from Orpheus Britannicus. London: J. Johnson, [n. d.]. 70 p. 33 cm.
Purcell, Henry A collection of the most celebrated songs & dialogues. London: R. Meares, [n. d.]. 40 p. 35 cm.
Purcell, Henry A fool’s preferment. London: J. Knight, 1688. 88, 16 p. 22 cm.
Purcell, Henry A musical entertaiment perform’d on November XXII. 1683. It being the festival of St. Cecillia. London: J. Playford, Jr., 1684. 40 p. 20 cm.
Purcell, Henry A new edition of the celebrated music in the Tempest. London: Broderip & Wilkinson, ca. 1800. 50 p. 35 cm.
Purcell, Henry Amphitryon; or the two Sofia’s. [Libretto]. London: J. Tonson, 1691. 57 p. 21 cm.
Purcell, Henry Harmonia sacra or select anthems in score for one, two, and three voices. London: J. Walsh, [n. d.]. 34 p. 34 cm.
Purcell, Henry King Arthur: Or, the British Worthy. [Libretto]. London: W. Strahan, L. Hawes, T. Davies, T. Lownds, T. Becket, W. Griffin, 1770. 49 p. 21 cm.
Purcell, Henry Orpheus Britannicus. A collection of all the choicest songs for one, two, three voices. 2 vols.  London: J. Heptinstall, W. Pearson, H. Playford, 1698 &  1702(Book2). 248, 176 p. N-3 (15).
Purcell, Henry Orpheus Britannicus. A collection of all the choicest songs for one, two, three voices. 2 vols.  London: W. Pearson, J. Cullen, 1706(Book1) & 1711(Book2). 286, 204 p. N-7 (32).
Purcell, Henry Orpheus Britannicus. A collection of all the choicest songs for one, two, three voices. 2 vols.  London: W. Pearson, J. Young, 1721(Book1 & 2). 286, 204 p. N-7 (33).
Purcell, Henry Sonata’s of III parts: two violins and basse: to the organ or harpsichord. London: the author, J. Playford, J. Carr, 1683.
Purcell, Henry Sonata’s of III parts: two violins and basse: to the organ or harpsichord. London: the author, J. Playford, J. Carr, 1683. 27 cm.
Purcell, Henry Sonata’s of III parts: two violins and basse: to the organ or harpsichord. London: the author, J. Playford, J. Carr, 1683. Part for 1st Violin is missing.
Purcell, Henry Sonata’s of III parts: two violins and basse: to the organ or harpsichord. Part for 2nd Violin. London: the author, J. Playford, J. Carr, 1683. 24 p.
Purcell, Henry Sonata’s of III parts: two violins and basse: to the organ or harpsichord. Part for 2nd Violin. London: the author, J. Playford, J. Carr, 1683. 24 p. 30 cm.
Purcell, Henry The favorite songs, duetts & chorusses of (Britons. Strike Home &c.) in “Bonduca.” London: R. Birchall. 21 p. 33 cm.
Purcell, Henry The original music in the Tempest. London: Lonsdale, [n. d.]. 69 p. 36 cm.
Purcell, Henry The songs in the Indian Queen. London: J. Heptinstall, J. May, 1695. 14 p. 32 cm.
Purcell, Henry The vocal and instrumental Musick of the Prophetess or the history of Dioclesian. London: J. Heptinstall, 1691. 173 p. 35 cm.
Quantz, Johann Joachim Versuch einer Anweisung die Flöte traversiere zu spielen. Breslau: J. F. Korn, 1789. 334, 24 p. 24 cm.
Rameau, Jean Philippe Code de musique practique, ou méthodes. Paris: L’imprimerie Royale, 1760. xx, 237 p. 28 cm.
Robinson, Thomas New Citharen lessons.  London: W. Barley, 1609. 53 p. 21 cm. M-6 (72).
Rousseau, Jean Jacques Les consolations des miseres de ma vie, ou recueil d’airs romances et duos. Paris: De Roullede de la Chevardienne, 1781. 199 p. 34 cm.
Rousseau, Jean Jacques Dictionnaire de musique. Paris: Veuve Duchesne, 1768. ix, 548 p. 27 cm.
Rousseau, Jean Jacques Musique. Edited and Reprinted by Framery, Ginguené et Monigny. 1791. 1818. 40 p. 22 cm.
Salmon, Thomas A proposal to perform musick, in perfect and mathematical proportions.  London: J. Lawrence, 1688. 42 p. 24 cm. M-6 (78).
Scarlatti, Domenico Forty-two suits of lessons for the harpsichord. Vol. 1. London: Preston, 1785. 62 p. 26 cm.
Scarlatti, Domenico Forty-two suits of lessons for the harpsichord. Vol. 2. London: Preston, 1785. 67 p. 26 cm.
Scarlatti, Domenico Forty-two suits of lessons for the harpsichord. Vol. 3. London: Preston, 1785. 25 p. 26 cm.
Scarlatti, Domenico Libro de XII Sonatas modernas para Clavicordio. London: J. Johnson, [n. d.]. 41 p. 34 cm.
Scarlatti, Domenico XLII Suite de pieces pour le clavecin. 2 vols. London: B. Cooke, 1739. 62, 67 p. 26 × 34 cm.
Schilling, Gustav Musikalische Dynamik oder die Lehre von Vortrage in der Musik.  Cassel: J. C. Krieger, 1843. 367 p. 22 cm. M-6 (88).
Smith, John Christopher Suites de pièces pour le clavecin. 2 vols. London: J. Walsh, [n. d.]. 59, 82 p. 24 × 30 cm.
Smith, John Christopher Suites de pieces pour le clavecin. London: J. C. Smith, [n. d.]. 59 p. 24 × 30 cm.
Tailour, Robert Sacred hymns. Consisting of fifty select psalms of David and others.  London: T. Snodham, 1615. 136 p. 23 cm. N-1 (28).
Voigtländer, Gabriel. Allerhand Oden und Lieder. Lübeck: M. Volken, 1650. 116 p. 31 cm. N-6 (97).
Walsh, John The Catch Club or Merry Companions being a choice collection of the most diverting catches for three and four voices. 2 parts.  London: J. Walsh, ca. 1730. 17 × 24 cm. N-1 (2).
Weldon, John Divine harmony. Six select anthems for a voice alone with a thorow bass for the organ, harpsichord or arch-lute.  London: J. Walsh, [n. d.]. 29 p. 35 cm. N-7 (44). 1716
Worgan, John Six sonatas for the harpsichord. London: the author, J. Johnson, 1769. 30 p. 24 cm.